76 contributions from an international selection of critics, artists, poets, architects, filmmakers, and theorists, published by e-flux between April–May 2024, arranged into 11 thematic chapters—ranging from the live question of cultural censorship through to the role of diagrams and notation in contemporary artistic practice.

The fourth issue of the annual magazine that promotes know-how and technique in design, craft or industry, looks at the cut.

A personal and intimate look behind the scenes of Meg Stuart's creative process over more than a decade.

Ronan Bouroullec's first comprehensive monograph, bringing together his drawings, sculptures and ceramics, and design objects and projects.

Ingo Giezendanner's wild herbarium.

Issue 38 of the magazine of the Palais de Tokyo calls upon ancestries, be they intimate or political, transgenerational and historical, human or more-than-human, symbolic or material.

Jean-Christophe Thomas analyzes François Bayle's complete work in 52 recurring features (book augmented with 151 sound examples to download).

Three long poems by American writer, artist and actor Rene Ricard (1946-2014), an icon of the New York underground in the 1970s, accompanied by a series of drawings by American painter Robert Hawkins.

Catalog conceived as a tribute to Jacques Villeglé's insatiable curiosity, exploring his relationship with the world of entertainment (cinema, dance, theater and music) from the 1950s to the end of his career, with texts by Julie Chaizemartin, Emma Lavigne, and Jeff Mills.

A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.

Judith Eisler's first monograph, bringing together paintings made between 1997 and 2024, featuring an essay by Kirsty Bell, an introduction by Christopher Bollen, and an interview with Wade Guyton.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last five years.

This volume brings together visions, experiences and critical interdisciplinary methodologies that have been instrumental in the development of the language of moving images since 2010.

A complete documentation of a site-specific project conceived by Francesco Arena, allowing to get more into the heart of the artist's creative process.

A drawn chronicle of sleepless nights, Vigil brings together over one hundred and sixty drawings by the artist.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Film Undone presents contributions introducing unmade and unfinished film projects, film ideas realised in non-filmic media, as well as films that remained unseen in their intended form and at their intended time.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project invites artists and researchers to explore and unravel the musical tradition of this important Orthodox site.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project invites artists and researchers to explore and unravel the musical tradition of this important Orthodox site.

A visual, experimental research on the architectonic potential of the horizontal surface in building processes.

30 artists and 10 authors talk about water.

A critical introduction to the life and work of Yugoslav modernist and conceptual art's foremost exponent Ješa Denegri.

The story of a series of over seventy paintings that thematically play on the pitch that in recent decades the Church has increasingly had to cede to football.

Yemeni Egyptian American photographer and filmmaker Yumna Al-Arashi's first artist's book.

A richly illustrated book presenting the artistic work and personal stories of cutting-edge fashion designers and artists from Morocco and the Moroccan diaspora in the Netherlands.

The first ever solo release from electronic music pioneer and innovator Laetitia Sonami, featuring a new composition especially written for her interface/instrument, the Spring Sprye, by her former teacher the legendary Éliane Radigue.

Garrett Bradley, Maija Peeples-Bright, Tarik Kiswanson, Matthew Barney, Charles Atlas, Tracey Emin...

The fifth issue of the annual graphic design journal, dedicated to image and print techniques.

Archivio n°10, exclusively devoted to design and its history, is edited by designer Jasper Morrison and Marco Sammicheli, director of the Museo del Design Italiano at Triennale Milano.

This first issue of the annual magazine on architecture, scenography and design brings together designers and artists whose approach is anchored in their perception and emotions. Featuring GGSV, Formafantasma, Atelier Senzu, Flora Fishbach, Romain Brau, Bunker Palace, Pinaffo & Pluvinage, Atelier blam, Xolo Cuintle, etc.

The first issue of the magazine made by artists, founded by Donatien Grau and Thomas Lenthal : contributions by Mathias Augustyniak, Naomi Campbell, Théo Casciani, Michael Chow, Pan Daijing, Es Devlin, Claire Fontaine, Edwin Frank, Theaster Gates, Nicolas Godin, Alejandro Jodorowsky, Hedi El Kholti, Michèle Lamy, Paul McCarthy, Ian McEwan, Eileen Myles, Marc Newson, Hans Ulrich Obrist, Diana Widmaier Picasso, Ariana Reines, Barbara Chase-Riboud, Julian Schnabel & Jason Momoa, Hanna Schygulla, Juergen Teller, Iké Udé, McKenzie Wark, Robert Wilson, Yohji Yamamoto.

