A collection of texts written between 1983 and 2016, enabling us to comprehend the singularity of Sivan's work. Prefaces in opening section offer insights into this unusual poetry, pointing the links between Sivan's poetic universe and those of Denis Roche, Raymond Roussel, Charles Olson, Maurice Roche, Marcel Duchamp…

Eric La Casa continues his series dedicated to Paris with the reedition of the classic AIR.ratio, a study of the sounds generated by ventilation systems in various Parisian buildings.

Panorama reveals one of the principal artist work techniques Francesc Abad applies when arranging images, voices and elements.

This issue explores the vast regions of lightness with an ensemble of textual and visual contributions by artists, historians, scientifics, and writers.

Conceived as a "bio-monograph", this catalogue offers a unique insight into the life and work of the French artist, sculptor and ceramist Valentine Schlegel (1925-2021). It features a large iconography, archives, and texts by sculptor and Schlegel specialist Hélène Bertin (new expanded edition with English texts).

Never before released soundtrack of the film Rock directed by Michel Treguer, composed in 1982 by Bernard Parmegiani (remastered from the original master tapes, with exclusive liner notes).

This luxurious, silk-bound limited edition in a brushed aluminum box set presents highlights from Sugimoto’s Theaters series.

A transdisciplinary study on the Tutsi genocide, tackling various issues related to the writing and the transmission of the genocide's history, to its political and judicial dimensions, and to its media and artistic representations.

A collection of essays focusing on the notions of invention and image in art.

Rémy Zaugg's complete writings in 10 volumes in a box set (new edition).

New monograph, documenting 21 installations conceived by Haegue Yang during the past decade.

Focusing on several major collaborative performance-videos by a figure of the British Black Art movement, this illustrated monograph includes a series of essays which interpret Boyce's interdisciplinary practice in the light of art history, and analyse her interest in black feminism, cultural studies, film studies, art history and critical theory.

Harmony Korine, Tokyo collective Chim Pom, Lascaux 4, the revival of a Basque village, portraits of Théo Mercier and Mohamed El Khatib, interviews with SMITH, David Dufresne, Tania Bruguera, and Karim Moussaoui, Braguino by Clément Cogitore, analysis, exhibitions, and portfolios by Hannah Whitaker and Stefano Marchionini.

Monograph documenting an eponymous project in which the American artist explores the relationship between humans and nature by means of a sculptural assemblage made out of the skulls of Europe's largest animal species.

This publication provides a wide-ranging survey of the Argentinian artist's literary collages—produced from 1965 to 2013—which use appropriated texts, representing a kind of experimental writing at the intersection of visual arts, performance, theater, literature, and activism.

Graphic artist and illustrator Tim Lahan publishes a series of drawings focusing on the impermanence of the physical things: a follow up on Dalí's Surrealist representations of space and time.

Featuring newly conceived works, hand in hand with some older works from the 1980s, this catalogue illustrates Dillemuth's exhibition at the Künstlerhaus Graz, in which he created a new way of presenting his oeuvre, setting up site-specific theatrical scenes.

Artist's book documenting works produced by Tom Humphrey between 2009 and 2016 using industrially manufactured ceramic plates as a support medium. This extensive volume reproduces four hundred and twenty works from this series at a one-to-one scale, in precisely rendered photographs.

Published for the Estonian Pavilion at the 57th Venice Biennale, Katja Novitskova's catalogue addresses emerging potentialities between visual culture, big-data-driven processes, and ecology.

The catalogue of the Albanian Pavilion at the 57th Venice Biennale presents the work of painter and video artist Leonard Qylafi, whose practice has recently been focusing on processes of change and recollection. The featured works investigate the history of Albania and reflect on the nature of the image as such.

Catalogue spanning the last ten years of works by the American painter whose practice revolves around linguistic issues and reflexive material practices in art. The publication includes texts by artists, curators and scholars, documentation of the exhibition at the Blaffer Art Museum by a group of local high-school students and a magazine dedicated to Rayne's 2013 book-object Almanac.

Grounded in theories and practices of withdrawal and in the critical questioning of creation, materiality, and objectified artistic output, The Site Residency program at the Baltic Art Center was imagined as a residency that would result in no material production. This publication presents the outcomes of the program's three participating artists—Annika Eriksson, Susanne Kriemann, Agnieszka Polska—, including the results of their invited ghostwriters.

A striking selection of words extracted from the notebooks of Isabelle Champion Métadier during a journey in New York. These quotes are arranged and accompanied by unpublished photographs.

Collection of handwritten sentences revealing a lesser-known side of Jean-Pierre Raynaud's personality and of his relationship to art.

Monograph dedicated to painter Martin Jannink by François Michaud, curator at Paris Museum of Modern Art. The rare and remarkable painting of the French-Dutch artist is figurative, both romantic and expressionist, full of melancholia, out of present time, with a delicate and disturbing strongness. The publication also documents Jannink's participation in the 1956 Budapest insurrection.

The third issue in a series of publications revolving around the materiality of language: a collection of 18 works and texts by international artists and scholars who examine the physical act of writing.

This recording is the outcome of two sound projects—a performance and an installation—started in 2010 and 2012. Using a recording device as a sound producing source, the Slovene artist investigates the spatiality of sonic manifestation.

