An experience of introspection, an epistemological reflection and an act of resistance in the face of depersonalization, around the question of the name.

A stunning look at Stravinski's The Rite of Spring, recreated by choreographer Dominique Brun with thirty dancers in 2013.

This volume presents a little-known facet of Japanese culture: the know-how of traditional wooden architecture.

The third issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to folding.

The challenges of the library and the photographic collection founded by Aby Warburg in the 1920s, as a "laboratory" for collective research on the forms of transmission of images since Antiquity, and an intermedial device of knowledge. An exceptional case study, driven by the question: what was the impact of photography in Warburg's turning point in the history of art and culture?

The first extensive survey of Nordic art during the transition from postmodernism to what might be called "the period of contemporary art".

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated.

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

A design theorist (Alexandra Midal), a neuroscientist (Albert Moukheiber), two designers (Antoine Fœglé and Emma Pflieger) and two curators (Jolanthe Kugler and Scott Longfellow) take a look at the mechanisms behind the flat-Earth theory, and the ways in which "alternative" narratives are disseminated (also available in English).

Artists, designers and researchers investigate the "becoming object" of the Earth, in the face of the techno-scientific vision and geo-engineering projects that tend to turn our planet into a design object.

Performance art with a “low artistic coefficient of visibility”.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

Two studies by the pionneer of the popular music studies.

The French choreographer looks back on his career in a very personal text, both playful and poetic.

A collection of theoretical texts by the German composer: a valuable testimony of his research on the musical link between sound and body.

How the impact of code on everyday life has become comparable to that of speech and writing.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

Nicolas Bourriaud invites artists from all around the world to question the contemporaneity of the romantic concept of the sublime, at the age of the anthropocene.

A reflection on the domination of the software industry on our use of computers, which calls for a stimulating reinterpretation of materialism.

An essay on the concept of utopia today, more relevant than ever at the time of the economic, social, ecological and intellectual crisis.

The aesthetics of Gilles Deleuze.

Through a new reading of the Notebooks of Vaslav Nijinsky, who was described as "insane", and by taking them out of their reduction to a psychiatric diagnosis, Madeleine Abassade reveals the dancer's revolt against an established order of which he was the instrument and from which he sought to emancipate himself by creating his own choreographies.

The art of the tuning fork: the manifesto of the sound artist, performer and composer Nicolas Bernier.

The second issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to weaving.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

A collection of texts about time and artists working with it.

A collection of texts about space and artists working with it.

An anthropologist's view of contemporary African creation.

This manual provides the current state of knowledge on the functioning of nature in an urban environment: its ecology.

The multiple faces of popular dances in contemporary choreographic creation.

Vegetal life at the forefront of philosophical thought.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

20 proposals for the intersection of artistic practice and research in academic milieu.

A reflection on the aesthetic stakes of baroque dance, resituated in the vast field of contemporary dance.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

A reflection on the stakes of the analysis of dance works and the education of the gaze.

A study attempting to put the authorship of God back into perspective with the help of new sources and to explain why this is actually a work by Morton L. Schamberg.

Stefan Banz has brought together and evaluated all the relevant documents and sources relating to Fountain by Richard Mutt alias Marcel Duchamp. At least one thing is certain after reading them: Elsa von Freytag-Loringhoven had definitively nothing to do with the creation of Fountain. In addition, Banz has succeeded in writing a highly inspiring book containing many new and revealing ideas that present this work of the century in a much more differentiated light.

Thinking design with philosophy (a teaching manual).

An overview of the experimental sound practices today (contributions by Jean-Yves Bosseur, Pierre-Albert Castanet, Bertrand Denzler, Bastien Gallet, Jean-Luc Guionnet, Fabien Hein, Michel Henritzi, Tom Johnson, Eric La Casa, Lionel Marchetti, and Matthieu Saladin).

An essay on dancing corporality as a complex system of interacting elements.

Analyzing his own work but also the emblematic works of Brazilian artists Luiz de Abreu, Micheline Torres and Marcelo Evelin, the dancer and choreographer Volmir Cordeiro invents here, through writing, a sensitive form where creation is inextricably linked to his position as a researcher and to his view as a spectator

Art as a set of practices which take as their theoretical and practical point of departure the whole of human relations and their social context: the manifesto that has renewed the approach of contemporary art since the 1990s.