The 2025 Toilet Paper wall calendar.

Four decades of urban change in London's East End: a comprehensive retrospective of the British photographer's documentation work since the 1980s.

Back in stock! (reprint). The first book dedicated exclusively to the female protagonists of Latin American electronic music.

An exploration of queerness in visual and material culture with regard to the specific conditions of the making and experience of art in different cultural, sociopolitical, and historical contexts.

The first volume published by Amsterdam-based Hartwig Art Foundation, COURTPLAY constitutes the book counterpart to the eponymous event conceived by Mohamed Almusibli and Ivan Cheng, and presented in January 2024 at the former courthouse of Amsterdam, the location of the foundation's forthcoming museum.

La Belle Brute's fourth release dedicated to "Art Brut" French artist Jean-Marie Massou, which delves his "novels", a series of sound fictions, created over the last two decades of his life, intertwining striking narratives via spoken text accompanied by collages of sound effects, music, and ambient sounds.

A sonic adventure, where the Coax musicians' collective merges with the vibrant spirit of the Groupe d'Entraide Mutuelle de Montreuil, a mental health peer-help structure nicknamed "Les gens du 110". The ebullient, motley crew explores uncharted sonic territory, inspired by a series of workshops at the GEM, amid sculptures, frescoes, odds and ends, cries and laughter...

16 international sound artists and musicians explore the materiality, spatiality, technicality and diverse cultural, social and political forms of sound, questionning the relationship between improvisation and composition, between performance and installation, etc.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

A compelling narrative by Omar Kholeif through the life and work of one of the pioneering artists of our time.

The facsimile of a never-before-published catalogue, documenting a Milanese exhibition banned by the police in 1992, renders the productions and stances of a group of Italian artists in the artistic context of the time.

This book brings together Bernhard Rüdiger's theoretical texts on the questions of language and form in contemporary art, seen from the perspective of the possibility of thinking them within the paradigm of shock or awe.

Gathering reflections and testimonies of exhibitions realized by Yann Annicchiarico in various countries, this looks back at a unique state of perception, related to the experience of emptiness and to the suspension of attention, an essential element in the artist's research.

Through a close examination of the political and aesthetic strategies that artist Ines Doujak employs in her work, this book explores the realities of the current economic, microbiological, and ecological crises.

First global exploration of contemporary forms of filmmaking from political and cultural self-determination movements of Autochthonous communities and peoples.

If discourse is the foundation of democracy, how can the design of our cities empower and enable discourse? In 1981, Richard Sennett delivered six lectures about this relationship, and issued a call to action that remains relevant today.

Twenty renowned international curators write about one of their exhibitions or projects that transformed their ideas about curating.

An essay-length book arguing for the autonomy of art in the present.

Cosmos Cinema combines comprehensive visual documentation of the acclaimed 14th Shangai Biennale with newly commissionned essays reflecting on its themes.

Siôn Parkinson's first, non-fiction book, inspired by his research into sound and smell (particularly "bad" smells) imagined through the figure of the stinkhorn mushroom and his passion for the fungal world more broadly.

Centered around the themes of latent knowledges, earth uprisings and borders, this second volume in the Radical Rituals series is the result of a research residency carried by forty five degrees collective in the summer of 2022 across France, from 45°N 1°W to 45°N 7°E.

The electro-experimental project of electronic musician Tanuki aka eRikm and author, cartoonist, illustrator and reader Caroline Sury.

Four veterans of experimental music get together for a sunny studio improvisation.

A performance by Jérôme Lorichon (Buchla, electronics), Thierry Müller (electric guitar, iPad) and Quentin Rollet (saxophones), recorded live on May 5, 2016 at Le Détail, Paris.

Composed by Jim O'Rourke and pieced together by Jim together with longtime collaborator and trumpeter Eivind Lønning at Jim and Eiko Ishibashi's home in the Japanese mountains, this engrossing new album blows brass wails and tense fanfares across O'Rourke's manipulated Kyma tapestries for a deep, captivating trip into the aether.

