An immersive and affective electroacoustic experience of Antarctic spaces.
Array expresses the experience of a remote Antarctic research station through the convergence of sound, site and performance. The result is an immersive and affective experience of the spaces, protocols and conditions comprising the bracing polar environment. Array is a companion piece to Polar Force, a performance-installation work by Philip Samartzis and Eugene Ughetti, presented by Speak Percussion.
Array features recordings of radar and scientific instrumentation used for upper atmospheric research and terrestrial communication. These sounds reveal the sophisticated technology and architecture used and heard within the Australian Antarctic Territory. Many of the recordings focus on the way the built environment is transformed through stress and fatigue caused by extreme climate and weather events including freezing temperatures and high velocity winds.
Together with the field recordings are layers of live performance using custom built instrumentation to produce a unique series of textures, rhythmic cycles, resonances and timbral phenomena. The application of tension and pressure upon the assorted instruments recalls the distressed state of highly specialised infrastructure found within the perimeters of a research station.
A polar research station comprises many types and volumes of prefabricated space. In dialogue with this are the unique spaces used to record the instrumental performance. By merging different spaces Array brings into focus various industrial resonances, spatial characteristics, timbres of metal and concrete, and sonic artefacts produced by hard and permeable materials and surfaces.
In three parts, Array presents Antarctica as a liminal space oscillating between representation and abstraction to challenge often repeated tropes. The intent is to blur the relationship between the recorded and performed to produce a hyper-realistic encounter of the powerful forces that operate at the margins of our planet. One hears the precariousness of a remote research station contorted by unrelenting stress, compressed air forced through waterborne fipples and the volatility of weather events.
Life on remote research stations is progressively resembling the broader contemporary experience, in which strict protocols are used to govern and preserve life. The resilient communities who live and work in these places have learnt how to co-exist with an increasingly hostile environment, along with its unknowns and necessity for hyper-vigilance. Rather than consider it as a place on the edge of elsewhere, Antarctica and its assemblage of durable, super modern colonies provides an archetype for an uncertain future in anticipation of the volatility that awaits.
Philip Samartzis (born 1963 in Melbourne) is a sound artist, composer and associate professor in Sculpture, Sound and Spatial Practice and teaches Sound Cultures in the Bachelor of Arts (Fine Art) program at RMIT (Royal Melbourne Institute of Technology).
Philip Samartzis uses field recordings of natural and constructed environments as his primary material to render densities of space and discrete zones of aural experience, which are arranged and mixed to reflect the acoustic and spatial complexities of everyday sound fields. He draws on a range of practices ranging from acoustic ecology and bioacoustics to musique concrète and sound art to arrive at compositions that highlight the pervasive nature of sound and the myriad ways in which it informs and influences our daily experiences. To emphasize this Philip Samartzis designs his compositions for multi-channel surround sound systems that afford immersive and tactile listening experiences to demonstrate the transformational qualities inherent in sounds familiar and strange.
Eugene Ughetti is an
Australian percussionist, composer, conductor and is the founding artistic director of Speak Percussion. His artistic output is primarily an exploration of the materiality of percussion, but his work could also engage with ideas like drum aged rum, supersonic performance or the percussive military. He has worked with some of the world's guiding lights in new music including Pierre Boulez, Liza Lim, Steve Reich and
John Zorn.
