An analysis of the processes by which certain seemingly innocuous popular forms of modernity are used to serve fascism, through the example of synchronized dancing, which was imbued with the symbolism of Nazi domination.

This collection of texts on design by the avant-garde Italian architectural group Superstudio (1966-1982) highlights one of the most powerful and complex moments in the period of Italian architectural neo-avant-garde, revealing a progressive and increasingly radical reflection on the meaning of design, on architecture and design as forms of thought, and finally on life itself as a project.

A collection of essays on audio archives of poetry.

A collective work examining fifty years of poetic activity by Bernard Heidsieck (1928-2014), a central figure in sound poetry and performance poetry, a major poet of the second half of the 20th century, along multiple axes.

An essay on the figure of the writer-

A collective exploration of the murky area where practices from sound art, visual arts, performance, digital technologies, science, but also poetry and philosophy intersect in a constantly evolving digital environment, drawing on the cross-disciplinary dynamics and experiments initiated by the international festival ]interstice[ in Caen.

The French translation of a seminal work considered to have sparked the "affective turn" in philosophy and cultural theory.

D. N. Rodowick examines the complex relationships between contemporary art and cinema, around questions of movement, image, time, and history.

What translation does to performance and what performance does to translation: a collective publication exploring the relationship between translation and performance, including the fields of theater, dance, sound and visual poetry, and film.

The classic question of “proof by image” rethought in the light of contemporary practices and technological developments, notably the transformation of the way images are captured and circulated in the digital age.

Performance in the United States as told by those who practiced and theorized it (texts by Al Hansen, Allan Kaprow, Anna Halprin, Carolee Schneemann, Emmett Williams, George Brecht, John Cage, Jonas Mekas, Robert Watts, Yvonne Rainer).

Performance in the United States as told by those who practiced and theorized it (texts by Carl Loeffler, Chris Burden, Claes Oldenburg, Jean Toche, Joan Jonas, Jon Hendricks, Lucinda Childs, Merce Cunningham, Meredith Monk, Vito Acconci, Wolf Vostell).

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art (also available in English edition).

A genealogy of the modern artist.

A radicant thought extended to modes of cultural production, consumption and use, against the multiculturalist critical model.

A fascinating journey through the long history of media before the age of mass media.

An aesthetic and political reflection on contemporary monumental and commemorative art, at a time of critical revision of history.

A counter-history of contemporary art, where experience becomes form, and aesthetics is redefined as a radical relationship with the living.

A broad overview of the evolution of the Saudi art scene from the 1950s to the present day.

Launching a series of children's books published by Kaph in Beirut, Saud's Adventure in the Art World recounts the initiatory wanderings of a child lost in a museum.

A survey of contemporary design from the Arab World.

A true odyssey of design, featuring pieces from a dozen French heritage institutions, and a narrative structured as a play of mirrors between forms, words, and gestures.

Artists, media theorists, scientists, and science-fiction writers explore the reciprocity between ecology, industry, technology and consumption.

Special issue on performance and sound art.

A glossary of key terms that design shares with other related fields and disciplines, offering a broader understanding of the topics and issues specific to contemporary design.

The catalogue of the 18th Geneva Biennial, dedicated to artists' film and video, curated by Nora N. Khan and Andrea Bellini.

A hybrid project combining research, archival work, and creation, dedicated to Brazilian Candomblé—a possession cult that arrived in the country with the slave trade and reflects the beliefs and rituals of West Africa.

A hybrid project combining research, archival work, and creation, dedicated to Brazilian Candomblé—a possession cult that arrived in the country with the slave trade and reflects the beliefs and rituals of West Africa.

A new approach to the work of Félicien Rops (1833–1898) through a vast collection drawn from a private archive, which more broadly explores the various issues surrounding the very concept of collecting.

A survey of the French contemporary art scene through an anthology of forty monographic essays.

A selection of samples, models, and furniture representative of the work produced by the design studio formed through the collaboration between Bernard Quirot's architecture agency and the designer and cabinetmaker Paul Michelon.

A survey of the French contemporary art scene through an anthology of forty monographic essays.

An expanded reprint of the issue dedicated to the type specimens of the Swiss type foundry Lineto.

A transatlantic dialogue between the complementary collections of the Mia and the MAMC+ that traces, through more than 100 works by some 40 artists, key milestones in American art from 1950 to the present.

A transatlantic dialogue between the complementary collections of the Mia and the MAMC+ that traces, through more than 100 works by some 40 artists, key milestones in American art from 1950 to the present.

A work conceived as an installation, as part of the project created by Amina Agueznay for the Moroccan Pavilion at the 61st Venice Biennale.

Comprehensive and previously unpublished documentation on the unproduced magnum opus of American composer Maryanne Amacher (1938–2009).

A true artist's book, the catalogue for the Greek Pavilion by Andrea Angelidakis, an exercise in speculative storytelling which offers a non-linear historical account from 1934 (the year the pavilion was built) to today.

The last writings of Antonin Artaud published in English and brought together in one edition for the first time.

Selected texts.

Comprehensive monograph.

Comprehensive monograph.

A transversal and analytical reading of Éric Baudart's entire body of work.

Mohamed Bourouissa expands an intimate family history into a broader reflection on memory, migration, and the postcolonial condition.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

The first photography book dedicated to the spectacular rituals (and extreme self-mutilation) of Thailand’s Festival of the Nine Emperor Gods.

First comprehensive monograph on Guglielmo Castelli's painting and sculpture.

An investigation by the Italian artist into obstetric violence, drawing on her family history.

Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.