An exploration of sound, space and time using found objects and flute. (new remastered version by Lawrence English of the piece recorded by Akio Suzuki in Berlin in 1994).

An album recorded in different parts of the world, in which the Canadian composer and sound artist explores how quantum mechanics profoundly influences the perception of sound.

More than two years after the release of "Impressões de Outra Ilha", Discrepant's head honcho returns home under his birth name with the appropriately titled "Exotic Immensity". Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities.

A compendium of texts and notes around the project developed by artist Alessandro Di Pietro in dialogue with the work of Paul Thek (1933-1988).

A significant contribution to the understanding of the work of artist and filmmaker Cauleen Smith, by art historian Romi Crawford, who analyzes how Smith recastsfilm history, in a pivotal period of her career.

The project Islands of Kinship interconnects six mid-scale visual art institutions across diverse regions in Europe in an innovative collaboration model addressing issues of inclusion, kinship and togetherness, democratic exchange and the ethics, emotions and practical solutions for a sustainable and fair institutional operation.

An extensive investigation on the ecosystem of Europe's largest asbestos quarry in Balangero (TO) and the dense network of relations between human and land.

Co-editor: Zane Cerpina; interviews with Boris Eldagsen, Martinus Suijkerbuijk, Maya Man, Molly Soda; Transmediale 2024; REBOOT: Pioneering Digital Art...

Lou Cantor, Sylvie Hayes-Wallace, Elizabeth Jaeger, Stanislava Kovalčíkova, Mire Lee, Jack O'Brien, Frida Orupabo, Rirkrit Tiravanija, Anicka Yi...

An homage to melliferous, unifying art of dance, as captured over the course of 10 years and across four continents.

A unique document of America's gay rodeo subculture, National Anthem is a celebration of outsiders and the beauty of chosen families everywhere.

The expanded reissue of the famous 1976 photo book by Neal Slavin, a pioneer of full-color group portraiture, shedding a striking light on hierarchies and social dynamics in the United States.

The first monograph of Puerto Rican born artist Lee Quiñones presenting his monumental work and following his evolution over five decades.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

The soundtrack to Murnau's Nosferatu composed / improvised / played by the trioof Emmanuelle Parrenin, Quentin Rollet and Jérôme Lorichon. The book accompanying the CD contains four versions of the Nosferatu story by four French artists: Marie-Pierre Brunel, Foolz, Caroline Sury and Alexios Tjoyas.

The fruit of a long-term project, this artist's book focuses on the written word and language in Jean-Michel Wicker's work.

A remarkably well-documented and detailed book on designer Richard Hollis's graphic work for London's Whitechapel Gallery, from the late 1960s to the mid-1980s.

The first English translation of Larissa Reisner (1895-1926)'s writings on the Decembrist uprising.

The sixth volume of the bie bao series presents the first English translation of Ilya Zdanevich's writings on Berlin.

Sound artist and composer Alessandro Bosetti paints a series of portraits from a collection of conversations recorded in Italy over the course of a Summer.

Monograph dedicated to Caroline Rennequin's flower paintings (gouaches on Indian paper), with texts by Yves Michaud and Émilie Ovaere-Corthay.

Pierre Wat invites height artists from both sides of the Atlantic to share their views of Sam Francis (1923-1994).

Retrospective monograph.

Catalogue dedicated to the series of paintings exhibited at the Musée d'Art Moderne de Paris, Wade Guyton's first exhibition in a French museum.

London-based artist Faye Wei Wei’s debut monograph.

For their thirtieth anniversary, Ulta-red, the international sound art and popular education collective is releasing the first volume of Ulta-red: A Journal of Militant Sound Inquiry, investigating movement-based listening practices that take the forms of militant inquiry and political education. 

A comprehensive overview of the work produced by British musicians Graham Lambkin, Darren Harris, and later Tim Goss over the course of a decade, across eleven CDs and a DVD, accompanied by an nearly five-hundred-page book.

A partly autobiographical novel that the German surrealist artist and author Unica Zürn (1916-1970) wrote for her ten-year-old daughter in 1953, although it would never be published in her lifetime. This is the first translation of the tale from German into English.

