French Theory and American Art

French Theory and American Art: An Introduction
Anaël Lejeune, Olivier Mignon, and Raphaël Pirenne

American Beginnings
Sylvère Lotringer

The Reasons of Art and the Lunacy of Theory
François Cusset

Structurism and Structuralism in New York's Artistic Field in the Mid-1960s
Katia Schneller

From the Death of the Author to the Birth of the Reader: A Conceptual Perspective
Erik Verhagen

Sartrean Phenomenology and Post-Minimalism: On Some Works by Mel Bochner and Dan Graham
Larisa Dryansky

Minimalism and the Fate of “Theory”
Stephen Melville

October and the Problem of Formalism
Peter Osborne

The British Bridge
Laura Mulvey and Victor Burgin interviewed by Hilde Van Gelder and Alexander Streitberger

How to Do the History of French Theory in the Visual Arts: A New York Story
John Rajchman

Impossibilities: Painting Between Jean-François Lyotard and Philippe Lacoue-Labarthe
Philip Armstrong

Laughing with the Medusa: Notes on Hélène Cixous and American Feminist Artists
Jean-Michel Rabaté

Maurice Blanchot, Tel Quel, and the Formation of a Sadean Aesthetic in the Work of Vito Acconci
Benjamin Greenman

“Women at Home”: Martha Rosler and Yvonne Rainer, Circa 1975
Rachel Haidu

“Simulationism” and Its Discontents: Peter Halley Reading Jean Baudrillard
Kassandra Nakas