Klara Lewis returns to Editions Mego with a surprising live set recorded in 2018. Expanding her exploratory vision into haunted realms of unheimlich sound, Live in Montreal consists of a single piece with three distinct discernible sections.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

Editions Mego welcomes Powell to its roster with a bizarre and strangely emotive new album of synthetic computer works entitled Piano Music 1-7.

Autobiography by Jonathan Monk is the first attempt of display of the artist's collection of "Crackers" copies by Ed Ruscha.

The first vinyl LP release from Fluxus pioneer Alison Knowles (remastered edition transferred from original tapes, with an expansive 20-page booklet).

Reevaluating the scholarly knowledge about Dada and its legacy, this publication reconstructs how Dada was (re)invented in the 1950s and the 1960s, especially by the Dada protagonists themselves, and asks to what extent Dada's impulses are still relevant regarding current aesthetic, literary and cultural analyses.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

The complex architectures of the new “memory palaces”, from libraries, archives and museums to the IT structures, databases and server farms that feed the flow of data on the network.

An essay to account for the architectonics of Aby Warburg (1866-1929) by resituating his work within his project of general anthropology of expression: Lara Bonneau shows, from a text as little known as it is important, that the invention of iconology, which made the art historian famous, was underpinned by an ontology drawing on various sources, philosophical, psychological and biological as well as historical.

The little-known history of a major cultural encounter: a study of the reception of Chinese painting in the West and its artistic resonances, which underwent profound changes between the 19th century and the 1930s.

The Art history reconsidered as a scientific discipline and form of discourse in the twentieth century, through a critical analysis of the work of Charles Sterling.

Contemporary poetry in Arabic: Lamis Saïdi; Pascale Criton; homage to Peter Rehberg by Jérôme Noetinger; Romain Perrot aka Vomir; Michel Doneda; Wuppertal festival / Peter Brötzmann; Yosuke Yamashita interviewed by Michel Henritzi; 45 album reviews...

Thomas Crow on Billy Apple; Allen Ruppersberg on Margo Leavin; Amy Taubin on Apichatpong Weerasethakul; Anna Shechtman and D. A. Miller on Pedro Almodóvar; Michael Lobel on Romare Bearden in the 1930s; Patric Dicaprio shares his Top Ten; Daniel Marcus on Hannah Wilke; Mostafa Heddaya on art and comparison; Devan Díaz on Drake Carr; Four contributors take stock of "Jasper Johns: Mind/Mirror"...

First retrospective monograph.

99% Darkness is a compilation of recent collaborative paintings and drawings, featuring the night sky. Short scattered texts take inspiration from the cold vast emptiness of space, with applied human longings and hopes.

Ronan Bouroullec's ceramic bas-reliefs.

New series of paintings by the Swiss artist, that examine the role of humankind in nature and within its social fabric on a philosophical-anthropological level.

A series of collages by Edie Fake.

A series of new semi-abstract oil paintings by the American artist.

This small volume features drawings created by by the famous Swiss illustrator for Basler Rabattmarke BKG Liga.

Peter Piller's peripheral excursions around Bremen.

Training for the Future is a training camp where audiences are turned into trainees to "pre-enact" alternative scenarios and reclaim the means of production of the future. This handbook gathers training manuals, interviews, and documentation of the various training camps that took place from 2018 to 2021.

An unconventional invocation of Michael Stevenson's practice over the past 35 years.

A visionary analysis of what Terry Smith identifies as the "visual arts exhibitionary complex."

Le Dictateur releases his last big, immense, effort: 27 international curators from the world of art, design and fashion curate their ideal show, from past, present or even future or non existing artists but without using images—only words.

Various approaches (historical, philosophical, psychoanalytical, but also artistic) on the experience of confinement, from incarceration to sanitary lockdown.

ORLAN hybridizes fragments of her face with portraits of Dora Maar, Picasso's companion.

A collection of three films on rock art, in America, Brazil, and China, proposed by Jean-Luc Bouvret.

A performative publication by author and choreographer Sara Gebran aiming to immerse readers in a world of social intimacy.

The 2020 edition of the Tour de France was canceled before being eventually postponed. Tour is a series of 101 photographs shot by Louis Canadas on the race's official route, during this period of uncertainty. Words are from Fanny Taillandier.

An essay on the climate crisis by Erri De Luca.

Bringing together contributions from North America, France and Italy, texts by dancers and texts by historians, anthropologists and philosophers of dance, this book offers a contemporary look at Contact Improvisation, the dance form created by Steve Paxton (1939-2024) in 1972 and which is celebrating its 50th anniversary.

Two pieces based on Milan Knízak's canonical text Aktual University, dating from 1967, containing ten short lectures outlining the university's character—On Conflict, On Dreams, On Revolutions, On Love, On Belief, On Art, etc. These lectures were to serve as inspirational schemes for lectures, seminars and discussions held at an ideal university.

A long form composition of six movements from Maurice Louca, with the Lebanese improvisational group A Trio, featuring Anthea Caddy, Khaled Yassine, and Christina Kazaryan, between Arabic music and psychedelic folk.

Following Palo Alto's previous Difference and Repetition – A Musical Evocation Of Gilles Deleuze 2LP/CD this limited 7'' edition features The Tears of Nietszche on side A with Richard Pinhas as guest musician and Vecteur d'abolition on side B with the voice of Gilles Deleuze.

Three pieces for speaking pianist by the American avant-garde musician, politically committed composer and virtuoso pianist Frederic Rzewski (1938-2021), performed by Stephane Ginsburgh (for whom two of the pieces were composed).

A set of photographs of the back covers of Jonathan Monk's books presented turned over. A play of transparency reveals the captions written on the back of each page.

A book-exhibition that brings together the practice of three artists from the contemporary publishing scene around the figure of Mary Ellen Solt (1920-2007), an American artist whose works of concrete poetry enter into graphic and conceptual resonance with the three artists' own publications.

Artist's book.

This monograph surveys the first decade of the legendary Korean artist's career from 1987 to 1998.

Baptiste Brévart and Guillaume Ettlinger discuss with Julie Sicault Maillé their artistic practice as a duo.

Histories Read Across, Fluentum's inaugural issue that opens the publication series In Media Res, examines how (his-)stories are told, narratives are conceived, and knowledge is produced.

Art and the economics of the digital age.

The first curatorial project dedicated to Post-Performance Video with a special look at the works of four artists working in Los Angeles or having trained in this city: Coleman Collins, Rodney McMillian, Nathaniel Mellors, and Anna Wittenberg.

Over the last four decades, American artist and filmmaker Peggy Ahwesh has forged a distinctive moving image practice in the ruins of originality and authority. With contributions from Erika Balsom, Elena Gorfinkel, Tendai Mutambu, John David Rhodes and Shola von Rheinold, Peggy Ahwesh: Vision Machines explores how she has extended and contested the paradigm of experimental cinema.

This volume presents Laura Aldridge's recent and older works, and features an interview and three original essays about her practice.