A new collection of pieces originating from environmental sounds recorded using 3D ambisonic microphones, deconstructed, processed, and composed into abstract, deterritorialized musical journeys.

Breathtaking a cappella interpretations of the Octonaires de la Vanité du Monde by Paschal de L'Estocart (1582) and pieces from the Geneva Psalter (1562) meet the reworkings of Sylvain Chauveau.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

An album based on a cruel text by Moldavian writer Nicola Esinencu, somewhere in between a hybrid electronic – modern classical oratorio and a concept album.

Two short stories by Xavier Forneret (1809-1884), set to music by Nurse With Wound.

A remastered 20th-anniversary reissue of the album released on the ~scape label in 2005 and long out of print on vinyl, with which Jan Jelinek turned away from his earlier jazz-glitch experiments and dance-floor incursions to venture into the organic sounds of early krautrock bands.

Russell Haswell and Florian Hecker pursue their exploration of the computer music system invented by Xenakis.

A previously unreleased theatre soundtrack made for Icelandic choreographer Margrét Sara Guðjónsdóttir, whom Peter Rehberg had a decade long collaboration with until his untimely passing in 2021. A psychological journey through the mental effects of sound on space and subsequently the mind.

Carrying on a string of stunning archival releases from major figures of Indian classical tradition, Black Truffle presents an unheard recording from tabla master Kamalesh Maitra (1924-2005).

A rare solo release from Konrad Sprenger, alias of elusive Berlin composer-producer-instrument builder Jörg Hiller.

Recorded during a residency in Tenerife powered by Keroxen Festival and Discrepant back in 2020—amidst the pandemic, no less—, the duo of Carlos Godinho and Mestre André return after their "Mãe D'Água" debut on Sucata Tapes and an entry on Keroxen's Aquapelago Series through a split with tropical druids Lagoss.

Rob Mazurek graces the Keroxen Records waves with a genre defying album of field recordings, modular electronics, trumpet harmonies and spirit call chants.

On his Discrepant debut memotone aka Bristolian Will Yates collects some unreleased recordings under a most aptly titled name—Pruning—following a healthy stream of releases for such esteemed labels as Black Acre, The Trilogy Tapes or Soda Gong.

A new revelation into the deeply personal soundworld of a true voyager of both ancient, present and forthcoming times.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

Ergo Phizmiz creates a time loop with his ambient recordings made two decades before the memefication of ASMR videos.

The original score composed by Paolo Spaccamonti for the eponymous theatrical production directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

The sophomore effort by the German band Schatterau, as its title implies, delves into the cyclical nature of time, through 17 vignettes that reflect on the seasons, capturing their unique light and sounds, the passage of time, and the interplay of movement and stillness, as well as the perpetual transformation that leads to new beginnings.

2025 repress of the incredible 14xCD lavish box set, a 16+ hour compendium of the electronic music key works from one of the most important electronic composers of the 20th century complete with a 100-page booklet.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

A major reissue of Roland Kayn's cybernetic music: a 5-CD boxed set based on the original recordings from the Lydia and Roland Kayn Archive, sensibly remastered by Jim O'Rourke.

The first-ever release on vinyl of the important 2001 lowercase work "Forms of Paper" by Steve Roden. Lovingly remastered by Taylor Deupree of 12K Masters in 2024 from the original recording, this limited-edition LP features Steve Roden's artwork on the cover/packaging.

The first album to come out of the collaboration between Jason Kahn (electronics) and Magda Mayas (piano and objects), who have been playing together regularly in concert since 2012.

Recorded in 2019 at the Centre Pompidou, Music for Today is the last public performance by Canadian artist Michael Snow, who died in 2023. Entirely improvised on a prepared piano, this musical piece is a true journey through the musical work of an artist who made perpetual experimentation an artistic practice in its own right.

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

Three electroacoustic pieces recorded by Moroccan contemporary music composer Ahmed Essyad in the early 1970s, released in Sub Rosa's Early Electronic series.

All the destructive mood of Mark Pauline's Survival Research Laboratories shows: from "Classical" music to intense destructuration, a new form of Avant-garde.

Clara Levy perofms Giacinto Scelsi, Kaija Saariaho, Erika Vega and Eva-Maria Houben.

The first vinyl reissue of this legendary EP, released in 1981 on the Japanese "Chaos International Series" label.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take, with the aim of creating a renewed awareness of what it means to breathe, both on an individual and collective level, at a time when the world is living in a climate of generalized asphyxia.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur / Einstürzende Neubauten).

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

The first album of this new digital-drone-rock-noise/ambient/electronica project created by two founding members of Tone Rec and DAT Politics (Claude Pailliot - Gaetan Collet). Inspirational collision of motorik avant rock and heavy electronics.

The second release by Stefan Prins on Sub Rosa brings together four recent, large-scale compositions in which traditional instruments—from bass woodwind trio to electric guitar and symphonic orchestra—merge seamlessly with electronics, feedback, and field recordings.