For its 24th volume, The Drawer brings together a selection of drawings by some thirty final-year students from French and international art schools.

Poetic drawings of Mount Horeb by self-taught Native American artist Joseph E. Yoakum (1891-1972).

A series of paintings synthesising big wave surfing, turning the human element into a visual punctuation on the immense aquatic backdrop.

The third volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination.

ToiletAlex PaperPrager is the new edition of Toilet Paper magazine, born from a collaboration with american artist Alex Prager: a vibrant dialogue between visionary minds, where the ironic style of Toilet Paper meets the dark humor of Alex Prager, a parade of familiar yet strange images, suggesting a timeless world placed somewhere between dream and reality.

A chronological dive into a decade of production from one of the major representatives of contemporary drawing, with over 500 images and an essay by Catherine Francblin.

The first monograph on the Japanese artist of desire.

Soufiane Ababri's sketchbooks.

A book bringing together about 160 portraits of artists when they were "about" five years old.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

The most accessible introduction to the life and work of James Lovelock (1919-2022), and a guide to address today's "polycrisis."

Charismatic Spirals is for an America circa 2024, where poetry—the art of developing new means of speaking—has never been of such artistic, technological and political consequences.

The English translation of the work that established the Icelandic author's literary career—an exploration of eroticism in extremism.

"For those who, despite everything, have decided to live, there will always be a home." A work on the experience of exile and migration, memory and selfhood, from legendary French-Rwandan storyteller Scholastique Mukasonga.

15 years of conversations between Caribbean philosopher Édouard Glissant and his friend Hans Ulrich Obrist.

A "minor" and alternative history of architecture.

A new poem composed by the legendary dancer, artist and choreographer Simone Forti.

New approaches to Iannone's unique work.

Ronan Bouroullec's daily drawings.

An anthology of the constructivist movement, bringing together newly translated or previously unpublished writings by artists and theorists, accompanied by numerous illustrations and an extensive critical apparatus: this reference volume sheds new light on the multiplicity and diversity of the approaches of constructivism and productivism in the 1920s-30, and provides a major contribution to the studies of the Soviet avant-garde.

A wide-ranging study of the visual and theoretical practice of Anni Albers, a pivotal figure between two continents and two modernities, as part of a general history of art, design and textile production in the European and American women's avant-gardes.

A glossary of themes running through the work of Élisée Reclus (1830-1905), reflecting the contemporary relevance and diversity of the anarchist geographer's thought.

A philosophical reflection on the place of sound, from musical aesthetics to sound habitat, at the crossroads of sound, music and technology studies, and phenomenology.

A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century.

This history of art collecting traces a multiplicity of aesthetic attitudes through the prism of certain key figures in the history of taste. Over the course of the chapters, we discover how art collecting reflects—or responds to—an individual's character.

A large survey of Marc Hurtado's cinematographic, musical, poetic and plastic work, with texts by some thirty authors, artists, critics, poets and musicians from all over the world (Lydia Lunch, Pascal Comelade, Nicolas Ballet, F.J. Ossang, Kris Needs, Nick Soulsby, Nicole Brenez, Vincent Deville, Romain Perrot, Alexandre Breton, Marie Möör...).

A history of stupidity (deliberate and sometimes even claimed), regression and superficiality in the arts.

An epistemological reflection on sensitive forms of research writing at the crossroads of art, design, anthropology and ergonomics, based on singular inquiry-creation projects.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

Journalist Olivier Namias and photographer Eric Boegly combine their views of the work carried out between 1970 and 2008 by architect Jean-Patrick Fortin (a villa, a pharmacy and a townhouse) in the Italian commune of Caprino Veronese.

The notion of primitivism rethought to highlight the role of the African referent in the development of the artistic and literary avant-garde in Europe.

JJ brings together articles by cultural critic, auto/biographer, and lesbian icon Jill Johnston (1929-2010), translated into French for the first time, as well as texts, poems and drawings by Pauline L. Boulba, Aminata Labor, Nina Kennel and Rosanna Puyol.

The first collection of texts published in French by the Argentinian artist and poet.

Using an interdisciplinary approach inspired by science and technology studies, and combining museological and sociological perspectives, this groundbreaking study of museum storerooms sheds new light on the world of art and cultural heritage conservation.

