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Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

The first documentary account by artist, curator and publisher Ludovic Burel, Le laboratoire de fermentation (The fermentation laboratory) retraces four years of investigation, carried out on several continents, into wild and cultivated plants and the means of fermenting them, questioning our relationship to both the human (individual and society) and the non-human (plant and other).

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

The 22 exhibitions programmed by Philippe Piguet at La chapelle de la Visitation art center in Thonon-les-Bains since 2018, in 400 pages.

First monograph of the Brazilian feminist artist.

An education turned around by art: famous English anthropologist Tim Ingold invites us to consider the arts as the very basis of an education in the 21st-century, an education that might begin to address the profound social and ecological crises we face.

The original score composed by Paolo Spaccamonti for the eponymous theatrical production directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

A dialogue between two avant-garde figures, one poetic, the other musical.

Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.

The first major catalogue on one of the most important Lettrist artists.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur, Alex Hacke, F.M. Einheit).

The River is Elsewhere is a story in pictures from the last years of log driving on the Glomma River in Norway. The book is both a work of art and a manual, an "ABC" of log driving.

Monograph dedicated to the famous designer's early work.

A booklet containing two musical pieces by artist Grégoire Motte and composer Gabriel Mattei.

The second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

An encounter between dance and visual arts.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

This collective publication explores the question of Earth rights through the interdisciplinary prism of socio-environmental humanities in relation to contemporary art.

This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.

A limited edition repress of the remastered album "Descending Moonshine Dervishes" by Terry Riley, originally recorded live in Berlin in 1975 and released by Kuckuck in 1982.

Artist's book.

An exploration of the various paths of ecodesign, from material environments to our imaginations, from concern for uses to new narratives.

The diary of the Korean-born artist based in France.

Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

Journalist Olivier Namias and photographer Luc Boegly combine their views of the work carried out between 1970 and 2008 by architect Jean-Patrick Fortin (a villa, a pharmacy and a townhouse) in the Italian commune of Caprino Veronese.

As part of a series of publications on singular architectural bodies of work, this volume focuses on three stone projects by Gilles Perraudin, an advocate of the renewed use of this material.

The second album by the duo So Sner, composed of Susanna Gartmayer (bass clarinet) and Stefan Schneider (electronics), both stylistically cohesive and daringly uncompromising.

The first monograph dedicated to the ceramic works of Anaïs Lelièvre.

The fruit of a long-term project, this artist's book focuses on the written word and language in Jean-Michel Wicker's work.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

A first major monograph on Thierry Fournier's practice, French visual artist, with an extensive documentation of many recent works and a collection of texts and interviews.

Lou Cantor, Sylvie Hayes-Wallace, Elizabeth Jaeger, Stanislava Kovalčíkova, Mire Lee, Jack O'Brien, Frida Orupabo, Rirkrit Tiravanija, Anicka Yi...