Matthieu Saladin,
John Cage tested by a few “field situations”
[FLUX]
In search of John Cage
Philip Gentry,
The Cultural Politics of 4'33'
: Identity and Sexuality
Sarah Troche,
Cage as Frankenstein: Monstrosity and Indeterminacy
of Performance
Jean-Yves Bosseur,
The Question of Cage's Legacy
Thinking the silence
Xabier Erkizia,
Listening To Our Own Deafness
Seth Kim-Cohen,
I Have Something To Say, But I'm Not Saying It
Michael Pisaro,
Nicht alles, nicht nichts : etwas. The opposing tensions
of John Cage's 0'00''
and Roaratorio
Conceptual Music: Cage, below & beyond
Sophie Stévance,
John Cage Tunes Into the Redefinition of the Musical Field by Marcel Duchamp and the Emergence of a Conceptual Music
Mattin,
Cage as a Cage: Towards Conceptual Improvisation
Documents
John Cage,
A Composer's Confessions
John Cage's Library Reconstructed Through His Sayings and Writings
[INFLUX]
Matthieu Saladin,
The Fetish Character in Experimental Music
Radu Malfatti,
The Difference Between a Sea and a River is:
Two Consistencies of Different Kinds
Toshiya Tsunoda,
Field Recording and Experimental Music Scene
Jérôme Noetinger, Aus den sieben Tagen
by Karlheinz Stockhausen
[REFLUX]
Kenneth Silverman,
Begin Again: A Biography of John Cage, by Philip Thomas
Julia Robinson (ed.),
The Anarchy of Silence : John Cage and Experimental Art, by Rob Haskins
Stephen Chase & Philip Thomas (ed.),
Changing the System : The Music of Christian Wolff, by Ivana Miladinović Prica
Olivier Lussac, Fluxus et la musique, by
Cyrille Bret
