An uncanny electroacoustic composition that incorporates field recordings, synthesis, and acoustic sources, among Carlos Casas's most ambitious and accomplished musical endeavors to date.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

Joachim Nordwall proposes for his contribution to the MMXX series a singular gesture built around captured vocalizations: the work's title, spoken by a number of voices, stands as doubling mantra and raw material, increasingly repeated layered, processed, and fed with further tonal and textural interventions over its duration, allowing Nordwall to push the boundaries of his own practice, between musique concrète, sound-art, and experimental electroacoustic music.

Devoted to the late work of José Clemente Orozco (1883–1949), a pioneering artist who founded the Mexican Mural Renaissance with Diego Rivera and David Alfaro Siqueiros, that illustrates the artist's career-long interests in human history and politics, surrealism, symbolism, abstraction and the human form, this catalogue also puts into dialogue the echoes of the painter's influence found in contemporary practices in the city of Guadalajara, where he has left an undeniable mark to our day.

Twenty-two drawings made during four months by the Mexican artist from his own observations of the evolution of a forest landscape written on a single day.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

The first volume of a new series of publications by the collective Wages For Wages Against that reports on active research engaged within the artistic professions and institutions since 2017. Its aim is to question the underlying neoliberal logics in the contemporary art world, by orienting its object of study towards the struggles that impact it.

The tenth issue of the journal-collection that brings together academic writings, interviews with artists, critical essays and artists' interventions in the form of inserts, with & about Sara de Chiara, Moyra Davey, Jana Euler, Sylvie Fanchon, Jim Fletcher, Alexander García Düttmann, Jeanne Graff, Martin Laborde, Liz Magor, Nick Mauss, Edith Schloss, Albert Serra, Pierre Thévenin, Emily Wardill...

How the organization of time structures the creative process and more broadly our relationship to the world.

A metaphysical poem divided into 21 chapters inspired by a series of researches performed among Iran, Armenia, and Ethiopia.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

Created by the author-poet Frédéric Forte, the "Questions obliques" cards, with their three levels of difficulty, question the visitor of an exhibition on his perception of an artwork.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

The collection of the Musée d'art et d'histoire de la Ville de Genève revisited by the transversal scenographic interventions of the Viennese artist and performer Jakob Lena Knebl, who turns perspectives upside down and radically renews our perception of the works.

A polyphonic investigation that reveals the potential of fictional and philosophical suggestion of the animation of things, questioning the persistence of forms of animism within the project of modernity, in the horizon of a questioning of the anthropocentric foundations of the Western culture.

Marie Bauthias' poetic collages.

This publication brings together some of the most representative authors of Saudi Arabian poetic modernity, in its widest scope. Translated by the Tunisian poet Moëz Majed, it is the first anthology of contemporary poetry from Saudi Arabia to be published in French.

The first publication in French of the Saudi poet.

The first publication in French of the Saudi poet.

The first publication in French of the Saudi poet.

The first publication in French of the Saudi poet.

A journal of critical and political poetry.

A study of representations of HIV and AIDS in American and European art, that opens up a vast political, economic and social history of two decades fatally haunted by the catastrophe.

The archives of the 1980s: 23 archives involved, 106 archival documents found, 6 original interviews, 1 horoscope from Gilardi's Phototeca in a poster size.

Break dance at the Olympic Games: hip-hop aims for street gold; in Perpignan, a far-right mayor takes on culture; resisting capitalism by joining forces with ospreys; Wang Bing, filming China before it all disappears; Kathy Acker, punk writer, star by plagiarism...

The fiscal cliff according to Erlend Peder Kvam.

Tal R's collages from his eclectic collection of images and objects (artist's book).

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

The ten years of activity of the international program of research, experimentation, and artistic and pedagogical residencies devoted to questions of artistic community, art in public space, landscape and the political issues of borders, territories and migrations, in Marfa, Texas, a mythical place that has become a veritable artistic laboratory.

Art & microbiology: an essay on the critical, ethical and historical dimensions that result from the entry of microorganisms into the creative process, between art and science.

Winter Family's new album, a composition for a dance piece by Italian choreographer Paco Dècina (pipe organ, piano, voice), partially recorded in St Martin church of Maxéville, France.

The catalogue raisonné of the Frac Île-de-France Collection.

Olaf Holzapfel's textile works made from cactus fibre together with a family of traditional weavers from Argentina.

An artistic project around the secret code of the Incas developed with a system of knotted cords.

Artist's book / monograph.

Mark McKnight, Estelle Hoy, Mitch Speed, Cudelice Brazelton IV, He Xiangyu, Gianluca Concialdi, Samuel Hindolo, Phung-Tien Phan, Trulee Hall, Alex Ayed, Tiffany Sia, Erna Rosenstein, Laura Grisi, Duan Jianyu , Miho Dohi , Stella Zhong , Yalda Afsah, book reviews by Taylor Le Melle...

An artistic and scholarly inquiry into the  work of Anton Wilhelm Amo (c. 1700–after 1753), an outstanding philosopher of the early eighteenth-century Enlightenment, the first African to earn a doctorate in a European university.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

Monograph based on the research of the London-Lisbon based audiovisual artist around the use of ergot in female history.

A photographic journey through the architecture and history of the capital of Pakistan, built ex nihilo from 1961 to the mid 1970s.

First retrospective monograph: an essential resource for any in-depth critical study of Chiara Fumai's work and thought, including a first systematic analysis of her oeuvre.