A chronicle of the punk wave in France in the late 1970s, as seen and experienced from the inside, weaving together the memories of Miss OD, the muse of the emerging Parisian punk scene, and FanXoa, at the dawn of the formation of Béruriers / Bérurier Noir, like flashes of a remarkable, dangerous, and out-of-control era that undoubtedly still has something to say about our present day.

A visual history of the Folly Cove Designers (1941-1969)—one of America's longest-running block printing collectives.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing (new edition).

Clément Cheroux, Julie Peeters, Manuel Krebs, and Shirana Shahbazi reflect on their relationship to photography and books.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Zeynep Öz, this volume explores the relationship between publication and exhibition-making.

Soft Photography examines the role of human emotions in the creation and reception of images produced using generative Artificial Intelligence (AI) or computer-generated imagery (CGI).

An overview of the unique work produced by the studio for artists with disabilities that has been active in Fribourg since the late 1990s.

Considered among the most important field recordings of traditional Ethiopian music ever made, the recordings made in Addis Ababa by Ragnar Johnson and Ralph Harrison in 1971 capture the full richness and diversity of the country’s folk music.

A collection of critical reflections on the role of digital tools in artistic practices, and on how networks are redefining our sensibilities, our imaginations, and our ways of living together.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Megan Tamati-Quennell, Ihi expands on her curatorial framework, exploring Indigenous knowledge systems, ancestral relationships, and the ways in which contemporary artistic practices carry memory, identity and cultural continuity across time and place.

This publication is one of the catalogues accompanying Sharjah Biennial 16, each dedicated to the Biennial's curatorial propositions. Edited by Alia Swastika, this volume expands on Rossestrata, a curatorial framework named after the Rosetta Stone that explores how feminist perspectives and nonlinear readings of bodies and texts can reshape curatorial and educational practices.

This first major monograph on Alfredo Aceto offers a comprehensive overview of his manifold practice, across sculpture, installation, video, photography, and drawing.

An overview of Ismaïl Bahri's practice and most recent research, presented through an in-depth interview between the artist and François Piron, illustrated with numerous reproductions.

An overview of Ismaïl Bahri's practice and most recent research, presented through an in-depth interview between the artist and François Piron, illustrated with numerous reproductions.

A collective photography project that explore the borders between artistic research and scientific investigation, with special reference to the study of dark matter and dark energy.

An in-depth record of Barrada's latest experiments in the fields of color, dyeing, language, mythmaking and material culture for the French Pavilion at the 61st Venice Biennale.

Originally developed as the sonic counterpart to an exhibition by visual artist Anastasia Bay, Mæstra Lacrymæ is an opera conceived and directed by Bay and written and composed by multidisciplinary artist Joseph Schiano di Lombo.

An audio anthology of the composer and choreographer Ernest Berk (1909–1993), a little-known pioneer of electronic and concrete music, creator of a prolific and visionary body of work, yet died in obscurity.

An audio anthology of the composer and choreographer Ernest Berk (1909–1993), a little-known pioneer of electronic and concrete music, creator of a prolific and visionary body of work, yet died in obscurity.

For its second album on the Sub Rosa label, released as a 3-CD box set, the Brussels-based string quintet BOW presents its most extensive document to date—an immersion into the heart of their practice, unfiltered and unhurried.

An ethnographic wander in the streets of Paris.

The first volume in a series dedicated to the photographic work of Peter Christopherson, co-founder of the highly influential band Coil, brings together his portraits of the four very young members of the Sex Pistols at the time the band was formed in 1975.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

First reissue of Coil's seminal 1984 EP, originally released in 1984 on L.A.Y.L.A.H.

An account of a pilgrimage amid the sacred and the profane through the cemeteries of the Swiss Confederation, to pay tribute to the memory of illustrious figures from the worlds of poetry, literature, religion, painting, fashion, sport, philanthropy, cinema and psychoanalysis.

A personal selection of remarkable architectural projects in Belgium.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

In For I am a Sign, an artist's book for children, Ryan Gander collaborates with his non-verbal son, Baxter, to explore the intersection between verbal and non-verbal language.

An interview conducted on December 18, 1974, with photographer Peter Hujar about an ordinary day in his life, released to the public half a century after it was recorded.

The Zenne Quartet performs the quartets of contemporary Belgian composer Walter Hus.

Stone Assemblies takes Jumana Manna's major public artwork for Oslo's Government Quarter as its starting point, opening up a collective reflection on the politics of stone, ruination, and dissent.

A monograph centered on a series of recent oil paintings on linen by Calvin Marcus, that depict magnified renderings of the artist's flesh, extending Marcus's investigation of media, process, and the abject in the familiar.

Comprehensive monograph.

Designed in collaboration with the artist, this monograph provides a comprehensive overview of Benoît Piéron’s work from the late 2000s to the present.

Rabasta, the versatile project by Swiss composer and musician Benoît Moreau, draws inspiration—in this quartet configuration—from Pascal Quignard's The Hatred of Music.

First monograph.

For fifty years, Elles Sont de Sortie has occupied a singular and uncompromising place in the history of French underground publishing. 50 ans de Pourriture Noble is the latest incarnation of an ongoing project dedicated to documenting ESDS's radical and relentlessly independent graphic activity, from its origins to the present day.

This book brings together a series of previously unpublished essays on the work of Terry Riley, accompanied by numerous never-before-seen archives. It is the first major work to offer such an in-depth exploration of his body of work and his artistic career.

This book brings together a series of previously unpublished essays on the work of Terry Riley, accompanied by numerous never-before-seen archives. It is the first major work to offer such an in-depth exploration of his body of work and his artistic career.

How the transition to fossil fuels entailed an intensification of ongoing processes of racialization.

Reference monograph.

A project that considers the role of the Tirailleurs in liberating France from Nazi Germany, how their efforts contributed to the liberation of Germany itself, and their impact on securing peace in Europe post-1945.

A collaborative research and artistic project about restitution, reparation and transformation taking place in multiple locations over several years.