SG is none other than Andrew Pekler returning to faitiche with an album of sentimental guitar escapism. For Lovers Only / Rain Suite features ten tracks made using only an electric guitar and a handful of effects pedals (plus some additional recordings of rain) and finds Pekler once again attempting to reconicile his tendencies towards kitsch, experimentation and minimalism.

The largest and most comprehensive monograph on van den Broek's work to date, a complete and monumental survey of 1998 until now, on over 500 pages, presented and analysed by John C. Welchman.

A realisation of a 20 years-long conversation, with results that articulate Toop's long held sound vision (here executed with his own voice, electric and lapsteel guitars, whistling, percussion, flutes and electronics) around English's stunning recordings of various insects, birds and exotic animals.

An hour-long piece in four parts, scored for four cellists, featuring Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann.

The fourth volume of Rab-Rab Press' bie bao series presents Ilya Zdanevich's talk The New Schools in Russian Poetry, given in 1921 in Paris. In this talk, Zdanevich introduced zaum to the French Dadaists. He declared that practical and poetic languages are two poles of existence, two opposite ways of life.

The first English language translation of Robert Linhart's The Sugar and the Hunger, originally published in 1980. Includes afterword by Luiz Renato Martins, and other materials.

Black Truffle label's first release from Swedish-Finnish sound artist and electro-acoustic composer Marja Ahti: four lengthy pieces, partly inspired by the image of the senses and mind as membranes allowing for the passage between inner and outer spaces, sensation and its causes, creating a world.

An ideal introduction to Lucier's late music.

Double Pendulum is a selection of new material from NY-based artist/composer Nickolas Mohanna. Using a varied palette of percussive devices alongside the electric guitar and computer, hammered notes flutter into brushed cymbals to create pulsing and immersive shapes.

The fourth volume in a series that documents Tarek Atoui's project Waters' Witness, created in collaboration with French photographer and Atoui's long-term collaborator, Alexandre Guirkinger, is intended as a visual embodiment of the work's development for Museum of Contemporary Art Australia.

The artist record Call and Response brings together pieces created in connection with performances and exhibitions by Jimmy Robert, including a booklet wrapped around the record.

This publication presents research conducted by choreographer Mor Demer over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Against the backdrop of her artistic process, Mor Demer unfolds a reflection on the production and configuration of choreographic materials, as well as on the body and the practices and fictions of which it is composed.

This publication presents research conducted by Berlin-based choreographer and performer Jule Flierl over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). This text manages to maintain a sense of orality, of vocality, within a written format. It is at once a description, an analysis, a score, a piece of music, a voice, etc.

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.

A project exploring the sounds of glaciers, captured in crevasses, glacial torrents or moraine folds using microphones, hydrophones and seismic sensors.

The third studio album from the Frenchmen Pointe du Lac offers a deep, catchy and classy dive into kosmische, electronica and jazz.

This album retraces ten years of practice by the contemporary mixed choir of sighted and blind people founded by vocalist, improviser, composer and researcher Natacha Muslera, which explores compositional modes distanced from the visual field, drawing inspiration from ecosystems and biotopes and blending ancestral and experimental vocal practices.

Charismatic Spirals is for an America circa 2024, where poetry—the art of developing new means of speaking—has never been of such artistic, technological and political consequences.

This book retraces Thierry Prat's career as a player and witness to the history of contemporary art in France for over forty years, through a series of interviews that highlight the main issues at stake.

Some insights into the imaginaries that inhabit techno-scientific realities, transforming our relationship with the world, closing or opening up the future.

A trans-theoretical essay: Arnaud Labelle-Rojoux explores the arcana of artists' cult status through a kaleidoscopic series of portraits of "banished" visual artists, filmmakers, writers, musicians and architects, from William S. Burroughs to Jean-Luc Godard via John Cage.

This catalogue offers a journey—an odyssey—through the work of Paul-Armand Gette, with the "0m." as a common thread, the manifesto gesture that has punctuated the artist's universe since 1974.

A poetic text on the influence of suffering and illness on the act of writing.

Reissue of a book of poetry from 1984—perhaps F.J. Ossang's most incandescent poetic period—that never saw the light of day.

A journal of critical and political poetry

The first major work on the history and current importance of the Biennale of Young Artists, known as the "Biennale de Paris", which took place between 1959 and 1985, bringing together thirty-five texts by international authors, including some testimonies from actors who took part in the Biennale.

Odour as an artistic medium.

Francisco Meirino; Mona Kareem; Peter Brötzmann; Les Arènes du vinyle by Carole Rieussec & Elena Biserna; interviews with Limpe Fuchs, Quentin Conrate, Mayuko Hino, Yuki Fuji & Wamei...

Issue 54 "Voicings" explores modes of being, perception and expression that have been historically and often violently disabled by society. Focusing on art practices that centre the perspective of D/deaf and non-verbal communicators, it proposes reconfigurations of voice, language and sound. It asks readers to tune into a chorus of voicings, not necessarily audible, but perceivable as "atmospheres", "vibrations", "rhythms".

Stanley Brouwn, Walter de Maria, Peter McGough, Art history after Black Studies...

Spike's Autumn issue is decoding AI, beginning with the age-old question of what intelligence is.

Carroll Dunham's "Green Period."

Comprehensive monograph.

Sahara: A Thousand Paths Into the Future is devoted to the ideas, images, poetics, politics, fictions, and movements of this vast desert and its myriad voices.

Three-volume catalogue raisonné of the work of Alain de la Bourdonnaye.

23 photographs of chicanes taken between 2013 and 2016 on the roads leading to the Notre-Dame-des-Landes ZAD, France (with an interview with philosopher Marie José Mondzain).

A retrospective of Georges Rousse's "circles."

Paradis is a continuation of the eponymous exhibition conceived by artist Marie Angeletti in Marseilles in 2021. The exhibition brought together 56 artists of different origins and generations. More than just a transcription of this event, this catalogue brings together some one hundred contributions, combining critical texts, poetry, artists' writings and new translations, alongside an equally large number of visual contributions and ad hoc works, most of them previously unpublished.

Issue 36 of the Palais de Tokyo magazine proposes to explore the multiplicity, hybridity and fluidity of identities and the ways of loving, the plurality and complexity of our affects and our sexualities.

Site Sketches n°1-500 is the first volume of the catalog raisonné devoted to the Site Sketches series, works on paper made from recycled scrap wood by Japanese artist Tadashi Kawamata.

Four artist's posters.

Cally Spooner, Donald Rodney, Ivan Cheng, Niloufar Emamifa, McKenzie Wark, Clémentine Deliss, Kerstin Stakemeier, Chus Martínez...

An overview of Studio Marconi's publishing activities since the 1960s, tracing the studio's history.

The most comprehensive publication to date on Korakrit Arunanondchai's practice.