Editions Mego

Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg.

2024 repress of KMRU's first release for Editions Mego.

2024 repress of KMRU's first release for Editions Mego.

NPVR is the avant garde duo made up of the late Peter Rehberg and Nik Void. Editions Mego is proud to present their second and final release. No this is not some kind of Beatles synthetic AI that raises the dead reconstructed recordings but rather a new album made by the humans and their machines.

The new album by Material Object reveals a completely new sound for the artist as he combined acoustic and electronic tools to create stunning album of depth and beauty.

The sophomore album by the Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku: a series of sonic essays based around themes of psychological phenomena, which can be read as a musical enquiry into the human condition.

The sophomore album by the Istanbul born and raised, Berlin based electronic music composer and sound artist Hüma Utku: a series of sonic essays based around themes of psychological phenomena, which can be read as a musical enquiry into the human condition.

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

The definitive edition of Fennesz's breakthrough album, newly mixed by himself.

Klara Lewis returns to Editions Mego with a surprising live set recorded in 2018. Expanding her exploratory vision into haunted realms of unheimlich sound, Live in Montreal consists of a single piece with three distinct discernible sections.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

Fantas Variations features eight reworks of Caterina Barbieri's composition Fantas (Ecstatic Computation, 2019) by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work.

Cylene Suisse Redux documents François J. Bonnet and Stephen O'Malley's Switzerland tour in December 2019, following the release of their first album, Cylene, whose material is re-worked by Jim O'Rourke and Ryoji Ikeda.

Two essentiel works of musique concrète commissioned for and and realised at the GRM by Lionel Marchetti during the mid ‘90s.

A split album as part of the GRM Portraits series with two electroacoustic pieces by Florian Hecker (computer-generated multiphonic sounds and resynthesized recordings of localized textures) and Okkyung Lee (an acousmatic piece written for computer-generated sounds, pre-recorded materials and cello that was developed for the Acousmonium sound diffusion system during a residence at Ina GRM, Paris, in January 2019).

A highly psychedelic electroacoustic piece from 1981 built on fractal patterns in the studios of the Groupe Musiques Vivantes de Lyon, and another one composed almost four decades later, based on birdsong and forest sounds.

Two pieces of electroacoustic music and musique concrète, Music Promenade (1964-1969, permanent version for four stand-alone tape recorder) and Unheimlich Schön (made in 1971 in the studios of the Südwestfunk in Baden-Baden).

Three rare pieces by a composer best known for his work for the stage, dance and theater, a perfect introduction to the work of a fascinating figure of 20th century electroacoustic music.

Two contrasting pieces by French composer Michèle Bokanowski, recorded a decade apart, which nevertheless demonstrate her unique style.

Two pieces that evolve with grace and inspiration in the vast domain of the sound world, each with their own agenda.

Recorded at INA GRM and Steamroom, covering a period of thirty years, the gap between the two visits Jim O'Rourke made to the GRM, featuring Eiko Ishibashi on piano, Atsuko Hatano on violin and viola and Eivind Lonning on trumpet, Shutting Down Here is considered by O'Rourke himself as his “most meaningful” release.

Reissue of Bernard Parmegiani's masterpiece (1975), considered as a milestone in the history of music, an absolute classic of electroacoustic music.

Reissue of Jim O'Rourke's album recorded 1997-1999 in NY, Osaka, Tokyo, Toronto and Malmö, originally released on Mego in 2001, with a bonus disc featuring unreleased material from the same period, sourced from O'Rourke's vast archive, with new artwork.