How does artificial intelligence affect the way we represent reality? Is it still photography? By contextualising contemporary uses of photography generated or analysed with the help of artificial intelligence, this book offers a critical reflection on the aesthetic, political and theoretical stakes of these technologies.

Edited by design historian Emanuele Quinz, this volume brings together for the first time in French some fifty texts written by Ettore Sottsass between 1945 and 2001—essays, columns, and literary narratives—that reveal a constantly evolving philosophy of design.

A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.

A powerful and highly original psychoanalytical, philosophical, and political exploration of the dimensions of sensitivity, the unconscious, and psychedelia in the context of an experience based on medicinal plants (peyote, mushrooms, and ayahuasca) and psychotropic drugs, in the wake of Félix Guattari's thinking.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

A reflection on the ways in which current artistic and curatorial practices, with their emphasis on cooperation, and pedagogical practices informed by feminist, anti-racist and ecological epistemologies, interact today to create an other pedagogical turning point.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

Through an analysis of the social and cultural history of the imperative of "creativity" that now shapes our lives, Andreas Reckwitz examines the paradoxical promises of aesthetic capitalism.

A book that builds on the curatorial work developed by Elvan Zabunyan around the archives and correspondence of Angela Davis, Audre Lorde, and Toni Morrison.

This issue 0 of the annual magazine dedicated to ceramics and related arts unfolds like a day, from morning until evening. But behind this day lies another, more expansive one: that of a life, from birth to death.

Soft Photography examines the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).

Marking fluent's tenth anniversary, this book traces the organization's archive and includes an exhaustive chronology of over 300 pages that examines its own narrative while revisiting its history.

Special issue on performance and sound art.

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

A book that unfolds around a single word: headwear. An unusual, compound word, this broad title opens the doors to the history of the hat, to its forms and functions, to the importance of a vital accessory.

A book that unfolds around a single word: headwear. An unusual, compound word, this broad title opens the doors to the history of the hat, to its forms and functions, to the importance of a vital accessory.

Issue 41 of the magazine of the Palais de Tokyo looks at the realities of artistic creation beyond urban areas and interrogates the idea of territory.

The dangerous liaisons between art and oil: the question of artworks and the postcolonial power dynamics shaped by the oil industry, in the era of global warming and of our civilization burning.

Considered among the most important field recordings of traditional Ethiopian music ever made, the recordings made in Addis Ababa by Ragnar Johnson and Ralph Harrison in 1971 capture the full richness and diversity of the country’s folk music.

This catalogue examines how the act of "making" can restore a different sense of time and physical perception within an increasingly accelerated society, through the work of ten Japanese artists with material-driven, craft-based approaches.

Dedicated to the study and critique of the WIP (Women in Prison) film genre, this book brings together a body of work spanning pop culture, historiography, activism, and the visual arts to examine representations of female incarceration.

This posthumous work is the first monograph devoted to the Franco-Palestinian artist and activist Amal Abdenour (1931–2020).

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

La Gauchère is an illustrated book that chronicles several years of research on left-handedness. It calls for left-handedness to be viewed as a creative force, beyond the pejorative connotations commonly attributed to the term and to those who are mal à droite (uncomfortable with right-handedness and awkward).

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

A retrospective of 10 years of graphic and typographic research by Coline Sunier & Charles Mazé during their residency at the Brétigny Art Center, presented as an alphabet book comprising 901 collected letters and symbols.

Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound.

As part of the 7L's Correspondances program, Katrien de Blauwer explored the collection of books and magazines of Karl Lagerfeld's library at 7L, and reinterpreted it through a new series of photomontages in which the images serve as both a reference and a mirror.

The first book devoted to the late writer and actress Dorothy Dean (new expanded edition).

This monograph on French-Caribbean artist Lucas Erin offers the first occasion to encompass an artistic practice rooted in a multicultural exploration of encounters, human interaction and forms of resistance to social normalisation.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

Stephen Felton's first major monograph traces a decade of painting between spontaneity and reflection.

A review and extension of Vincent Grange's artistic explorations of queer spaces and cultures.

A labyrinthine collection of 100 short stories written by Peter Greenaway throughout his career, serving as sources of inspiration, provocations, or ideas for unmade films, paintings, or exhibitions, illustrated by the strange fairy-tale characters of Italian filmmaker and stop-motion animator Stefano Bessoni.

A labyrinthine collection of 100 short stories written by Peter Greenaway throughout his career, serving as sources of inspiration, provocations, or ideas for unmade films, paintings, or exhibitions, illustrated by the strange fairy-tale characters of Italian filmmaker and stop-motion animator Stefano Bessoni.

The script (with drawings) for Peter Greenaway's film tells of a 19th century Chinese love affair and its consequences, based apparently upon a real historical situation taking liberties with history to make an extravagant fantasy.

Two sharp accounts by Ana Teixeira Pinto and Abeera Khan on the current ideological shifts and the subsequent forms of violence they produce.

First monograph.

A new approach to Kounellis's work, focusing on the evolution of his painting practice over nearly seven decades.

Música para Plátanos takes its name—and much of its inspiration—from the group's recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.

Reference monograph.

New monograph.

A collective biography exploring the legacy of Nathalie Magnan (1956–2016), a pioneer of cyberfeminism and media activism.

A large survey of the practice of artist Oscar Murillo with a concentration on bodies of work produced from 2019-2026.

The American photographer's first book.

One of Phill Niblock's final compositions, commissioned by bassist Robert Black, completed in late November 2023, based on recordings of acoustic bass and bass clarinet performed by Neil Leonard and Robert Black under Niblock's direction in 2021.

Lydia Ourahmane’s first monograph, documenting a project developed through immersion during a several-month residency in Venice, as part of the 61st Venice Biennale.