A series of electric guitar duet meditations.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

Two short stories by Xavier Forneret (1809-1884), set to music by Nurse With Wound.

A remastered 20th-anniversary reissue of the album released on the ~scape label in 2005 and long out of print on vinyl, with which Jan Jelinek turned away from his earlier jazz-glitch experiments and dance-floor incursions to venture into the organic sounds of early krautrock bands.

A previously unreleased theatre soundtrack made for Icelandic choreographer Margrét Sara Guðjónsdóttir, whom Peter Rehberg had a decade long collaboration with until his untimely passing in 2021. A psychological journey through the mental effects of sound on space and subsequently the mind.

Carrying on a string of stunning archival releases from major figures of Indian classical tradition, Black Truffle presents an unheard recording from tabla master Kamalesh Maitra (1924-2005).

A rare solo release from Konrad Sprenger, alias of elusive Berlin composer-producer-instrument builder Jörg Hiller.

The second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music.

The original score composed by Paolo Spaccamonti for the eponymous theatrical production directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

All the destructive mood of Mark Pauline's Survival Research Laboratories shows: from "Classical" music to intense destructuration, a new form of Avant-garde.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

The first vinyl reissue of this legendary EP, released in 1981 on the Japanese "Chaos International Series" label.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take, with the aim of creating a renewed awareness of what it means to breathe, both on an individual and collective level, at a time when the world is living in a climate of generalized asphyxia.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

A limited edition repress of the remastered album "Descending Moonshine Dervishes" by Terry Riley, originally recorded live in Berlin in 1975 and released by Kuckuck in 1982.

The first album of this new digital-drone-rock-noise/ambient/electronica project created by two founding members of Tone Rec and DAT Politics (Claude Pailliot - Gaetan Collet). Inspirational collision of motorik avant rock and heavy electronics.

The second release by Stefan Prins on Sub Rosa brings together four recent, large-scale compositions in which traditional instruments—from bass woodwind trio to electric guitar and symphonic orchestra—merge seamlessly with electronics, feedback, and field recordings.

Winter Family's 4th album tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Winter Family's 4th album tells a lot of stories; that of the musicians themselves and their loved ones, those of their territories, of their life in Jerusalem, Paris or Lorraine; that of women, "witches", conspiracy myths; that of capitalist and colonialist Europe; that of the blindness and violence of Israeli society and the indoctrination of its population; that of the occupation of Palestine; that of eternal lockdown and a laboratory rat; and maybe yours, too.

Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

The second album by the duo So Sner, composed of Susanna Gartmayer (bass clarinet) and Stefan Schneider (electronics), both stylistically cohesive and daringly uncompromising.

16 international sound artists and musicians explore the materiality, spatiality, technicality and diverse cultural, social and political forms of sound, questionning the relationship between improvisation and composition, between performance and installation, etc.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project explores the musical tradition of this important Orthodox site.