Two Thousand Years of Non-Urban History revisits the founding principles of architectural and landscape discourse in the Arabian Peninsula. The publication explores instances of pre-oil planning, ranging from desert kites to fish traps and water channels, upending the toolset for thinking through architecture's relationship to its context.

a panoramic view of John Cornu's practice since 2006, with thirty-eight works accompanied by thirty-eight texts by historians, curators, conservation experts, art critics, and contemporary artists, with as many different approaches and possible readings.

Two new pieces highlighting the incredible voice of Amelia Cuni (1958-2024), the great Italian singer, based in Berlin in later life, whose mastery of the classical Indian dhrupad developed in parallel with a commitment to contemporary experimental approaches.

A 5-CD boxed set featuring the collaborative work that the BarDem duo (Vincent Barras & Jacques Demierre) has been carrying out for several years with Swiss and international artists, on the margins of the traditional categories of literature, poetry, performing arts and music.

Coloring Book II by Dr. Lakra is the second book published by the artist in collaboration with BOM DIA BOA TARDE BOA NOITE.

An overview and historical, critical, and theoretical perspective on the French artist's work.

An account of an imaginary fashion exhibition that has no clothing, but in its place, sonic responses to garments and cloth act as a series of calls to explore the concept of Fashion Thinking.

Robert Filliou's last major creation, Eins. Un. One..., embodies the humor, freedom, and radical thinking of a "genius without talent".

A retrospective of the eclectic work of Swiss artist Pier Geering (1947-2024).

In The Infinite Now, Taras Gembik crafts an intimate meditation on solitude, faith, and the search for meaning, ten years in the making. Moving between Ukraine and Poland, these twenty-five poems trace a decade-long journey of self-discovery.

In this essay, Alexandre Gérard recounts his discovery and interpretation—which was not entirely straightforward at first—of the work of his great-uncle, the artist Jean Dupuy (1925-2021).

The first French translation of Giorgio Grassi's 1967 text, La construction logique de l'architecture [The Logical Construction of Architecture] takes a strong stand in favor of an architecture that thinks for itself, against the current of experimental excesses that mark both his era and ours.

This intimate documentary delves into the Seattle music scene from the late 1990s into the 2000s, capturing a transformative era through photography and personal stories as the world shifted from celluloid to digital, grunge to indie.

The Vestige is the first fruit of a new intergenerational collaboration between Giuseppe Ielasi, a quietly prolific key contributor to the European experimental music scene for over twenty years, and Jack Sheen, a young composer-conductor-sound artist from Manchester whose recent projects have seen him moving seamlessly from enigmatic chamber music composition and installations to conducting the London Symphony Orchestra.

Black Truffle presents a new edition of Kassel Jaeger's "Fernweh", returning François J. Bonnet's electroacoustic project to the label five years after the acclaimed "Meith".

For her long awaited second monograph, Liz Johnson Artur follows the legendary London club scene PDA and the community that created it.

Fifteen pieces by Jason Kahn, based on field recordings made during an artist residency in Taiwan in 2023, composed in Zurich in 2025.

A visual and text based investigation led by Moroccan artist Bouchra Khalili during many years following the traces left by the Mouvement des travailleurs arabes, a group fighting for the rights of the Arab workers in France at the turn of the 1970s.

The first English translation of Alexandra Kollontai's "My Heart Belongs to the Finnish Poor", originally published as "Suomen köyhälistölle kuuluu sydämeni" by the Finnish Trade Union Federation in 1911. The essay is printed in 200 copies as a risographed poster.

An innovative monograph of conceptual artist Agnieszka Kurant's work, focussed on the phenomenon of collective intelligence, alongside newly commissioned texts by renowned thinkers across science, philosophy, technology, anthropology, and economics.

As part of a series of publications on singular architectural bodies of work, this volume highlights Pierre Lajus' pioneering hedonistic wooden constructions of the 1970s, and gives his work its rightful place in the history of architectural experimentation.

A retrospective of the work of transdisciplinary artist Violaine Lochu, bringing together performances, drawings, sound pieces, installations, and videos.

Art and poetry in action as performative power.

An aural bridge between two distinct generations of Italian experimental and electroacoustic musicians, "Liminale" is the debut collaborative outing from the creative partnership of Luigi Turra and Elio Martusciello.

New monograph by Paris-based British artist Charlotte Moth, conceived as part of her exhibition at MAMC+ Saint-Etienne.

Rhythmic, exotic, deep & primitive sounds for post modern ears: the first album by the acoustic ensemble founded by Daniel Denis (Univers Zéro) and Alain Neffe (Pseudocode).

Jacques Ponzio continues his tribute to Thelonious Monk by exploring the intense yet fleeting relationship between the pianist and saxophonist Steve Lacy.

A retrospective of the London-based Dutch artist's work over two decades.

27 features 27 recent works from two series titled Clementine and Merlin (2023–24) by London-based artist Magali Reus. This book, in its beautifully crafted materiality, format and typography, mimics a diary or romantic novel.

A collective artists' book based on a fictional character by Natascha Sadr Haghighian.

A text by the Swiss artist, imbued with highly personal reflections on her relationship with creativity, notions of gender, motherhood, and the place of parenthood in the world of work (more specifically, the tensions inherent in the dual role of mother and artist).

142 drawings realized over a decade, addressing the commitments, obsessions, and conceptual territories that drive Jim Shaw's practice.

The definitive Babs Santini book: the complete graphic work of Steven Stapleton (Nurse With Wound), covering his entire visual output over five decades, on nearly 600 color pages.

An archaeological journey through the renowned Swiss curator's “Museum of Obsessions”.

Monograph dedicated to the famous designer's early work.

Clarinetist Dries Tack pays tribute to the master of minimalism Alvin Lucier.

"Native ball" is a collection of four bodies of works set in Kerala. A compendium on various phenomena, it brings together moments from alternative histories of a culture and region, some of which are based on commonalities that may be odd but significant.

Easily one of the most striking and memorable releases by either artist to appear in recent years, Sergio Armaroli and David Toop's "And I Entered Into Sleep", issued as the tenth and final album in Die Schachtel's Decay Music series, traverses uncharted realms at the borders of literary reference, sound art, ambience and abstraction through delicately musical sounds, revealing new depths at every turn.

"I hate all the words" by Luca Scarabelli and Michele Lombardelli's Untitled Noise, the eight instalments in the celebrated Die Schachtel's "Decay music" series, is a concept album composed of three tracks designed to explore the remote and hidden depths of psyche.

The edition offers a new approach to what Ines Weizman names "documentary architecture," meaning that to write about the history of a building is also to map the world in which it is located.

A vast collection of Ettore Sottsass's writings, edited by design historian Emanuele Quinz.

The stock theatrical character Pierrot is an enduring figure in French visual art, where he emerges at the intersection of theatricality and the marketplace. This book offers an account of Pierrot's recurrence in painting, prints, photography and film, tracing this distinctive type from the art of Watteau to the cinema of Occupied France.

In a collection of interviews given over a period of almost twenty years, a poet seeks to find out a little more about what he makes by confronting his practice with other arts (plastic, sound, scenic).

A groundbreaking curatorial proposal by Jean-Hubert Martin, bringing together five galleries with very different specialties (primitive arts, art of the Middle Ages and Renaissance, antiquarian books and incunabula, Surrealism and modern art, Nouveau Réalisme and contemporary art).