A polyphonic approach to the emergence, since the 2000s, of new institutional forms dedicated to performative artistic practices.

A collective exploration of the relationship between contemporary art and archeology.

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

Tribute to philosopher René Schérer (1922-2023), a great Charles Fourier specialist.

A collective reflection on the ability of objects and design to contribute to survival and protection against disasters, based on an examination of the phenomenon of “preppers” (also available in English edition).

The first monograph dedicated to the ceramic works of Anaïs Lelièvre.

Kiki Jones; Fady Joudah; Mica Levi; Pascale Ciapp; Kasper T. Toeplitz; Graham Lambkin; Risaripa; Steve Albini; David Grubbs; DASDAS...

To mark the centenary of Surrealism, this ephemeral journal, featuring 150 contemporary voices from literature, art, cinema, poetry, theater, and civil society, brings together over 200 unpublished contributions, responding to the surrealist enquiries.

An "ABC of the arts in transition" examining the ecological turn of the arts, the outcome of long-term collective research into the fundamental elements running through the art world and, more generally, the aesthetic and social universe in the current ecological crisis.

The first scientific work to trace the history of female comic strip creators, for the (re)valorization of women's heritage.

Parker and Pollock's seminal volume of feminist art history.

Book-object: a collection of fifty drawings made on a train, within the meanders of a straight line.

The diary of the Korean-born artist based in France.

Aboard the lifeboat Ocean Viking; Jérôme Ferrari; Quebec poetry; Florentina Holzinger; Corsican cinema; investigation in the Kodak factories...

The most comprehensive case study ever written on the crucial subject of text typography, by one of the major representatives of this discipline.

Twelve articles by Michael Bierut, translated into French and annotated, complemented by a selection of his most emblematic projects.

A spectacular insight into the work of art director Willy Fleckhaus for the German magazine twen, which in the 1960s was arguably the world's most influential magazine in terms of visual daring and graphic innovation, and remains an essential reference for many contemporary practitioners.

This essay examines and explains the history of the most famous classic typeface and its many modern and contemporary incarnations.

A poetic conversation, in five acts, between Yvon Lambert (Paris), Marie-Charlotte Calafat (director of the Mucem collections), Stéphane Ibars (artistic director of the Lambert collection), and numerous artists, accompanies the exhibition, which brings together works from the Yvon Lambert collection and Mucem folk art objects.

The first issue of the artistic and literary magazine created by Christophe Le Gac and Rozenn Le Roux offers 240 pages of novels, poetry, essays, philosophy, thoughts and other experiences.

A philosophico-cinematographic journey through Fassbinder's filmic oeuvre, from the avant-garde daring of 1968 to the fallout of the leaden years ten years later.

This monographic essay explores Iris Clert, an unclassifiable and emblematic figure of the 1960s artistic avant-garde.

A first major monograph on Thierry Fournier's practice, French visual artist, with an extensive documentation of many recent works and a collection of texts and interviews.

The collection of Francis Meyer, one of the finest private collections in Europe of Art Nouveau glass works.

50 poems by Pauline Picot, autobiographical fragments that also reflect the daily lives of those around her.

Reissue of Charles Pennequin's first book, a lengthy text in which the author's writing is characterized by obsessive repetition, a breathless rhythm, a combination of introspective movement and prosaic elements, and a staging of proferation.

In this tête-bêche book, Amandine André's Impossessions primitives, a text identifiable as poetic, meets philosopher Frédéric Neyrat's L'Anti-Terre, singularly opening up the field of possibilities and thought.

Conversation on art, real and imaginary, in 13 tableaux between ex-Action directe member Jann-Marc Rouillan and painter Laurent Marissal.

This book takes the domestic dog as an affective standard, a practical horizon and an index of a moral economy specific to the capitalocene.

Inducing daydreams, walking under hypnosis, thwarting curfews.

This artist's book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield.

Experimental poetry, historical avant-garde, contemporary music, dance, visual arts, intermedia: the sixth issue of Jacques Donguy, Sarah Cassenti and Jean-François Bory's avant-garde artistic and literary journal, with Frédéric Acquaviva, Antonin Artaud, Philippe Boisnard, Bernard Bousquet, Augusto De Campos, Hélène Defilippi, Cassandra Felgueiras, Pascal Le Gallois, Raoul Hausmann, Eduardo Kac, Chris Korda, Thomas Laroppe, Alvin Lucier, Made In Eric, Richard Meier, Simone Osthoff, Nam June Paik, Céline Paul, Diamantino Quintas, Biño Sauitzvy, Raoul Vaneigem.

