Summer preview of 45 shows worldwide; Irene V. Small explores
Jennifer Allora & Guillermo Calzadilla's latest project, which places a Dan Flavin light sculpture deep in a cave in Puerto Rico; Christine Macel talks with Michelle Kuo about the 57th edition of the Venice Biennale; Art Under Nationalism: Dispatch from Warsaw; Johanna Fateman and Tobi Haslett on the 2017 Whitney Biennial and the violence of cultural representation; Ara Osterweil on
Warhol and
Fassbinder;
Lantian Xie; the fall-winter 2017
fashion collections, and much more.
COLUMNS
NEWS
Christine Macel talks with Michelle Kuo on the 57th Venice Biennale
SLANT
Eric C. H. de Bruyn on
Marcel Broodthaers
Robert Slifkin on Frank Heath
BOOKS
Nico Baumbach on Jean Louis Schefer's
Ordinary Man of Cinema
Mia You on Lisa Robertson's
3 Summers
FILM
J. Hoberman on Paz Encina
FASHION
David Lieske on the fall collections
TOP TEN
Ivana Bašić
PREVIEWS
SUMMER EXHIBITIONS
45 shows worldwide
FOCUS PREVIEW
Daniel Birnbaum on the Venice Biennale, Documenta 14, and Skulptur Projekte Münster
FEATURES
DISPATCH: ART IN WARSAW
Joanna Mytkowska
Piotr Łakomy
Natalia Sielewicz
Agnieszka Kurant
Artur Żmijewski
Monika Sosnowska
Anna Kats
Piotr Uklański
CLOSE UP: ON AND OFF ART
Irene V. Small on
Allora & Calzadilla's
Puerto Rican Light (Cueva Vientos), 2015
THE 2017 WHITNEY BIENNIAL: TWO VIEWS
Johanna Fateman
Tobi Haslett
SONS, MOTHERS, AND LOVERS:
Ara Osterweil on
ANDY WARHOL'S AND
RAINER WERNER FASSBINDER'S QUEER HOME MOVIES
OPENINGS:
LANTIAN XIE
Melissa Gronlund
REVIEWS
Chika Okeke-Agulu on
Cercle d'Art des Travailleurs de Plantation Congolaise
Claire Bishop on Cercle d'Art des Travailleurs de Plantation Congolaise
Michael Ned Holte on
Jimmie Durham
Julia Bryan-Wilson on Merce Cunningham
From New York, Philadelphia, Baltimore, Houston, Los Angeles, London, Oxford, Bristol, Nottingham, Dublin, Paris, Berlin, Düsseldorf, Zurich, Milan, Rome, Høvikodden, Istanbul, Beijing, Hong Kong, Singapore, Mexico City, São Paulo, Rio de Janeiro, New Delhi, and Melbourne
Artforum is the leading
contemporary art magazine and holds the unique roles of institution, nexus, and foremost tastemaker of the art world. It delivers the highest level of critical discourse about contemporary visual culture to a diverse international audience and is often the first to identify artists whose work comes to define eras. Launched in California in 1962,
Artforum moved to New York in 1967, where it is still based.
