A piece whose structure is "visually inspired by the wall frieze in its various forms from antiquity to art nouveau, musically by the chants of the Middle Ages moving around a central tone".

A selection of recordings made by reductionist composer Ernstalbrecht Stiebler and cellist Tilman Kanitz between 2020 and 2022 and four improvisations with two short pieces by Stiebler.

Two performances from 2020 and a selection of 1980s recordings by Japanese Fluxus artist Takako Saito.

A revisiting of the singular urban planning project of the residential district of Milano San Felice.

A critical investigation into the material heritage and entangled histories of Western encyclopedic museums.

A collective project around the Vietnamese and Asian artistic diaspora, on the theme of cultural identity in the post-migration society.

Conserving the Future is the book that bears witness to twenty-five years of curating contemporary art in the same place: the Fondazione Querini Stampalia in Venice.

In The Institute for Other Intelligences, Mashinka Firunts Hakopian brings speculative fiction and media studies to bear on an imagined future where machine intelligences convene annually for curriculum on algorithmic equity.

A hybrid collection of five illustrated short stories of speculative fiction from five countries and four continents

A symbolic and political science fiction short story written in four languages.

The Parc la Villette, Paris, as told by a series of mobile barriers.

A retrospective of 50 years of creation of the visual artist Bistra Lechevalier.

Two unpublished texts that demonstrate the extent of the writing work that Marcel Alocco has been producing for over half a century.

A collective and transdisciplinary publication to address the question of the forms of the living in its scientific, philosophical, artistic and aesthetic dimension, engaging a systematic reflection on our relation to the living and to its forms, and on their theoretical and practical significance with regard to the current world.

Jan Jelinek's soundtrack for Seascape – polyptych, an audio-visual software developed in collaboration with Canadian new media artist Clive Holden.

A theater work by Jacques Jouet with "performative" rules for the actors in each play.

Through a concise set of spatially-connected field recordings, Philip Samartzis' Atmospheres and Disturbances registers the changes in high altitude ecologies caused by increasing global temperatures.

The first collaboration recorded on CD between the two American artists and musicians, based on a process of reciprocal sending of electronic and acoustic sound sources, reworked successively by each and then together, gives rise to a series of delicately crafted and wonderfully evocative atmospheric pieces.

The Well & The Gentle, two of the major works of Pauline Oliveros, are presented here in a first time reissue on double vinyl in a gatefold sleeve with extensive liner notes.

The new album by Material Object reveals a completely new sound for the artist as he combined acoustic and electronic tools to create stunning album of depth and beauty.

The endlessly prolific and unpredictable Richard Youngs returns to Black Truffle with "Modern Sorrow", with a radical but deeply sensitive reduction of contemporary pop production.

Marc Codsi’s new Arabic infused synth oriented album.

By now a regular and esteemed presence among the Discrepant sprawling household via releases with projects such as Alförjs, Banha da Cobra or Jibóia, Mestre André "resurrects" his O Morto alias (bad pun somewhat intended) after 2016 "The Forest, The People And The Spirits".

Two works from the same series of compositions, drawn from modular synthesizer recordings which have been reworked, treated and composed in the computer.

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

First reissue since its initial 1969 release of New York minimalism and drone pioneers La Monte Young and Marian Zazeela's first full-length album, popularly known as "The Black Record" or "The Black Album".

Swedish drone alchemist Mats Erlandsson is sitting in a fictional room on "Gyttjans Topografi", imagining a virtual chamber orchestra using zithers, tapes, double bass, harmonium, organ, and various synthesisers to draft a treatise on alternative tuning and non-normative harmonic structures. Transcendent material.

A brand new body of recent works by the French painter.

First compilation on LP of the sound works of the two Dutch visual artists, demonstrating that sound produced by the Bosch & Simons music machines can also be listened to as autonomous "music".

This 4 CD box edition collects all concert musics by French composer of electroacoustic music Michèle Bokanowski, eleven visionary and avant-garde works composed in 1974 and 2020.

Photographer Adrienne Raquel explores the intensity and escapism of the nightclub experience, documenting the power of the performers at Houston's famed Club Onyx.

A photographer-cum-explorer presents his stunning (both sublime and alarming) landscape images from around the world.

The temporal dimension of the image.

The great Brazilian critic Mário Pedrosa (1900-1981)'s farewell to art criticism, written to his countrymen in the manner of Montesquieu's Persian Letters.

An multidisciplinary approach of the war by its traces.

An international essay (France, USA, Brazil, etc.) on digital poetry, from the first attempts to generate text on the computer to the most contemporary developments and the problems posed by artificial intelligence.

Jérôme Duwa proposes sixteen ways to embark in the company of Jean-François Bory's books.

The second part of José Vicente Anaya's poetic trilogy, deeply rooted in the infra-realist movement founded in Mexico City in the 1970s, combining verse and prose, is marked by a formal experimentation anchored in the poet's life and his wanderings from the north to the south of Mexico.

José Vicente Anaya closes his poetic trilogy with a rereading of Mexican political history through the memories of his own wanderings.

Rilke Shake—a humorous variation on the milkshake—summons part of the author's library (Mallarmé, Ezra Pond, Gertrude Stein, etc.) in poetic sketches that are in turn comical, burlesque, and absurd. At once trivial and erudite, this unbridled poetry explodes with images of parties—and the mornings after—, flashes of the street, and reminders of Brazil.

A poetic text fragmented into three parts each generating its own handicap in expressing the economy as alienation from life.

The collection of poems by the Brazilian writer, rewritten in French, in a process that includes translation and re-creation, combines with delicacy, ingenuity and great coherence a research on the relationship between language and Eros, personal reflections, extensive cultural references and philosophical questionings.

The first collection of writings and speeches in French by Adriano Olivetti (1901-1960), an Italian entrepreneur and publisher who transformed his writing and calculating machine factory into a laboratory for experimenting with a new model of social, political, and cultural life: a model of "concrete utopia" based on the idea of community and centered on the individual, whose instruments of realization are architecture, urbanism, and design.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.