The graphic, spatial and temporal possibilities that emerge from the use of grids, from linear perspective to 3D modelling.

Inspired by a walrus-ivory Story Knife from the Arctic region, Mexican writer Cristina Rivera Garza creates a multi-faceted narration.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.

Women in the shadows: a few Iranian female musicians; interviews with Floy Krouchi, Marianne Schuppe, Yumiko Tanaka, and Riuichi Daijo; Kamilya Jubran by Valérie Vivancos; Prune Bécheau by Adrien Bardi Bienenstock; Journey to Korea: Loïc Gendry, Sunki Kim, Jin Sangtae, by Grégoire Bressac; book and album reviews...

A deeply heartfelt and courageous reflection on the challenges and urgencies of listening to oneself.

J. Logan Smilges's essay "Bad Listeners" argues that traditional ideas about "good listening" in feminist and rhetorical theory can exclude neurodivergent and disabled people. Smilges challenges the assumption that ethical, caring, or politically responsible people should always be able and willing to listen. This leads to an important reframing of "bad listening" as an issue of access.

A survey of the French contemporary art scene through an anthology of forty monographic essays.

A broad overview of the contemporary Romanian art scene through a series of conversations with its leading figures.

An investigation by the Italian artist into obstetric violence, drawing on her family history.

Published on the occasion of Nilbar Güreş's exhibition presented at the Türkiye Pavilion during the 61st International Art Exhibition of La Biennale di Venezia, this volume explores themes of the body, space, belonging, migration, and subtle transformation.

A collective discussion on the various issues raised by the project developed by Genti Korini for the Albanian Pavilion at the 61st Venice Biennale.

Salomé Lamas' selected works from 2017 to 2025.

Aeolian Suite is a publication that offers a porous extension of Jenna Sutela's work presented at the Pavilion of Finland at La Biennale di Venezia 2026, where meaning drifts, gathers, and slips away. Accompanied by a vinyl record featuring excerpts from the work's original score, it brings together the project's dispersed elements of sound, movement and atmosphere in a form that can be held yet remains in flux.

A collection of quotations from Thelonious Monk, organized as an alphabet book (new revised and augmented edition). More than a hundred entries based on the testimonies of musicians (Steve Lacy, Sahib Shihab, Henri Renaud) and journalists (Leonard Feather, Ira Gitler, Val Wilmer…).

A call-to-arms for creatives to make their work widely accessible as a political and communal act.

A reflection on the autonomy and eternity of art by Canadian writer Madeleine Thien, based on a mural in the Thousand Buddha Grottoes of Bezeklik, China.

A collective research surrounding the concept of relational freedom.

Five songs that focus obsessively on the doubling of the vowel o. 

A multifaceted perspective on contemporary sculpture.

The catalogue of the 18th Geneva Biennial, dedicated to artists' film and video, curated by Nora N. Khan and Andrea Bellini.

First comprehensive monograph on Guglielmo Castelli's painting and sculpture.

Featuring more than six hours of music, this box set (mastered by Jim O'Rourke) presents a vast collection of tracks of remarkable coherence, which attest to the uniqueness and maturity of Kevin Drumm's artistic approach.

An unique reinterpretation of Pierre Henry's little-known sound heritage combined with eRikm's original composition.

A series of portraits of Marilyn in the intimacy of an unmade bed, taken by the American photographer in 1961 (leporello).

Four improvised pieces recorded in studio by Phil Durrant (amplified objects, electronics), Jason Kahn (voice), Mark Wastell (percussion) and Caius Williams (double bass).

The Tenant is a monographic critical essay by Marie Canet. It is the first text to directly address the connections between McKenzie's work, pornography, and special effects.

The role of light in contemporary art.

A tour of works by artists Georges Rousse and Vladimir Skoda created in rural public spaces as part of an art biennial in a small village in Saône-et-Loire, in the Burgundy region.

The final chapter of the post-isolationist, deep ambient & folk classic Murder Ballads by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

Many Many Women by Petr Kotík is a large-scale composition for voices and instruments from 1975-78 on the text of Gertrude Stein's novella of the same name. It was published in Paris in 1910 as part of the book G.M.P. – Gertrude, Matisse, Picasso.

Published on the occasion of Eglė Budvytytė's representation of Lithuania for its national pavilion at the 61st Venice Biennale, this book offers an overview of the artist’s interdisciplinary practice.

The publication traces Andreas Valentin's lifelong relationship with Brazilian avant-garde artist Hélio Oiticica (1937-1980).

Zenit brings together photographs, films, and light-responsive installations by Berlin-based artist Shirin Sabahi. Shown in non-chronological order, and some for the first time, the photographs ground her artistic roots in photography—at times as a study, and at others as the work itself.

An artistic and documentary exploration of the transformation of the Swiss Cultural Center building in Paris and the renovation process carried out between 2022 and 2026 by the architectural agencies ASBR (Paris) and Truwant + Rodet + (Basel).

Cura. #46 – Soft Power presents artists redefining the geographies of contemporary art. The issue brings together techno-cultural and postcolonial identities, decolonial futures, speculative imaginaries, and narratives rooted in memory, home, and history.

A true artist's book, the catalogue for the Greek Pavilion by Andrea Angelidakis, an exercise in speculative storytelling which offers a non-linear historical account from 1934 (the year the pavilion was built) to today.

This book brings together poetic and theoretical texts about Callisto (a woman with a bear's head, a writer and a mythical figure), using metaphors as a form of anti-capitalist resistance.

An exploration of the future of Rome through what has become forbidden.

Lotus L., Michaël Borremans, Jenna Sutela, Florentina Holzinger, Rose Salane, Bella Newman, Ivan Cheng, Sarah Brahim, Ian Waelder, Luzie Meyer, Archive Hans Haacke, Henri McMaster, Whitney Biennial 2026, Tracey Emin, Brook Hsu, Sanya Kantarovsky, 61st Venice Biennale...

A first-of-its-kind documentation of collective cinematic journeys from the MENA region and beyond.

A comprehensive guide to the monumental, immersive installation created by Nabil Nahas for the Lebanese Pavilion at the 61st Venice Biennale.