This book offers an original and thought-provoking exploration of a diverse range of contemporary artistic practices, set within a broader cultural context. It argues that art can teach us about the human condition and our way of co-inhabiting the world, in a unique interplay between reason and imagination, creation and contemplation, poetry and inquiry. While acknowledging that art may not have the power to save the world, the author contends that it offers profound insights into our existence and that of others, serving as a poignant reminder of the persistent challenges that linger like indomitable monsters.
Through a combination of essays, criticism, and conversations, the author skillfully examines the meaning of art in times of crisis and engages in thoughtful dialogue with various authors, particularly focusing on Belgium's vibrant artistic scene. Key themes include the artistic fascination with time capsules, art in outer space, the aesthetics of administration, collective experiments in self-organization, artistic quests for truth, the politics of listening, gentrification, hippie modernism, alternative pedagogies, and the enduring power of the imagination.
Pieter Vermeulen (born 1983) is an art critic, curator and lecturer based in Belgium. He studied philosophy and cultural studies at the universities of Antwerp, Leuven and Prague. Currently, he holds affiliations with PXL-MAD (Media, Arts & Design faculty) in Hasselt and St Lucas School of Arts in Antwerp, where he teaches courses in contemporary art & theory, artistic research, and self-organization. As an editor and writer, Vermeulen has contributed to numerous art publications, and his writings have been widely published. Vermeulen is a ICI Curatorial Intensive alumnus (New York) and a member of AICA International.
