Artist's book.

First monograph.

Box set including a book and a film on DVD.

“Ce qui ne sert pas s'oublie” (“What cannot be used is forgotten”) accompanies and extends the reach of the exhibition of the same title. Both deal with the mutating statuses of objects in relation to possible historical narratives, especially those related to colonial past and present and the layers of cultural, spiritual, and identity production that stem from them.

Artist's book.

Catalogue.

An exclusive publication of an important body of work by the late, internationally acclaimed Swiss artist David Weiss (1946-2012): Die Wandlungen (“The Metamorphoses”) for the first time reproduces all 82 series of graphic metamorphoses dating from 1975 to 1979 in Marrakesh, Carona (Switzerland), and Zurich.

Nostalgia in popular music: a whole scope of various insights on the phenomenon of nostalgia, within a diversity of genres: French chanson, Canadian country song, cold wave…

A critical book: a reassessment of Julien Blaine's poetry and the aesthetic problems related to it.

The only novel written together by two great American poets associated with the New York School.

First monograph.

A special issue dedicated to words written by artists—essays, articles, poetry, scripts, drafts, letters, telegrams, notes and footnotes, and text-based artworks.

The first issue of the magazine dedicated to post-market culture features essays by Marion Maneker, Martin G. Fuller, Steven Shaviro, Taslima Ahmed, Manuel Gnam, Roberto Ohrt, Ben Vickers, Carles, and a visual work by Michael Farin.

This artist's book and first monograph gives an insight into Thomas Jeames's nomadic and diversified practice, influenced by the underground culture and DIY graphic design. Jeames' collages, drawings, trips, experiences, and videos reflect the burlesque poetry of this remarkable draughtsman and iconographer.

Halfway between the autobiography, the adventure story, the manifesto and the catalogue, this publication traces twenty-five years of travels, explorations, and encounters by artist-explorer Till Roeskens.

A photographic documentation, with some critical essays, of the artist's exhibition at Galleria Borghese where three multimedia works are displayed on freestanding structures inspired by the paintings of Caravaggio: a meditation on our fondness for contemplating images of mortality or death, and the different ways of manipulating viewer experience.

CvB Singles Uptown Remix presents a survey of work created since 2000—rags, mushrooms, a “soft” fence, an enormous octopus and other curious objects from Cosima's diverse oeuvre.

A collection of hallucinatory epic poems inspired by crime novel & science fiction.

A milestone film from American composer and filmmaker Phill Niblock, presented for the first time in DVD with two alternate soundtracks, T H I R is a mesmerizing and hypnotic film from his Environments series shot in upstate New York in 1972. This film is one of Niblock's finest and undiscovered jewels—a must have classic release.

A magazine dedicated to art and theater (artistic director : Paulina Ołowska).

The work of Corinne Wasmuht calls into question painting's status in the digital age. Her panorama-like pictures depict futuristic science-fictional landscapes and structures the artist refers to as mirages. This catalogue features beautiful reproductions of Wasmuht's new and recent paintings, installation views and a conversation with Sabine Eckmann.

In 2015, the web radio RadioDordogne offers five carte blanche to sound artists and composers. They each deliver a piece, born from what the territory evokes to them.

A suite of musique concrète composed in the personnal studios of the composers from 2013 to 2015.

Monograph dedicated to Dokoupil's most recent soap bubble paintings series.

This LP inaugurates a new series of vinyl-only releases based on the extraordinary Logos archives. Here, never released before recordings from live sessions at Logos Foundation, in 1974, 1979 & 1981, featuring Max Eastley, Feminist Improvising Group, COUM, Derek Bailey, and the Logos Ensemble.

Gong!'s second issue is devoted to stylist and occasional photographer Rosa Codina. Rosa decided to devote the issue to her daughter and everything around her, in a project she entitled Autour de Alia and which she decided to base on monographic content rather than time or technique.

A singular series of photographs exploring the theme of alternative therapies.

Compilation of photographs taken by Carla Pérez Vas, composer and guitar player with music band Mourn, during her first North-American tour.

Catalogue gathering the early paintings of Charline von Heyl.

A large selection of drawings from Brauntuch's early carreer, based upon iconographic resources from the Third Reich.

Publication exploiting the book's physicality as a metaphorical space to express the artist's feelings after a breakup.

Documentation of Inferno, a prophetic short film on the inauguration and the destruction of a replica of Solomon's Temple in São Paulo

Chus Antón's first book guides us through the mythical locations of Los Angeles that inhabit our collective imagination: film and music video sets, recording studios, crime scenes… Including maps and texts by Cristian Rodríguez.

Interviews with Jon Ippolito, Ben Fido-Radin, Olia Lialina, Constant Dullaart, Graham Dunning, Museo dell'Informatica Funzionante (Working IT museum); articles on Artworks & defunct software, embracing social life & forgetfulness, sound reconfigurations, reports on Bio-Fiction 2014, Transmediale 2015, Sonic Acts 2015, Accès)s( #14, records and books reviews...

A literary and sound dive into a fantastic and whimsical bestiary (with Benjamin Bondonneau, Jean-Pierre Drouet, Géraldine Keller and Michel Mathieu).

A collection of sentences from Wikipedia articles including "trench". The words are engraved by notches in photographs. A kind of eroded field that becomes a graphic novel.

A series of photographs by Izet Sheshivari made on the island of Fårö, where Bergman shot numerous films (newspaper).

An anthology surveying the relationship between artistic practices and documents.

This publication results from Braegger's “The Grateful Dead” paintings series, ink jet prints of colorful psychedelic marching bears on canvas. These bears were used as a logo by San Francisco Sixties rock band The Grateful Dead.

A glossy and luxurious exhibition catalogue including an illustration board with 24 bittersweet photographs.

The first monograph dedicated to Fortino's performances and videos takes the form of a 160 pages volume which constitutes a synthesis of the work and research conducted by the artist at ESAAA art school, Annecy, and beyond.

Grégoire Bergeret collected 1.000 images from his vast personal database to build this ambitious first monograph: an erratic and abundant selection of documents introducing Bergeret's artistic practice.

First monograph: thirty-four watercolors summarizing Lionel Renck's three years research at ESAAA art school.

Since his historical research on the line, anthropologist Tim Ingold has been working closely with laboratoire des intuitions on diagrams. This unpublished text follows a working session at the Kandinsky Library at Centre Pompidou, Paris.

This artist's book features the research notes of a video work based on a sign language interpretation by a deaf performer of a Geneva College Orchestra's live performance.

Filmmaker Rudolf di Stefano shares his views about cinema through a series of quotes by four representants of contemporaneity in film: Robert Bresson, Jean-Luc Godard, and Jean-Marie Straub & Danièle Huillet.

Artist's book featuring a selection of photographic archive from the European Organization for Nuclear Research: without the context of the archive or explanatory legends, the content becomes abstract and hypothetical, and plays with the representational capacity of the image and with the reception of information.

This artist book is composed of the observations, texts and images that Durham collected during a Venetian stay, pointing out the complex relationship between the tourism industries, the stories of local workers and Venice's history.

Publication gathering five conference performances, written in French and English, by the Franco-Korean duo of artists and researchers Ju Hyun Lee and Ludovic Burel, whose works combine installations, performances, and publications.

Drawing from a namesake installation, No More Sleep No More engages in a reflexion on the chronopolitics of sleep under neoliberalism.