Luxurious retrospective monograph, conceived in close collaboration with the artist, with three essays, an illustrated and commented chronology, major works since the beginning of the 80s, as well as many documents and exhibition views.
Sophie Ristelhueber (born 1949 in Paris) is one of the great figures of art
photography today. Since her foundational work on the city of
Beirut
destroyed in the
war at the beginning of the 1980s, she has followed a
demanding path that tests the conditions in which the real is seen. She
has developed an engaged reflection on territory and its history through
a singular approach to
landscape, which is conceived as a space that
carries the traces of the major upheavals of human activity and memory
(historical wars, recent conflicts, civil wars, earthquakes), questioning,
like an archeologist, the marks left by man on the surface, leaving the
stigmata of history visible. Implying a complete personal engagement
and a real experience of the land, Ristelhueber's work borrows from
journalism its tools (photography) and one of its major themes (war), but
bends them to the processes of art: her oeuvre is not built around a
documentary project to represent, but, starting from an aesthetic
project, to interrogate the notion of trace, on the body and on the
place.
Sophie Ristelhueber was awarded the Deutsche Börse Photography Prize 2010.