A polyphonic work of creative resistance, this publication by sound and visual artist Israel Martínez reflects on the present state of Mexico and its regime of narco-politics through artistic works, interviews, notes, images, and collaborations with fellow writers, curators, activists and artists.

This monograph documents over a decade of works and exhibitions, and offers an intimate portrait of an artist who put the language at the center of his visual practice.

Conceptual art in the United States (1965-1975): theoretical tools and European influence.

Publication based on the eponymous film by Etienne Chambaud and Vincent Normand in which the authors develop the concept of the “Decapitated Museum.” The voice-over in the film has been made into a one-edition book, which was rephotographed according to the technique the authors used to make the film. The outcome is a photography book that is as much a text document than an imaginary scene.

Publication documenting the pilot episode of a series of video works by Invernomuto that avails itself of the structure and production processes of a TV series. This episode deals with the true story of a conflict between natives and settlers in New Zealand during the eighties.

A tale loosely inspired by both the contemporary astrophysicist Aurelien Barrau's work on multiverses and the turn-of-the-century author H.P. Lovecraft's mystical stories. The book entwines astrophysics and fantasy literature through fiction, deconstructing the frameworks of narration, logic, identity, space, and time. Illustrated by Andréa Marchal, after Barrau's works.

A well documented bilingual (English / Japanese) publication presenting ten recent paintings by the artist, and highlighting the special relationship between Pierre Soulages and Japan, where his work was exhibited very early in his career and quickly enjoyed significant recognition. A unique catalogue, published on the occasion of the opening of Perrotin Tokyo.

Drawing on Gilles Deleuze and Félix Guattari's concept of the “girl,” this series of essays brings together a team of contributors to forge a radically inclusive definition of subjectivity in modern philosophy.

Why do computer games exist? A historical and epistemological study of the computer game.

With this essay, Ute Holl analyzes in detail and deep historical context major works by Freud, Schoenberg, Jean-Marie Straub and Danièle Huillet, all inspired by the figure of Moses. The author offers a dynamic and comprehensive political and cultural theory of migration and violence.

This study offers a reflexion on the complex temporality in the series Breaking Bad. The author develop her theories through examples coming from the show's various visual elements and masterful temporal and narrative structuring.

Photographic book celebrating the collaboration between the “UrbEx” photographer Francis Meslet and the “Mind Travels” Series—a series of albums dedicaded to ambient, neo-classical, and industrial music produced by French music label Ici, d'ailleurs. Meslet's photographs of abandoned places give a special echo to the musical approach of the series. The publication is sold with an audio compilation of selected musical pieces taken in the “Mind Travels” Series.

Four artistic destinies at the heart of the Tiananmen Square protests; Hudson Yards, Manhattan; Todd Haynes's Wonderstruck; London's museums and the British gay history; American women artists in the Age of Trump; Paris's museums get hooked on all things biological; Mexico City artists beyond modern traditions; interviews with Camille Henrot and Liz Glynn; portfolio by Li Ran; “Negative” section with the Seagram building's new restaurants, a farewell to Colette, Gustavo Dudamel, and more.

Interviews with Amit Dutta, Lisa Sanditz, Nina Katchadourian, Anoka Faruqee & Michelle Grabner, Suzanne Bocanegra, Adrienne Truscott, Marcus Steinweg, Mike Wallace, Lucy Ives; portfolio by Renee Gladman; a text by Kristen Gleason, the winner of BOMB's 2017 Fiction Contest; an essay by Jennifer Kabat; Édouard Louis's “New York diary”; books and shows reviews, and more.

In their September 2017 issue Artforum look ahead at 40 exhibitions worldwide, Huey Copeland and Frank Wilkerson on museums, monuments, and race, reviews on the 57th Venice Biennale, Documenta 14, and Skulptur Projekte Münster, Amy Taubin on Top of the Lake: China Girl, and more.

The first title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Paul-Armand Gette, the first artist ever to exhibit at Maison Bernard.

The American illustrator's new series, field with characters that operate in a kind of abstract epic or post-Columbian codex that blurs pure myth and daily life. Leines' output reflects the 80's pop culture, modern art and a global range of graphic influences.

The Contour Biennale offers a platform to curators and artists working with different forms of moving image, from film and video to installation. This reader accompanies the 8th edition of the biennale, dedicated to the notions of evidence and testimony. It includes texts and illustrated contributions by international artists, writers, poets, anthropologists, and filmmakers.

Since 2013, the art magazine Contemporary And (C&) has called attention to exhibitions, artists, and curators from diverse African perspectives while boosting new areas of debate. I am built inside you, C&'s first book, is a compilation of eighteen pieces published since the magazine was launched.

Companion book to a project by the artists Annie Vigier and Franck Apertet (les gens d'Uterpan), which emanates from the analysis of individual or collective attitudes and behaviors produced in the public space of a given city.

Becoming Palm is the outcome of a conversation between two friends, artist Simryn Gill and anthropologist Michael Taussig, addressing the complexities of palm oil and “the enormous transformations, human, and ecological, that this crop engenders” (Taussig) in two disparate geographical locations, Southeast Asia and South America.