La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

A limited edition artist's book, Mnēmē presents the work of the Tunisian artist Nidhal Chamekh through thirty-four independent drawings collected in a luxurious boxed portfolio.

Through short poetic texts that are both humorous and insightful, Quebec artist Annie Descôteaux speaks to her ever-evolving art practice and relationship with the physical world, while also incisively critiquing the institution.

A reflection treating the game of football as an expression of both individual and group "identity".

Josh Sperling's first catalogue raisonné: this carefully produced publication (cloth-bound cover, different papers) is a comprehensive record of paintings produced thus far by the prolific artist, featuring an accompanying essay by Kyle Chayka.

A series of interdisciplinary contributions around the political and social dimensions of ecology and its implications in the humanities and social sciences, artistic practices and design.

Issues 31 to 34 of the critical review dedicated to graphic design.

In an age characterised by the increasing dematerialisation of cultural production and transmission, Database, Network, Interface explores architecture's historical role in representing and organising information and knowledge.

Two compositions conceived mainly from researches on the inaudible and the unspeakable, as part of a series devoted to the representation of infraliminary sound phenomenons of the reality, of everyday life.

Machines & Fictions is a monograph on the work of Spanish artist Félix Luque Sánchez over the last twelve years, in collaboration with fellow artists Damien Gernay and Íñigo Bilbao. The book includes texts by leading scholars, curators, and art critics who discuss Félix Luque Sánchez's artistic projects.

Bernard Chambaz, Bertrand Dezoteux and David Redon review the complex history of the construction of the Guiana Space Center, the French space launch base in Kourou, in the 1960s.

Catalogue / artist's book with twenty-one colour illustrations of German artist Maximilian Kirmse's paintings, as well as several drawings.

The complete Ceremonies (2013-2020) by Béatrice Balcou, testing our visual and experiential approach to artworks, confronting us with the basic status of material objects before actually revealing their identity.

décal'âge is a manuscript, reproduced here in facsimile, between intimate writings, working reflections, and diaries of thought. We find in it Claude Rutault's style, his familiarity with literature, the meditative density of his daily reflection.

An essay on the Argentine director Hugo Santiago that questions the very definition of cinema.

The second issue of the Cahiers du centre national du graphisme (National Graphic Design Center) is about typography (new edition).

Marcel Alocco's Events, some poem-scores to be performed in a real or imaginary space.

Algorithm as material and writing.

This album draws its sounds from improvisations generated by a violin, a few dozen freshly awakened birds, highly reverberant spaces, a voice saying words of Roberto Juarroz and Paul Verlaine, the nostalgia of childhood westerns, a viola mounted with electric guitar strings and the memory of those who left too soon.

A sensual and abstract album by the Finnish composer Marja Ahti, one of the most interesting electroacoustic musicians our time.

The first new album in over 40 years by American composer, pianist, and digital audio pioneer Loren Rush: Bay Area experimentalism meets 20th century classical modernism.

The collaboration of two American greats: master of metafiction Robert Coover and graphic legend Art Spiegelman.

Attempting to explore the transdisciplinary aspects of artistic practice, this book revisits a tipping point in art history: the invention of preconceptual and minimal art forms by George Brecht, a chemical engineer and artist.

Rethinking the role of the museum today.

An analysis of the spatial representations using new digital location and mapping technologies, in the light of the political issues that accompany their multiple interpretations.

From the observation of a society of capuchin monkeys and thought experiments borrowed from theater, Zaven Paré, artist and researcher in interaction design, specialist in theater and robotics, attempts to dismantle the pitfalls of anthropomorphization, in an attention that seeks to preserve the irreducible character of an interspecific copresence.

A caustic diagnosis of the situation of the current art, by one of its major protagonists.

The fifth and final part of Michel Surya's Matériologies: literature and thought to the test of the pandemic virality.

The images of exile, escape, wandering and exclusion in art history, from classical painting to the most contemporary production.

The first comparative study of artistic culture in Europe under Soviet influence following the Yalta Accords, tracing the complex relationship between art and politics and the tensions between the avant-garde and traditional practices on the other side of the Iron Curtain.

The unexplored interactions between hypnosis, music and medicine in the 19th century, between the world of science and the world of art.

The first issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to molding.

Exile and nuclear panic in Vilnius, on the edge of Europe; Thierry de Peretti: the Corsican maquis and at the end, the cinema; Deborah Levy told by her readers; the greatest wedding videographers are in Baghdad; at the museum with Mohamed El Khatib & Valérie Mréjen; Leos Carax in the setting of the Camargue; in Norway, the extreme right, the millionaire and the dancers...

Jack Smith (Michael Krebber, Felix Bernstein, Enzo Shalom, Branden W. Joseph), Gary Indiana, Bruce Hainley and Sohrab Mohebbi, Jean-Luc Godard by Ferdinand Gouzon, Leilah Weinraub by Juliana Huxtable, Nina Könnemann by Megan Francis Sullivan, Louise Lawler by Nick Irvin, Claire Fontaine by Anita Chari, Robert Malaval by Valentin Gleyze, Afuma (Stefan Tcherepnin & Taketo Shimada) by Keith Connolly, Park McArthur by Noah Barker, Ken Okiishi by Felix Bernstein...

Artforum turns to efforts by artists, historians, and curators to rethink the underpinnings of the museum institutions.

Reference monograph: a selection of 320 works, 30 texts and interviews, 150 archive photographs.

An intimate portrait of the psychoanalyst Roland Gori, of his thought and his fights against the commodification of health, education and culture.

A portrait of Jean Dupuy through a film by Gilles Coudert and a collection of unpublished texts.

First monograph on artist and photographer Aurélie Pétrel.

The Louvre invites itself to Reunion Island: a dialogue between the collections of the island's five museums and those of the Department of Graphic Arts.

First monograph on artist and photographer Aurélie Pétrel.

Drawings and paintings.

Crossed interviews around the project of the curator Mathieu Copeland, who transposes the exhibition to the stage for the duration of a show, pursuing his investigation into the nature of an exhibition.