Music > experimental / contemporary / electronic / electroacoustic / improvised music

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

Amazoom by Luca Trevisani presents two hypotheses of landscape reincarnation, two translations, two strict, entropic protocols of imagination.

An exploration of the ecologies of music and sound, from an ecosophical and emancipatory perspective.

The original score composed by Paolo Spaccamonti for the eponymous theatrical production directed by Valerio Binasco and produced by Teatro Stabile di Torino. The music, both haunting and subtle, mirrors the play's minimalist and intense staging, immersing listeners in an evocative soundscape that blends ambient textures with guitar-driven melodies.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

The re-release of the much-sought-after art book by Coil's John Balance—the first ever extensive overview of his drawings, paintings and sketches—in a reformatted and largely redesigned edition.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

30 Fluxus pieces, new and old, live and studio, finished pieces and scores to be performed, acoustic and classical, solos and pieces for ensemble, using classical and special instruments, with new essays and articles, original photos and other documentation.

A dialogue between two avant-garde figures, one poetic, the other musical.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur, Alex Hacke, F.M. Einheit).

The second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music.

A series of electric guitar duet meditations.

I-A-K Interplanetary-Abyssal-Kite is a composition by Francesco Cavaliere, part of his Abyssal Creatures project based on an ensemble of concave blown glass sculptures that recall transparent creatures far from human representation: beings that inhale sound and exhale resonances.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

A limited edition repress of the remastered album "Descending Moonshine Dervishes" by Terry Riley, originally recorded live in Berlin in 1975 and released by Kuckuck in 1982.

The first album of this new digital-drone-rock-noise/ambient/electronica project created by two founding members of Tone Rec and DAT Politics (Claude Pailliot - Gaetan Collet). Inspirational collision of motorik avant rock and heavy electronics.

The second release by Stefan Prins on Sub Rosa brings together four recent, large-scale compositions in which traditional instruments—from bass woodwind trio to electric guitar and symphonic orchestra—merge seamlessly with electronics, feedback, and field recordings.

A new collection of writings by the composer and mathematician Spencer Gerhardt, considering among other topics the rich points of contact between minimalist musical aesthetics and intuitionistic mathematics.

Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

Klara Lewis' latest offering is undoubtedly a heartfelt tribute to her friend, mentor and former label boss, Peter Rehberg.

Crys Cole's third solo release for the Black Truffle label, Making Conversation documents a different facet of her work, presenting three rigorously conceptualised commissioned pieces, each of which extend her signature approach to highly amplified small sounds into new directions.

The second album by the duo So Sner, composed of Susanna Gartmayer (bass clarinet) and Stefan Schneider (electronics), both stylistically cohesive and daringly uncompromising.

Kiki Jones; Fady Joudah; Mica Levi; Pascale Ciapp; Kasper T. Toeplitz; Graham Lambkin; Risaripa; Steve Albini; David Grubbs; DASDAS...

Co-editor: Zane Cerpina; interviews with Boris Eldagsen, Martinus Suijkerbuijk, Maya Man, Molly Soda; Transmediale 2024; REBOOT: Pioneering Digital Art...

16 international sound artists and musicians explore the materiality, spatiality, technicality and diverse cultural, social and political forms of sound, questionning the relationship between improvisation and composition, between performance and installation, etc.

A musique concrète piece divided into five movements, based on the handling and editing of recordings captured within circuses between 1988 and 1993.

Two revenant stories by Léon Bloy (1846-1917), with music by Nurse With Wound.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project explores the musical tradition of this important Orthodox site.

Devoted to Mount Athos in Eastern Greece, FLEE's sixth project invites artists and researchers to explore and unravel the musical tradition of this important Orthodox site.

Book-object: a collection of fifty drawings made on a train, within the meanders of a straight line.

An album recorded in different parts of the world, in which the Canadian composer and sound artist explores how quantum mechanics profoundly influences the perception of sound.

An exploration of sound, space and time using found objects and flute. (new remastered version by Lawrence English of the piece recorded by Akio Suzuki in Berlin in 1994).

2024 repress of KMRU's first release for Editions Mego.

2024 repress of KMRU's first release for Editions Mego.

The reissue of Chico Mello and Helinho Brandão's self-titled release from 1984, the first return to vinyl of this classic of Brazilian experimental music with its original cover art and complete track listing.

The first ever solo release from electronic music pioneer and innovator Laetitia Sonami, featuring a new composition especially written for her interface/instrument, the Spring Sprye, by her former teacher the legendary Éliane Radigue.

The first vinyl reissue of David Rosenboom's unique Future Travel, originally released on the short-lived Detroit label Street Records in 1981 and here presented in an expanded edition with an additional LP of wild, previously unheard live and studio material from the same period.