Presenting the second thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities, Discrepant introduces an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien. This volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Australia, to the south west.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.

The facsimile and English-language reprint of the volume published in 1721 by Austrian architect and historian Johann Bernhard Fischer von Erlach, a historical and theoretical work covering all architectural periods and styles, from Stonehenge to Chinese imperial arches, which had a considerable influence throughout Europe.

The remastered anniversary reissue of the guitarist's first solo album, released in 1974, accompanied by a new album made by Fred Frith in similar conditions, celebrating the fifty years that separate them.

Gelenkstellen – Loose Joints opens a space for mental and physical movement by translating the motif of loose joints, which is central to Hella Gerlach's sculptural practice, into the format of a book.

Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.

Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

The heavyweight trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi return with their 12th and most epic release to date, a monumental triple LP.

Four excerpts from a duo concert by Arthur Clees (drums) and Jan Jelinek (live electronics).

New electromagnetic recordings by Christina Kubisch: a suite of pieces focusing on the electromagnetic sound qualities of trams, buses and related infrastructure.

A unique 90s Berlin underground artefact by Kunstkopf.

The musician and visual artist's new album, somewhere between folk and experimental music.

NPVR is the avant garde duo made up of the late Peter Rehberg and Nik Void. Editions Mego is proud to present their second and final release. No this is not some kind of Beatles synthetic AI that raises the dead reconstructed recordings but rather a new album made by the humans and their machines.

Artist and curator discuss the role and value of art in the 21st century, and the potential for artistic creation to contribute to the development of new knowledge.

First monograph.

Fan book parody, People Painting is an artist's book made up of a collection of found images of famous personalities (from the 1920s to 2020) painting or posing in their studios.

The first book to draw a comprehensive cartography of the relationship between visual arts and digital culture since the early 2000s, tracing the history of memes "from Duchamp to TikTok."

An essay on the new challenges facing exhibition curators.

Two essays by psychoanalysts Angelo Antonio Moroni and Pietro Roberto Goisis on Rachel Whiteread's singular project and experience in Bergamo, Italia.

Sculpture is the first monograph dedicated to the work of New York-based British artist Jesse Wine, bringing together a substantial body of work produced between 2016 and 2023.

A selection of paintings by Cosima zu Knyphausen over a period of five years, accompanied by an essay by Rahel Schrohe, and a poem of the artist.

This publication by avant-garde artist and cultural icon Yoko Ono combines never-before-published texts and invitation pieces written in 2016–2018 with drawings from the “Franklin Summer” series she started in 1994 (new edition).

Kindling #1: Parazoan Mapping #2 by Taku Unami and Eric La Casa is the first edition of an ongoing series of artist-run digital+paper sound-art releases, only available as a newspaper plus digital file.

The partitions, to be activated by the reader, by Aziyadé Baudouin-Talec, Mickaël Berdugo, Jocelyn Cottencin & Olivia Grandville, Matali Crasset, Zoée Dahan, Ines Dobelle, Garance Dor, Frédéric Dumond, Diane Giorgis, Vincent Menu, Alain Michard, Aurélie Noury, Nicolas Richard.

FasFari is composed of short vocal emissions that deal with a form of speech before the act of saying, sound particles that invoke meaning without ever fully unfolding it, and barely suggest a body and a biographical identity.

She Mad gathers materials and documentation on Martine Syms' seminal episodic project of the same name. Each episode of this series takes a different format, using various narrative formats, from sitcoms to TikTok videos, and includes filmed footage as well as research materials.

A music drama performed in the Hebbel Theatre Berlin in 1994—a key work from Sven-Åke Johansson & Alexander von Schlippenbach.

A collective manifesto for feminist art schools.

A series of watercolor images of vases by the Swedish artist, printed in risography.

A veritable panorama of Art Brut at an international level, through 180 works selected from Bruno Decharme's collection.

Reading acts as a visual treasure trove, compiling an assortment of panels that capture the very essence of Disney's letter-centric storytelling.

Artist's book: a "cinematographic" display of previously unpublished visuals by Olivier Sévère, reflecting the phenomenon of mirage, the appearance and disappearance of images, and the presence and absence of water. A text by anthropologist Sophie Brones accompanies the narrative of these Tunisian desert landscapes.

An artistic reflection on the political and social structures that shape the emotional state of loneliness and its perception in contemporary society.

A poetics of perception, between sculpture, architectural installations and photography.

The Malakow Tower of Zeche Hannover becomes a space-consuming sound installation that transforms voices from different communities in Bochum into a physically palpable listening experience.

A 20-year retrospective of Cindy Wright's paintings, blending photo-realism with detailed, painterly techniques.

A sound performance inspired by Merce Cunningham, in which a group of speakers seek to escape from society, to retreat by mimicking the objects that surround us in the forest.

Toward a Transindividual Self examines the process of performing the self, distinctive for the formation of the self in Western neoliberal societies in the 21st century. It approaches the self from a transdisciplinary angle where political and cultural anthropology, performance studies, and dramaturgy intersect.

The top 100 contemporary artists in the playful and regressive form of a sticker album, modeled on the Panini albums.

A critical and ethical reflection on contemporary art and ecology, based on long-term research into the work of some twenty international artists committed to environmental issues.

Through more than 500 images by 95 photographers, the Musée de Grenoble's collection of photographs from Antoine de Galbert's collection and his foundation offers an impressive panorama of our times and the decisive role played by photography in shaping our perceptions and contemporary mythologies.

A spectacular insight into the work of art director Willy Fleckhaus for the German magazine twen, which in the 1960s was arguably the world's most influential magazine in terms of visual daring and graphic innovation, and remains an essential reference for many contemporary practitioners.

A compilation of interviews with forty-seven younger-generation Korean artists: this first-ever interview book on contemporary Korean artists in the English language offers a kaleidoscopic overview of the new and dynamic practices taking place in Seoul.

From the negative hands on the walls of the Chauvet caves (minus 30,000 years ago) to the most recent experiments of a number of contemporary artists, an entire history of art can be written under the prism of breathing. Between these two milestones, this study attempts to highlight the innovative force of breath and the importance accorded to breathing as a creative gesture and artwork on its own.

Wonderflux brings together a group of longtime contributors with graphic artists to collaborate on illustrated essays and develop a new pictorial language around some of the emergent consistencies and overarching issues that defined the first decade of e-flux journal.

Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.

Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.

Ulyap is a village in the Caucasus, where one can find an enormous number of accordion and harmonica players. "Ulyap Songs: Beyond Circassian Tradition" represents an attempt to document ancient bards' chants and their entanglement with popular rural heritage as well as post-Soviet culture during modern times, through a critical prism.

This book traces the legacy of Zona, Eastern Europe performance art festival that took place in Timișoara, Romania, between 1993 and 2002, years which were marked by a transition from communism to a new society built on different principles.