Works on paper by the Belgian artist.

The story of the Galerie Janine Rubeiz, a major venue on Beirut's cultural and artistic scene.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

The first monograph of Puerto Rican born artist Lee Quiñones presenting his monumental work and following his evolution over five decades.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

A hybrid between travel chronicle and studio process notebook, this artist book tracks the construction of a failed modernist fantasy in the island of La Palma and the hallucinogenic properties of wild plants that grow across the Canary Islands.

Photographer and filmmaker Manuel Wetscher brings together in an artist's book a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS. A universal family album documenting childhood, which questions the evocative power of an altered narrative and deals with the effects of a taboo and the poetic force of images.

Script is the second book of artist J.J. Zana and a continuation of the series started with Cycles. Composed of fragments, it gathers eleven sections—with a central part telling about his experiments with drugs.

The twelfth album by DAAU is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

François Bayle's luxurious, monumental retrospective box set: 15 CDs covering half a century (1963-2012) of acousmatic creation, accompanied by a 160-page book with various texts, a 2012 interview with Thomas Baumgartner, presentation and annotated catalog of works by Régis Renouard Larivière, and photographs.

The debut, self-titled album from German trio Schatterau: 15 elegant miniature pieces made with an old 4-track cassette recorder, offering a lo-fi walk through a patchwork of warm, nostalgic, dreamlike and strangely familiar soundscapes.

Two previously unreleased collages for magnetic tape, both realized at the Studio di Fonologia Muisicale RAI in Milan. These pieces are precious testimonials to Aldo Clementi's intense and ongoing interest in electronic music in the 1960s.

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

The publication Alexander Tovborg: The Church. Photographed by Mishael Fapohunda, edited and designed by Åbäke, follows the artist's eponymous exhibition at Kunsthal Charlottenborg, Copenhagen (2023), in which Tovborg investigated the mysteries and paradoxes of faith, as well as the power of images.

An archive of sounds for interspecies communication, stemming from Renato Leotta's research on Posidonia Oceanica, an underwater plant endemic to the Mediterranean Sea.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).

Issue 37 of Palais de Tokyo magazine addresses the relationships between mental health, contemporary creation, and art and culture venues, in particular through the prism of institutional psychotherapy, a set of practices aimed at disalienating institutions—initially psychiatric ones.

Curator, art historian, writer Chus Martínez and writer and curator Filipa Ramos bring together a group of artists who have been using clay, pottery and ceramics to imagine, project and shape the world they live in.

A curatorial approach towards deliberative cultures of assembly and a realistic scenario of decentralized power and decision-making (an anthology edited by Markus Miessen).

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

Gilles Aillaud, Andy Robert, Marisol, Ellen Gallagher, Giovanni Anselmo, Marjorie Welish...

Anna Oppermann, Benoît Piéron, Maria Toumazou, Coumba Samba, Kiyan Williams, Ali Eyal, Samuel R. Delany, Maryanne Amacher, Roe Ethridge, Aleksandra Kasuba...

With the theme "Building," this issue is interested in the future of architecture as a practice of creating housing for the living within urban agglomerations. It questions the ways architecture, as the creation of living spaces, always requires collaboration with several participants including, hopefully, the users.

The transdisciplinary journal continues its return around the theme of the chanson.

A kino-political theory of the 21st century.

An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

FasFari is composed of short vocal emissions that deal with a form of speech before the act of saying, sound particles that invoke meaning without ever fully unfolding it, and barely suggest a body and a biographical identity.

Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of "Panorama".

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.

Presenting the second thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities, Discrepant introduces an unique collaboration in the series in the shape of no other than two improvising giants, Mike Cooper and Pierre Bastien. This volume blows the lid wide open with a sound journey inspired by the equally majestic and mysterious Indian Ocean, a wide space of open ocean bounded by Africa, to the west, Asia to the north and north-west and Australia, to the south west.

Two previously unpublished interviews with Jim Dine, about his performances in New York City in the early 1960s, an important period in his career that the artist has so far rarely discussed.

The facsimile and English-language reprint of the volume published in 1721 by Austrian architect and historian Johann Bernhard Fischer von Erlach, a historical and theoretical work covering all architectural periods and styles, from Stonehenge to Chinese imperial arches, which had a considerable influence throughout Europe.

The remastered anniversary reissue of the guitarist's first solo album, released in 1974, accompanied by a new album made by Fred Frith in similar conditions, celebrating the fifty years that separate them.

Gelenkstellen – Loose Joints opens a space for mental and physical movement by translating the motif of loose joints, which is central to Hella Gerlach's sculptural practice, into the format of a book.

Dreaming Alcestis is an artist's book by artist and filmmaker Beatrice Gibson, conceived as an accompaniment to her holographic film installation of the same name.

Two works recorded 14 years apart, registering the behaviour and characteristics of environmental and instrumental sound resounding within multiple parking garages.

Massa Confusa is a combinatorial codex cataloguing João Maria Gusmão's recent material transformations in the studio, featuring an accompanying text by the artist and faithful reproductions.

The heavyweight trio of Keiji Haino, Jim O'Rourke and Oren Ambarchi return with their 12th and most epic release to date, a monumental triple LP.

A unique 90s Berlin underground artefact by Kunstkopf.

The musician and visual artist's new album, somewhere between folk and experimental music.

NPVR is the avant garde duo made up of the late Peter Rehberg and Nik Void. Editions Mego is proud to present their second and final release. No this is not some kind of Beatles synthetic AI that raises the dead reconstructed recordings but rather a new album made by the humans and their machines.

Artist and curator discuss the role and value of art in the 21st century, and the potential for artistic creation to contribute to the development of new knowledge.

First monograph.