Five rare pieces from the minimalist "rhythmic drone" period of the early 1980s of the ensemble founded by Paul Panhuysen, Remko Scha and Jan van Riet, reissued for the first time.

A posthumous duo LP featuring text and music by Conrad Schnitzler, music by Wolfgang Seidel, and artwork by Matt Howarth.

A project by contrabassist, composer and theorist of experimental and improvised music Christopher A. Williams, inspired by Kantian proposals for perpetual peace, applied to collective musical composition and performance.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

Biodiversity in nowadays' visual arts, featuring Pamela Rosenkranz by Nicolas Bourriaud, Agnieszka Kurant, Chitra Ganesh, Pan Daijing, Sex Ecologies: A New Consciousness by Mariana Lemos, Simone Forti, Nour Mobarak, The Cure of the Mind: On Taloi Havini's Answer to the Call by Chus Martínez, Free My Mind, Artpop: You Make My Heart Stop (For Lady Gaga) by William J. Simmons, Carol Bove, Virgil Abloh...

A series of essays and visual contributions critically reflecting on the questions of hospitality safety, security and care.

An in-depth research project by Elena Mazzi in dialogue with the Mapuche spiritual leader, silversmith and activist, Mauro Millán and Argentinean artist, Eduardo Molinari, about the cultural resistance of the Mapuche people to neo-colonialism in Chile.

Published on the occasion of Cyprus' participation at the 17th Architecture Biennale in Venice, Anachoresis: Upon Inhabiting Distances gathers a collection of texts and visual material from a multidisciplinary group of Cypriot and international practitioners, including architects and designers, curators and writers, sound and movement artists.

Momentography of a failurebrings essays, timelines, film, photography, and a series of conversations together to deal with Ethiopia's controversial urbanisation and the transformative space of the city.

A collection of texts by the artist and quotations through which Jaana Laakkonen develops reflections on her own practice and on the challenges of her work.

A search for the founding narratives of graphic design and typography (as there were such narratives in antiquity about art, painting, and sculpture) among Atlantist type designers of the 1930s, starting with the American typographer Beatrice Warde.

A counter-plunge into the thousands of annotated books in the personal library of the painter Jean-Luc Poivret.

An experimental and phonetic poetic adventure, a literary rhizome.

A collection of texts written over a period of fifteen years during the night, introduced by a photographic series by Jacques Patillot, between reality, portraits of friends, poetry, fiction and autobiographical insert.

A retrospective of the last ten years of the Italian artist's graphic and sculptural work, often deployed in extensive programmatic ensembles concerned with memory and archaeology, a sense of history and passing time, that highlights his major contribution to the reconstruction of a trans-Mediterranean imaginary.

First monograph.

A dialogue between the philosopher and the art historian around the encounter.

A punk philology (with Simon Critchley, Emanuele Coccia, Dennis Cooper, Cosey Fanni Tutti, Kim Gordon, Donatien Grau, Richard Hell, Paul McCarthy...).

Mehdi Belhaj Kacem and Bernard Stiegler talk about what links them to philosophy.

Raphaëlle Milone's first novel, a dive into the heart of desires, acclaimed by Simon Liberati as well as by Jean-Luc Nancy.

A portrait of the Belgian architecture office BAUKUNST founded by Adrien Verschuere.

First French translation of José Esteban Muñoz's field defining work—an intellectual inspiration for a generation of LGBTQ scholars.

The seventh entry in an ongoing series of anthologies, this book features rare poems alongside new essays and interviews that engage the artists and themes explored elsewhere in Blank Forms' public programming: Terry Allen, Thulani Davis and Jessica Hagedorn, Sarah Hennies and Judith Hamann, Tashi Wada and Charles Curtis, Milford Graves, Graham Lambkin by Alan Licht, Still House Plants, Angel Bat Dawid...

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

New edition of Thomas Köner's fourth album, recorded in 1994-1995.

Eight artists, among the many who have been profoundly marked by the work as rare as it is decisive of James Bishop (1927-2021), share their perspectives on the American painter.

The first issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, explores the identity, role and position of the Professor (contributions by Uli Aigner, Lili Reynaud-Dewar, Jörg Heiser, Christian Nyampeta, Vivian Slee and Marjorie Senechal).

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

A musical encounter between two important and uncompromising figures in contemporary experimental music in France.

Portraits and landscapes from the cinematographer famed for his work with Sam Mendes and the Coen brothers.

A trove of unseen and uncommon Ansel Adams photographs, assembled by Mike Mandel from archival collections.

An eclectic compilation of smart-phone snapshots from the past four years of the photographer's daily adventures.

An original multidisciplinary study of the text-image pair in its political dimension, from the militancy of the early twentieth century to the struggles for "visibility" of minorities.

An in-depth study of the elaboration of the functional architectures-sculptures of the American artist of Iranian origin Siah Armajani (1939-2020), between utopia and pragmatism, allegorizing as much the ideals as the contradictions of the American democracy before being dedicated to figures of the anarchy.

A provocative and stimulating manifesto by Benjamin Bratton that promotes new ways of inhabiting (and artificialising) the planet, facing the environmental, economic and social crisis that radically belies the possibility of a continuation of the current globalised capitalist model.

First French translation of a seminal text of media theory, which this edition contextualizes, notably through the debate it provoked with Baudrillard.

Written by one of the pioneers of twentieth-century textile art, Anni Albers' 1965 seminal text offers a brilliant meditation on the art of weaving, its history, tools, and techniques, and its implications for modern design (new expanded edition, with three critical texts and color illustrations).

Part of Bodies of Water, the 13th Shanghai Biennale, and following its lines of research, this publication, a 354-pages book conceived as a unique and parallel platform to the exhibition, offers an ensemble of inspiring texts that reflect and extend the theme of the Biennale.

Portraits in 22 tableaux based on the works and words of Bertolt & George Brecht.

Interférences is composed of three series of poems, constructed like textual photographs. The material of this poetry crosses collective memories (protests against the Gulf War...), social news and intimist inserts, in a logic of telescoping and/or blurring of data.