The cinema in Gaza; the bridge of Genoa and Renzo Piano; war and "Ryanair journalism" in Ukraine; the Ballroom scene; the geography of the bodies of François Chaignaud; the throes of the Off Festival in Avignon...

Contemporary poetry in Arabic: Sara Elkamel; Marc Ribot; Bill Nace interviewed by Michel Henritzi; David Grubbs by Laurent Nerzic; Werner Durand interviewed by Deborah Walker; Paulina Owczarek interviewed by Gérard Rouy ; focus Insub.Records; 80 album reviews...

First monograph.

The fourth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the Fortune Teller.

An essay on the Italian period (1962-1976) of the American artist, never studied before although it has deeply influenced the imagination and the work of Paul Thek.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

First monograph, presenting four perennial works created by Christine Maigne as part of public and private commissions and which are organically articulated to the ground.

A wide-ranging photographic survey of contemporary and modern sacred architectural constructions in the Puglia region of Italy through nearly 200 cataloged brutalist, modernist or simply eccentric buildings.

Ruth Asawa, Virginia Overton, André Cadere, The Otolith Group, Éliane Radigue, Pierre Molinier...

Richly illustrated, this book provides for the first time a visual overview of Lawrence Abu Hamdan's works of more than a decade, and elaborates on a formal vocabulary characterized by the aesthetics of sound and language.

A contemporary reading of the major divergences within the theory of graphic design from the encounter between the two Dutch graphic designers and typographers Wim Crouwel and Jan Van Toorn in the 1970s.

A tribute to Cecil Taylor's Akisakila, re-imagined & arranged by Pat Thomas piano & XT: Paul Abbott (drums, synthetic sounds) and Seymour Wright (actual & potential saxophone).

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

The first published fiction text by art critic and author Camille Azaïs, which questions the return to the home of American women since the 2010s.

A "story-poem", forming one of the parts of a project by Jean-Guy Coulange that also includes two radio plays and an exhibition.

The first retrospective on design in Lebanon, from the 1920s until today, includes works by over 50 designers, uncovering this major design scene in the Middle-East.

Venice preview, Dan Graham, Basel Abbas and Ruanne Abou-Rahme, Nikita Kada, Titian's Poesie...

Alexandre Leger's drawings-poems.

A sound collage composed from 400 hours of recordings the artists made during the 2-year renovation of their house in the Prenzlauer Berg district of Berlin. The work has been previously presented as an installation of which photos are included on 3 inserts.

The third issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Bonimenteur, which is approached differently by the seven contributors.

A poetic, "necropolitical" view of sociality in Mexico.

The first comprehensive survey of Ian Strange's architectural interventions exploring dislocation and social catastrophe.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

The last album, posthumous, of Ghédalia Tazartès, entirely conceived by himself: a melting pot of unreleased tracks which cover a large part of his career.

"Two Duos" is pressed from cellist Okkyung Lee's OTO Residency; the first side a duo with Jérôme Noetinger on Revox B77 and the second with Nadia Ratsimandresy on ondes Martenot. Cut together, the two meetings seem to raise three cellos in the search for expressive voice: the cello, it's magnetic reproduction, and the dual controls of the machine invented to expand on its musical qualities.

The first album of Viennese bass clarinetist Susanna Gartmayer and Düsseldorf-based musician and producer Stefan Schneider (Mapstation), partly recorded at the site of Kraftwerk's old Kling Klang studio, synthesizes aspects of industrial and avant-garde music with jazz.

Catalogue of the graduation exhibition 2020 "Centaur's Requiem" at MO.CO. Esba (Montpellier School of Fine Arts), curated by Céline Kopp).

Alain Guiraudie, the Eldorado of metavers, Christophe Tarkos, Anna Tsing, Christian Rizzo...

A project for which Alessandro Pessoli brings together some previously created pieces and others made specifically for the spaces of the Cloisters of Sant'Eustorgio.

An evocative musical tribute to Greek architect and painter Dimitris Pikionis, based on field recordings and small "poor" objects such as tin whistles, music boxes and toy harmonicas: a meditative, whirring, vibrating and suspended sound piece, both "environmental" and particularly musical.

Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment.

Issues 35 to 37 of the critical review dedicated to graphic design.

Lawrence Weiner, Daniel Hesidence, Bassem Saad, Gala Porras-Kim...

A multifaceted view of an artist who is interested in both larger global politics, and intimate, domestic spaces and the inner psyches of individuals under duress.

Destruction/reconstruction and contemporary art.

A series of in situ improvisations on Mount Tamborine in Australia.

The non-human images, challenging our own relationship to the world.

The second issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the manifold figure of the Moped Rider, which is approached differently by the seven contributors.

Conceived entirely by the artist on the occasion of the homonymous solo exhibition at MAXXI, Rome, this volume documents Thomas Hirschhorn's research on Pixel-Collage, an impressive cycle of works realized between 2015 and 2017.

Reference monograph, with a wide selection of of Claire Tabouret's works (paintings, drawings, and sculptures), two essays and a set of literary quotes chosen by the artist (new expanded edition).

Contemporary poetry in Arabic: Lamis Saïdi; Pascale Criton; homage to Peter Rehberg by Jérôme Noetinger; Romain Perrot aka Vomir; Michel Doneda; Wuppertal festival / Peter Brötzmann; Yosuke Yamashita interviewed by Michel Henritzi; 45 album reviews...

An artist's book paying tribute to Angoulême and comics, to Joy Division and the Situationist International at the same time.

Le Dictateur releases his last big, immense, effort: 27 international curators from the world of art, design and fashion curate their ideal show, from past, present or even future or non existing artists but without using images—only words.

An anthology of the theoretical and critical texts on experimental cinema and moving images written by Yann Beauvais in parallel with his films and his activities as programmer and curator.

An unpublished text by Luc Ferrari from 1982, in which he expresses some of his hopes and concerns about what would become La Muse en circuit that same year. Forty years later, the present director Wilfried Wendling wrote a text in echo.

Special issue of the journal of philosophy and humanities, devoted to the multiple dimensions of emancipation.

Olga Kokcharova's LP Furnica is a conceptual and striking sound work that emerged from a recording session in a forest, where the Geneva-based artist captured the sounds of an anthill. As the session unfolded, ants infiltrated the recording device and gradually destroyed its components, leading to intensifying sonic disturbances that overtook the original soundscape.

Artist book / first comprehensive monograph.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.