les presses du réel

Mousse n° 50

sommaire
MONIR SHAHROUDY FARMANFARMAIAN AND FRANK STELLA
There Is No Art Without Geometry
by Suzanne Cotter and Hans Ulrich Obrist

L'ESPRIT DE L'ESCALIER: ON (MARRIAGE) AFFAIRS OF ART AND ARCHITECTURE
by Sabrina Tarasoff

A.K. BURNS
If the Future Were Now
by Lauren Cornell

DANCE IN THE RUINS: TRAJAL HARRELL, ADAM LINDER AND ALEXANDRA BACHZETSIS ON THEIR WORK, ITS INSTITUTIONALIZATION, AND THE ART WORLD
by David Everitt Howe

DANCE FACTORY
by Sven Lütticken

RICHARD REZAC
Vaults and Sailors
by Judith Russi Kirshner

KELLY AKASHI
Unbound
by Sarah Lehrer-Graiwer

ILLUSION AND REVELATION IN THE FLATLANDS: THE PAINTINGS OF MERNET LARSEN
by Andrew Berardini

OSCAR ENBERG
Perverting Narrative Models
by Chris Sharp

CALVIN MARCUS
Sympathy for the Devil
by Michael Darling

YVES SCHERER
Days at Sea
by Nikola Dietrich

HOW TO BECOME A VERY FAMOUS ARTIST
by Chus Martínez

A SENTIMENTAL ANALYSIS
by John Menick

KNOTTY BY NATURE
by Carolyn Christov-Bakargiev, Ed Atkins, William Irvine, and Jean-Michel Vappereau

IRENA HAIDUK
Realismically Speaking
by Monika Szewczyk

THE POLITICS OF ART
by Jens Hoffmann, Eric Baudelaire, Nina Beier, Maryam Jafri, Naeem Mohaiemen, and Pratchaya Phinthong

JIM SHAW
Subliminal Drift
by Natalie Bell

BRUNO GIRONCOLI
From the Millennial Chinese Realm and the Electric Era
by Charlotte Matter

THE MATERIALITY OF DIGITAL FORMS
by Erika Balsom and Omar Kholeif
thèmesen lien avec

















































 haut de page