Jolly Rogers is a collection of Peter Wächtler's latest short texts, written in preparation of his two solo exhibitions at Bergen Kunsthall and Kunsthalle Zürich (both 2019), and combined with a nearly complete collection of the artist's drawings and prints from recent years.

This catalogue offers diverse representations of everyday life in Algeria and its diaspora through film, paintings, photography and sculpture by twenty-five contemporary artists. It includes the first English translations of key theoretical texts on Algerian contemporary art.

Daniel Birnbaum and Sven-Olov Wallenstein analyze the significance and logic of Lyotard's “Les Immatériaux” exhibition while contextualizing it in the history of exhibition practices, the philosophical tradition, and Lyotard's own work on aesthetics and phenomenology.

The publication presents a collective project lead by artist and researcher Verina Gfader.

This theoretical essay advocates for the overcoming of the dominant notion of the contemporary as the point of departure for the development of (art-) historical imagination.

This publication presents the results of a research project which explored the transformation of informal structures within the road transport corridors connecting Eastern and Western Europe following the fall of the Iron Curtain.

This first monograph looks back on French artist Alexandre Leger's production over the last 10 years.

A very subjective and alternative cartography of Luxembourg (a social design, publishing and bottom-up creation project led by Dutch graphic designer Annelys Devet).

In I Swear I Saw This, Michael Taussig highlights the heuristic function of the sketches and drawings made by the ethnographer in his notebooks.

The issue 30 of the magazine Palais is published on the occasion of the exhibition “Future, Former, Fugitive,” presented at Palais de Tokyo from 16 October 2019 to 5 January 2020. This exhibition devoted to a French scene is based on an open view of belonging to a land and it escapes from the effects of a tabula rasa dictating that one generation eclipses another. It unites a good forty artists born between the 1930s and the 1990s, but who all live and work in and within their era.

The artistic, social and political issues of manifestos.

Stemming from the Barthean spirit of the 2017 opening show of Brazilian gallery Mendes Wood DM's new space in Brussels, this catalogue gathers new works by a selection of artists who participated in the inaugural exhibition. It also features a fictional history of the gallery by Oliver Basciano, associated with photographs by Mauro Restiffe.

First monograph dedicated to Musa paradisiaca, a dialogue-based project by Eduardo Guerra and Miguel Ferrão founded on temporary partnerships. This richly illustrated publication documents the variety of their works— sculpture, paintings, texts, and sounds—and includes new commissioned essays.

Monographic catalogue dedicated to the life and practice of Christoforos Savva, whose oeuvre was unparalleled in the incipient Cypriot art scene of the 1960s (catalogue of the exhibition at the Cyprus Pavilion at the 58th Venice Biennale, honoring the 50th anniversary of the artist's death).

A compilation of press archives related to Cypriot artist Christoforos Savva, selected in the Cypriot press and literary periodicals between 1954 and 1968.

In this collection of stories and illustrations, Szaflarski examines the subject of violence, in particular as it is experienced through the female body. Beginning with an autobiographical experience, the story triggers a dissociative state that plunges the book in and out of imaginary worlds and associative narrative threads.

Cura. #32 brings together an incredible array of conversations with cutting edge and pioneering artists, together with recurring and brand new sections, that set the rhythm of an upcoming year filled with new and thrilling explorations.

In this book, the 1923 manifesto “Active Art” by Latvian philosopher Andrejs Kurcijs triggers a series of responses by writers, artists and curators on the notion of activism, past and present: art for political purposes, art for its own purpose or art with no purpose.

Nairy Baghramian by Andrew Berardini, Travis Jeppesen, Nobuo Sekine by Hans Ulrich Obrist, Avery Singer, David Ostrowski and Tenzing Barshee, John Gerrard, Ren Ebel, Jill Johnston, Eric Wesley, Tyler Coburn and Elvia Wilk, Alice Bucknell...

The first part of a larger novel in several episodes: a text about the perception of time and how some places mark people's minds.

A very special overview of the work of a new media art pioneer: snapshots from all over the world, paintings, collages, graphic and ornamental works, and various artifacts from the artist's collections, which include everything from old magazines to fabric patterns.

Candice Breitz, Meriem Bennani, Marianna Simnett, Elysia Crampton, Too Old to Die Young and essays by Pierre Bal-Blanc and Monique Roelofs, a selection of excerpts from Intervista, Flash Art's side publication on visual culture in the late 90's...

Peter Halley's multimedia installation for the Magazzino del Sale N. 3, a 15th-century warehouse in the Dorsoduro district of Venice.

A collection of all writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics introducing themes he finds meaningful.

A socio-political history of punk and post-punk covering four decades and three continents.

This publication looks back on Laure Ghorayeb's transition from writer to painter.

A dictionary designed as a tool for analysis and resistance to the new realities of neurocapitalism. With 285 definitions stemming from the fields of political philosophy, media studies and neuroscience.

Riccardo Baruzzi, Louise Bonnet, Mike Bourscheid, Brice Dellsperger, Florent Dubois, My-Lan Hoang-Thuy, Ryung Kal, Daisy Parris, Hugo Pernet...

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, A False Weight is published in conjunction with the exhibition by Daisuke Kosugi, an intimate project on the disabled body, supported by a reflection on the architecture of the home.

Sexuality as a properly philosophical problem of psychoanalysis.

There is no theory that is not aesthetic (collective publication edited by Dieter Mersch, Sylvia Sasse and Sandro Zanetti).

Dorata Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, delving into repressed areas of experience connected with World War I and the ensuing emancipatory movements.

Researcher Elena Vogman examines the unpublished archival material relating to the film adaptation of Karl Marx's Capital by Sergei Eisenstein. The analysis of these materials reveals the clear and ambitious idea that animated the Soviet filmmaker for this aborted project: to build a visual theorization of value.

The French translation of the second novel of the German writer.

L'Incroyable is a monographic magazine dedicated to an artist's teenage years and his cultural background. This third issue proposes an immersion into the young years of artist Nicole Eisenman in New York in the 1980s.

French edition of Laura Mulvey's writings which range from analyses of Xala, Citizen Kane and Blue Velvet, to an extended engagement with the creations of Native American artist Jimmie Durham and the feminist photographer Cindy Sherman.

The definitive edition of Loren Connors' texts.

The first comprehensive publication of the Swedish polymath Catherine Christer Hennix's written work in a two-volume set.

The republication in print form of the poems of Art Ensemble of Chicago's founding member breathes new life into a forgotten document of the Black Arts Movement.

The great tumult of space.

A transdisciplinary history of exhibitions.

Christine Wodrascka, pianist and improviser, and Jean-Yves Evrard, guitarist and improviser, produce one and the same complex sound material, a homogeneous and multiple sum, advocating a freedom nestled in the interstice of notes.

Joëlle Léandre (double bass, voice) and Alexandra Grimal (saxophones, voice) compose, improvise and underline the freedom of musical creation.

Superimposing different sources—background sounds, recordings of a charivari in the streets of Lyon, bird songs or rhythms and melodies of amateur or professional musicians—Paul Elliman's vinyl record can be experienced as a form of sound loitering, each track composed by the transformation of different audio materials into unique musical collages.

Retrospective monograph.