Some thoughts on authority by
Jan Verwoert,
Stylometry by John Menick,
The Theater of Violence by Sladja Blazan,
Manila in the Claws of Darkness by Giulio Bursi,
Gottfried Lindauer
by
Jens Hoffmann,
On Disintegration by Andrew Durbin,
Notes on the Post-Digital Condition by
Omar Kholeif,
Learning To Escape the Politics of Prediction by
Chus Martínez,
Adam Broomberg & Oliver Chanarin
by Adam Carr,
Robert Gober
by
Hans Ulrich Obrist,
Jean-Frédéric Schnyder
by Massimiliano Gioni,
The Authority of the Readymade and Other Fallacies by Sofía Hernández Chong Cuy,
Mélanie Matranga
by Laura McLean-Ferris,
Guan Xiao
by Nav Haq,
Minimalism as Pathos by
Nick Currie,
Alice Könitz / Kim Fisher
by
Andrew Berardini,
Steinar Haga Kristensen
by Steinar Haga Kristensen,
Valentinas Klimašauskas, and Eirik Senje,
Bruce McLean / Tamara Henderson
by Krist Gruijthuijsen,
The End of Art in Public Space by Jennifer Allen,
Patrick Staff
by Gil Leung,
The Inevitable Explosion by Filipa Ramos.
Mousse is a bimonthly contemporary art magazine. Established in 2006,
Mousse contains interviews, conversations, and essays by some of the most important figures in international criticism, visual arts, and curating today, alternated with a series of distinctive articles in a unique tabloid format.
Mousse (Mousse Publishing) also publishes numerous catalogues, essays and curatorial projects, artist books and editions (see the corresponding
publisher's page).
