Protestation devant les libertaires du présent et du futur sur les capitulations de 1980 ("A protest aimed at the libertarians of the present and the future, about the surrenders of 1980") was published in 1981. It was only signed with the word Incontrôlé ("Uncontrolled"), didn't bear the name of any publisher, and was printed on stolen paper.

Reference monograph (available in English edition).

When contemporary fiction meets art.

When contemporary fiction meets art.

Leporello.

A loose-leaf artist's book working as an extension and exegesis of Bürner's film Leaves.

Richly documented, this first monograph published in Europe gathers Larry Bell's archives, alongside with new commissioned essays by the artist, Marie de Brugerolle, Annette Leddy and John C. Welchman.

Richly documented, this first monograph published in Europe gathers Larry Bell's archives, alongside with new commissioned essays by the artist, Marie de Brugerolle, Annette Leddy and John C. Welchman.

A book based on the photographic research for Korine's latest directorial project of the same name (limited edition).

Interviews with Edouard Baribeaud, Françoise Pétrovitch, DoubleBob, Yûichi Yokoyama, Paul Cox, Gary Panter, Jean-Jacques Dumont, Antonio Gallego & Éric Watier, Masist Gül : Kaldırım Destanı, Laura Brothers, Louise Despont, CF, Killoffer & Jochen Gerner.

An inquiry into the musical aesthetics of the wind: for buzzing music kinematics, nature and music; from the singing tree to the aeolian harp; Chris Watson & BJ Nilsen; around records by Francisco López, Alan Lamb, Yannick Dauby & Wan-Shuen Tsai, Tarab, Eric La Casa, Leif Elggren, Michael Northam, Bruno Moreigne; the traces of the wind in the work of Cédric Peyronnet / toy.bizarre... (with a 14 track CD included).

The Earth, its surface, the transformation of matter, through time and cultures (with Pierre Gonnord, Šarūnas Bartas, Michael Nyman, Naoya Hatakeyama, Theo Angelopoulos, Eleni Karaindrou, Rick Owens, Mona Hatoum, Steve McCurry, Lawrence Durrell, Kenro Izu, Juliaan Lampens, Max Richter...)

Baudouin de Jaer decodes Adolf Wölfli's hermetic and emblematic scores.

This cult album was no more available since years. Re-released with a new artwork and additional tracks.

A deep, strong and raw portrait of one of the greatest musical thinker in Europa. Célestin Deliège.

A limited edition containing twelve selected Bless lookbook-magazines ('SUP MAGAZINE, Capricious Magazine, mono.kultur, Paris-La, Purple Magazine, Textfield, etc.) held together by a Bless n° 43 Handle.

An archive of vandalism.

Conceived as an artist's book as well as a work of art, All I remember, is a collection of 477 backs of photos retrieved from the archives of the most important daily newspapers in the world, collected and photographed by the artist over the last three years. Benassi has selected the most significant photos of the 20th century in a backwards route through personal and collective memories.

A portrait gallery of metal monsters.

This issue explores the legacy of the mythological, religious, and scientific figures from modern Orientalism.

A series of drawings illustrating Haldernablou, an homoerotic text by 19-year-old Alfred Jarry and first published in 1894.

First monograph.

A global guidebook of transformation processes.

A selection of recent writings by the art critic, galvanizing central themes Verwoert has been developing in pursuit of a language to describe art's transformative potential in conceptual, performative, and emotional terms.

The Nightmare of Participation calls for a format of conflictual participation—no longer a process by which others are invited “in,” but a means of acting without mandate, as uninvited irritant: a forced entry into fields of knowledge that arguably benefit from exterior thinking.

First monograph on the work of the Swiss artist.

A collection of influential essays by Boris Groys.

First monograph dedicated to Franco-marocan video-artist's films (installations or movies), dealing with the notions of movement, relation and distance, on the borderline between visual arts, documentary, and cinema.

First monograph: Charline von Heyl's paintings chronologically presented, each vis-à-vis a detail view manipulated by the artist, with four texts that shed light on the evolution of her work and contextualize her practice regarding the question of the renewal of contemporary painting.

Learning to Breathe Protest / Alexandre Costanzo / Karl Holmqvist / Camille Pageard / Robert McKenzie / Gallien Déjean / Kim West / Elisabeth Lebovici / Clément Rodzielski...

Twenty-three portraits (emblematic paintings from 1959 to 2006).

Dada, Fluxus, futurism, spatialism, lettrism, concrete poetry, cut-up… a 560-page anthology of typographical explosions and poetic experiments by Al Dante.

10th issue, focusing on the blue hour and color (with Aki Goto, Susan Cianciolo, Bless, Laetitia Benat, Aoi Nagae, Yukinori Maeda, Akira Onozuka, Takashi Homma, Akira Minagawa, Nobuya Hitsuda, Shimabuku, Katsumi Omori, Mark Borthwick, Takehito Koganezawa).

The collaboration between J. G. Thirlwell (Foetus) and Fred Bigot (Electronicat).

Conversation with filmmaker, visual artist and farm worker Pierre Creton.

This book brings together visual and written documentation of BLESS's last twelve collections (N° 30–N° 41), continually prompting and challenging the question of where a product begins and ends.

Complete monograph bringing the diverse aspects of Moyra Davey's work together.

An investigation of the latent yet easily overlooked issue of social class in contemporary art.

A selection of Parreno's films and collaborative projects.

Comprised of a lecture by Christoph Menke and two respective responses to it by Daniel Loick and Isabelle Graw, The Power of Judgment both attests to the importance of judgment in art criticism and argues against its determining verdicts.

Exhaustive monograph

Artist's book (limited edition).

A photographic journey.

With Beni Bischof, Chris Johanson, Dimitri Broquard, Hendrik Hegray, Ingo Giezendanner, Johanna Jackson, Kim Gordon, Rita Ackermann, Stefan Marx, Warja Lavater, Will Sweeney.

A performance piece about weakness and public embarrassment (edition of 30 numbered copies).

A performance piece about the Abu Ghraib tortures (edition of 30 numbered copies).