Women (female artists)

A collection of more than 700 photos shot by Giovanna Silva during the last three years of walks through NYC.

Lavishly illustrated, this publication on the Argentine-Swiss artist Vivian Suter offers an immersive approach to her acclaimed painting practice, whose relationship with the natural world makes it particularly challenging.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

In this deeply personal volume, Simone Fattal's close friend and confidante Hans Ulrich Obrist delves into the artist's past to explore the remarkable breadth of her body of work.

Irène Schwartz's notebooks enable us to follow the entire creative process that, between 1973 and 1983, led the artist to three actions in the field of body art or, more specifically, eat art.

Monograph based a project across multiple mediums, finding its primary reference in the Majnoon oil field of southern Iraq.

First monograph.

The third thematic volume on the "Aquapelagos" series, a collection of split LPs where selected artists offer their own take into water surrounded cultures and communities.

A collaboration between performer Silvia Costa and musician Claudio Rocchetti.

One minute of dance a day for a decade: a look back at choreographer Nadia Vadori-Gauthier's daily act of poetic resistance, on the edge of situated dance, philosophy and performance.

This monograph on Rosemarie Castoro (1939-2015) spans the New York-based artist’s entire practice.

The revelatory world of Emma Reyes.

The revelatory world of Emma Reyes.

First monograph of the Brazilian feminist artist.

Elisa Caldana's The Falcon of Karachi investigates stories of the laggar falcon, a species endemic to Pakistan, India, and Myanmar that is slowly disappearing in the wild.

Marion Laval-Jeantet's research into therapeutic care continues her work with Benoît Mangin under the name of Object-Oriented Art on microbiota, at the crossroads of scientific art, biology, anthropology, psychology and ethology.

This publication documents artist Leonor Antunes's installation at Lisbon's CAM – Centro de Arte Moderna Gulbenkian.

A dialogue between two avant-garde figures, one poetic, the other musical.

Jagna Ciuchta's first monograph reflects the collective, reflexive and evolving logic of the artist's work.

73 images by Swedish photographer Louise Enhörning, including new works as well as some significant past pieces never before exhibited, emphasizing the concept of "lost time."

Retrospective monograph.

A Hypothesis of Resistance contains five essays on Asynchronicity, Rehearsal, Undetectability, The Present Tense, and Duration.

Joint artistic research, between Switzerland and Brazil, around ideas of consumption and exhaustion, the legacies of colonialist expropriation and its monocultural ideologies, besides the infrastructures of export and displacement, across both countries and their intertwined historie.

A publication about twelve women artists in Tuscany and their alternative ways of making art, departing from dominant, male-centered models to embrace regenerative practices and transformative imaginaries.

A publication tracing the itinerary of Fiamma Montezemolo's anthropological and artistic research, across Italy, Mexico, and the United States.

A rereading of Kurt Schwitters' Dada sound poetry by vocalist, singer and composer Anna Clementi and sound researcher, producer and multi-instrumentalist Thomas Stern (Mona Mur, Alex Hacke, F.M. Einheit).

The first monograph dedicated to the Hackney Flashers collective, a group of nine activist women who engaged in agitprop from 1974 to 1980 in the working-class neighborhood of Hackney in London.

A project by the Peruvian artist Ximena Garrido-Lecca about the different gazes and discussions around the coca leaf, with the objective to reconsider it as a multidimensional and historical actor.

An anthological and retro-prospective publication on the work of Mexican artist Eugenia Martínez, introducing re-sensitizations to the local and global feminist movements that are being shaped and transformed every day.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

First monograph, documenting the filmmaker's work as a whole, at the intersection of independent cinema, contemporary art, photography and installation.

Comprehensive monograph.

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

In the spring of 1966, four illustrious travelers cross the United States from west to east, photographing America's architecture at its heyday.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

Photographic drift in Saint-Denis in the footsteps of the ghost of Osugi Sakae, Japanese anarchist-activist who would have held a speech there 100 years ago. A way for artists to put the urban reality of le Grand Paris under pressure.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

This edition presents the research of Brazilian choreographer, performer, teacher, visual artist, gardener, craftswoman and "post-pornographer" Acauã Shereya during her Master's degree in choreography and performance at ICI/CCN Montpellier.

Anne Houel's first book is dedicated to the monumental sculpture Tobrouk, installed on Ouistreham's Riva-Bella beach for one year in 2023, then moved to the Musée d'Art, Histoire et Archéologie in Évreux.

In this first critical volume and biography of the Indian artist Lalitha Lajmi (1932–2023), author Skye Arundhati Thomas delves into Lajmi's archives, papers, letters, and sketchbooks in pursuit of clues about the artist's character and path.

Focusing on Lenke Rothman's unique, conceptual approach to her working materials, this publication presents selected parts of her extensive production, including paintings, drawings, installations, books, sculptures, objects and textiles.

The artist book Sand is Water You Can walk On by Katharina Schilling brings together the series of paintings of the same name with texts by the authors Eva Hegge, Miriam Stoney and Sophia Eisenhut. In her series of works, Schilling refers to Gothic illuminations, an early form of painting that tells of a time before the concept of the subject.