Catalogue.

First monograph on Gina Proenza's suggestive and sculptural work.

A publication by artist and teacher-researcher Marie Preston on the alternative pedagogies developed in France during the 1970s-1990s in "open" schools working on the question of the relationship between co-creation and co-education.

A vast selection of theoretical, philosophical and literary writings by Pierre Schaeffer, accompanied by testimonies of various personalities, providing a privileged entry into the multidimensional universe of the composer, engineer, theorist and radio man, whose tutelary shadow is constantly cast on the landscape of sound creation.

An overview of the use of textile in contemporary visual arts around the world.

A history of critical design in four episodes: the Italian radical design of the late 1970s; the Dutch conceptual design of the 1990s; the English critical design of the 2000s, and the contemporary scene (with contributions by Bless, Didier Faustino, Alessandro Mendini, Gianni Pettena…).

The story/manifesto of an architect's life: a re-reading of Gilles Perraudin's career by himself, enabling us to retrace the path of a thought in perpetual motion.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

Double issue dedicated to the memory of Bernard Stiegler.

A presentation of the fascinating architectural legacy of the Tokyo Olympic Games through two iconic buildings, the Yoyogi Olympic Gymnasium and the New National Stadium, highlighting the two world-renowned Japanese architects behind these projects: Kenzō Tange and Kengo Kuma.

Jacques Ponzio recounts in text and images Thelonious Monk's 10-day stay in Paris in the spring of 1954.

The first French translation of the texts of the Japanese artist and writer Akasegawa Genpei (Katsuhiko Akasegawa, aka Otsuji Katsuhiko, 1937-2014), a figure of the Tokyo avant-garde of the 1960s, on the concept of Tomason, with a rich iconography.

An audacious account of the ways in which the arts in the Americas were modernized during the first half of the 20th century.

A collective reflection on the question of objects in artistic situations, at the crossroads of art history and theory, social sciences and artistic practices.

A chronicle of the recent transformations of art schools, from the point of view of a teacher, at a time when these spaces are both threatened by increasingly fragile and uncertain public policy management, and at the same time more than ever spaces where the word opens up, practices change and art finds itself in direct contact with the most avant-garde movements in society.

Three texts by Michel Guérin on the notions of ornament and decoration, at the crossroads of theological, anthropological, aesthetic and philosophical considerations.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

How do we perceive and think about the infrastructures that condition the ways in which we perceive, think and experience our world? Four essays by Jamie Allen, whose experiments as artist and researcher cross media, disciplines and borders, that invite us to make visible the backstage work of the digitized world, and to think (post)critically about the very notion of critique.

A series of exchanges relating to questions of gender, sexual difference and sexualities, enabling not only a rereading of Jean-Luc Nancy's corpus and its developments through the prism of what Nancy has called sexistence, but also the reinscription of the elaboration of this concept in a web of biographical elements and, hence, an exploration of the philosopher's actual sexistence.

Charles Fourier or utopia as reality.

An experimental fictional ("post-apocalyptic") anthropology of philosophy, focusing on the dialectic of master and slave, itself understood as myth.

New visualities and visualizations of literature in the digital age: the possible contributions of design thinking to literary theory.

Gérard Berréby looks back at the first publishing experience of the man who was to become the director of Allia publishing house: the decision, in the early 1980s, to produce a pirate edition of Aragon's book—at the time opposed to any reprinting—, an unprecedented gesture that provoked numerous reactions in the literary world, and raised a number of questions linked to appropriation and self-publishing.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

An in-depth historical study of the artistic and political project of the Situationist International (1952-1972).

From the negative hands on the walls of the Chauvet caves (minus 30,000 years ago) to the most recent experiments of a number of contemporary artists, an entire history of art can be written under the prism of breathing. Between these two milestones, this study attempts to highlight the innovative force of breath and the importance accorded to breathing as a creative gesture and artwork on its own.