Art & document / documentation / documentary / archive / conservation

Archivio n°10, exclusively devoted to design and its history, is edited by designer Jasper Morrison and Marco Sammicheli, director of the Museo del Design Italiano at Triennale Milano.

Using an interdisciplinary approach inspired by science and technology studies, and combining museological and sociological perspectives, this groundbreaking study of museum storerooms sheds new light on the world of art and cultural heritage conservation.

What gets counted within the category of heritage, and who gets to do the counting?

A complete documentation on a multimedia exhibition by Berlin-based artist Ixmucané Aguila, giving voice to voiceless descendants of victims of genocide in Namibia.

A large-format board-book sequel to Homma's seminal photobook Tokyo Suburbia.

Edited by artist Sille Storihl, The Stonewall Nation engages the archival remains of a gay colony that a group of gay men wanted to establish in Alpine County in Northern California in the early 1970s.

The third volume of the artist's book series dedicated to prehistoric cave painting mostly features photographs taken in everyday life and on trips, as well as found illustrations from scientific publications in various disciplines.

A writing workshop led by the writer François Bon and the artist photographer Bruno Serralongue at HEAD - Geneva from February 20 to 25, 2022.

The recording of a literary interpretation of a performance by the artist Pablo Pijnappel.

The subject of this and the following books in the Spekulationen series is Peter Piller's approach to Stone Age art and its presence in his daily life. This volume presents four hundred and nine photographs found in publications on prehistoric art.

The second volume of the artist's book series dedicated to Peter Piller's field of research of prehistoric cave painting features Piller's own drawings.

Carmelo Bene. Là dove muore, canta is the work of the artist Rä di Martino and she comes to terms with the memory of Carmelo Bene (1937–2002), through his archive materials.

Archives on Show brings the potential of reformulating the social and political relevance of archives by curatorial means into focus.

A manual for academic teaching and learning contexts.

A journey through the United Fruit Company's photo archive and its documentation of corporate expansion into the Caribbean.

The posthumous album of naturalist field recordings from The London Sound Survey: a sound-journey through the dark in East Anglia, roaming across the counties of Norfolk and Suffolk to places whose sounds have a precarious existence outside the crowded realities of modern everyday life.

First monograph of the Kenyan artist.

The archives of the 1960s.

This book introduces camera-based practices at the intersections of artistic and ethnographic research that critically examine the means of their own production and social embeddedness.

A series of images in deep blacks of an abandoned fortress near Siwa in Egypt, whose stone and salt walls have been eroded by rainwater, transforming this city into a mineral and sculptural monument.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

A new monograph devoted to Éric Baudelaire's work and collaborative method, tracing the connection between his films and his curatorial projects.

The first publication on the archive created by the Swiss writer, painter, activist and prostitute Grisélidis Réal (1929-2005) since the 1970s, containing more than 10,000 documents that trace the international mobilizations for the rights of sex workers and their struggles against exclusion and stigmatization.

The archives of the 1970s.

A musical project that investigates the perception of the otherness of the world of the crippled and their right to their own self-expression.

The portfolio of the exhibition at the Jeu de Paume, the first major retrospective in France on the filmmaker and biologist specializing in underwater fauna Jean Painlevé (1902-1989), considered one of the founding fathers of scientific cinema and a source of inspiration for the avant-gardes and the surrealist movement.

Special issue dedicated to the last one hundred years through the archives of the Università Cattolica del Sacro Cuore.

A multi-format (a vinyl record, a publication and an installation) and multidisciplinary project with an approach between science, technology and the arts, in dialogue with contemporary thinkers. The vinyl LP gathers a set of sound pieces made by twelve musicians with whom Lamas collaborated.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

Peter Piller's peripheral excursions around Bremen.

A collection of three films on rock art, in America, Brazil, and China, proposed by Jean-Luc Bouvret.

Built from deconstructed layers of texture, tone, and arrhythmic percussiveness, Andrew Pekler & Giuseppe Ielasi's 'Palimpsests' distills 6 years of work into 9 splintered, airy reimaginings of minimalism—each surprising, creatively rigorous, and startlingly beautiful—that rest at the outer reaches of contemporary electroacoustic practice and musique concrète.

The first monograph of the Romanian avant-garde artist, focusing on the "preliminary drawings" for the work "The Solemn Process" (1964–2008).

An investigation into the history of Chilean medicine, by the Italian artist and filmmaker.

Documents on Raphael is not only a rediscovery project carried out on the five hundredth anniversary of Raphael's death, but above all an operation of re-visioning.

An iconographic taxonomy—researched, conceived, and ideated by Wolfgang Scheppe, also author of the book's final essay—that traces the state and police visual control through almost 500 images from the May 1968 police archives in Paris.

Michele Sibiloni photographs the harvest of bush crickets in Uganda, between local traditions and questions about a global future.

An uncanny electroacoustic composition that incorporates field recordings, synthesis, and acoustic sources, among Carlos Casas's most ambitious and accomplished musical endeavors to date.

The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size.

An album of “synthetic exotica & pseudo-ethnographic music”.

A historiography of impressionism: a historical and critical study of the writing of impressionist history as a documentary (de)monstration.

Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

This publication brings together the source material that has informed Marclay's visual practice over the past few years. It gathers nearly 600 black & white Xeroxes of found image collages compiled with the help of graphic designer Laurent Benner.

Cemetery. Journeys to the Elephant Graveyard and Beyond compiles a selection of the visual and research materials accumulated during the development of the film and project Cemetery (2009–2019).

A photographic journey in contemporary Turkey, looking for traces of the protean presence of Mustafa Kemal Atatürk, the founder of the Republic, in more than 600 pages.

Catalogue dedicated to contemporary artists whose production concentrate on the reuse of existing images (new expanded edition). This publication investigates the various practices of these iconographer artists through documentation, illustrations, essays, and interviews (with Haris Epaminonda, Wade Guyton, Camille Henrot, Thomas Hirschhorn, Jonathan Monk, Linder Sterling…).

New monograph / artists' book.

A photographic journey with a documentary and sensory approach in the center of the ice giant Aletsch, the biggest glacier in Europe (a series of 60 negative photographs taken on the Aletsch glacier, with four texts by interdisciplinary authors on the glacier: glaciologist Jean-Baptiste Bosson, art historians Federica Martini and Joël Vacheron and writer-researcher André Ourednik).

From 1970s to his death in 2000, scientist, artist and art collector Andreas Züst spent time in Greenland, photographing ice in its most diverse forms. This publication gathers a selection from this extensive collection, alongside contextual essays.