A total environment-cum-woodland utopia created by an all-star team of "mad sculptors" led by Jean Tinguely.

Comprehensive monograph.

A massive anthology of photographs made by Ari Marcopoulos between 2009 and 2018, featuring an introduction text by the artist as well as an essay by art critic, curator, and New York figure Bob Nickas..

The first volume published by Amsterdam-based Hartwig Art Foundation, COURTPLAY constitutes the book counterpart to the eponymous event conceived by Mohamed Almusibli and Ivan Cheng, and presented in January 2024 at the former courthouse of Amsterdam, the location of the foundation's forthcoming museum.

This intimate publication documents an iconic art space of the 20th century, the Warsaw apartment and studio of Polish artists Henryk Stazewski (1894–1988) and Edward Krasinski (1925–2004)—a lively artistic and social space shared by multiple artists.

Siôn Parkinson's first, non-fiction book, inspired by his research into sound and smell (particularly "bad" smells) imagined through the figure of the stinkhorn mushroom and his passion for the fungal world more broadly.

The role of blended musical genres and styles across jazz, rock, pop, funk, new wave, hip-hop, techno, and grime.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi's first artist's book.

The story of a series of over seventy paintings that thematically play on the pitch that in recent decades the Church has increasingly had to cede to football.

The new volume of an experimental series on historiography, about toys.

The catalogue of the exhibition for the Cyprus Pavilion at the 60th Venice Biennale.

The BOM Magazine, the publication for the Ballet of the Masses project at Haus der Kulturen der Welt (HKW), focuses on rare perspectives on football as a field of both tension and relaxation.

Film Undone presents contributions introducing unmade and unfinished film projects, film ideas realised in non-filmic media, as well as films that remained unseen in their intended form and at their intended time.

What does it mean to be a curator who writes, and, more specifically, how can curators write about textiles? This publication steps outside the framework of the typical exhibition catalogue to occupy "the space between literature and criticism".

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

The implications of the digitization of image production and distribution on the contemporary ecology of the moving image.

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.

A theory of passive vitalism.

In this essay, Thierry de Duve leaves the aesthetics and history of the art to approach, under the religious prism, two anthropological questions that the mutation of the symbolic order in progress makes pressing: the difference of the sexes and the future of the politics of emancipation.

An edited collection of contributions to conversations about the climate crisis and its role in critical discourse.

The richness of cultural exchanges between Italy and Switzerland, especially in terms of architectural culture, is the framework within which this publication was conceived and structured. The editorial project retraces and expands some of the themes addressed during the first seven years of the Swiss Talks, born in 2017 as a cultural partnership between the Istituto Svizzero and the architecture magazine Casabella.

A polyphonic, hybrid work, somewhere between a fine architectural book and a scientific essay, the result of research into contemporary forms of insulation.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

A live recording on giant acoustic horns installed on a cliffside in the French Alps, playing with the echoes inherent to the site.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

First monograph.

An homage to melliferous, unifying art of dance, as captured over the course of 10 years and across four continents.

An intimate exploration of the American wedding, an enduring public ritual (new revised edition).

The Art of Being Liz Renay is a visual romp through one woman's journey from Depression-era Arizona through the Sexual Revolution, featuring personal photographs curated by Scott Ewalt and essays by John Waters, Cindy Sherman, and Bruce Benderson.

A unique document of America's gay rodeo subculture, National Anthem is a celebration of outsiders and the beauty of chosen families everywhere.

The expanded reissue of the famous 1976 photo book by Neal Slavin, a pioneer of full-color group portraiture, shedding a striking light on hierarchies and social dynamics in the United States.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

Through Sinnokrot's agriculture research platform Sakiya, and other ongoing projects that span moving image, sculpture, and socially-engaged practice, Palestine Is Not a Garden examines the potential to develop counter-strategies that effectively decolonial the social, political, economic, and narrative structures that goven relationships to nature in the Occupied Palestinian Territories.

Centering on a notion of nomadic space, this publication offers the first in-depth overview of the projects, photo archives, and architectural investigations of Sámi architect and artist Joar Nango, and includes a series of essays and conversations with long-time collaborators and discussion partners.

On the advanced knowledge economy, which perpetuates patterns of discrimination and exclusion, and the threat of climate change devastation for both human and nonhuman entities.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

A limited edition repress of the remastered album "Descending Moonshine Dervishes" by Terry Riley, originally recorded live in Berlin in 1975 and released by Kuckuck in 1982.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

An essential guitarist for over forty years, and an enlightened partner to John Zorn, Tom Waits and John Lurie, Marc Ribot composes here, through memories, short stories and essays, a self-portrait of rare originality.