Practices of silence, sound, and orality, between concrete poetry, performance and sound art.

A collection of Michaël La Chance's observations and reflections on performance art in Quebec and on the international scene.

The new solo work for concrete sounds, electronics and instruments from Australian composer-performer James Rushford: a shimmering and skittering piece inspired by the play of light and shadow on water.

Gabriele Basilico's previoulsy unpublished photographs in the strip-tease theaters and nightclubs of Milan in the 1970s reveal a new dimension of his oeuvre.

The architectural images of the famous photographer on the island of Procida off Naples in 1972, presented for the first time.

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

La Tranchée Racine becomes weekly for 42 issues on the occasion of Stéphane Blanquet's exhibition at the Halle Saint Pierre, Paris, from September 2020 to January 2022: a crazy project that intends to constitute a vast panel of art brut, contemporary art and drawing at the rate of one issue per week for more than a year...

This second issue of the research journal ZINES, the first of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. The corpora presented here add, in their own way, something new to the history and stories of LGBTQI + women and people in contemporary societies.

This third issue of the research journal ZINES, the second of two special issues devoted to the study of feminist and queer fanzines from a global perspective, brings together international studies or testimonies on the question of gender, queer identities and their alternative realities as they appear in amateur media such as zines. Contributions in this volume feature themes such as the body, heteronormativity, while showing us the flip side of the conceptualization of queer.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

A new edition of Thomas Köner's album inspired by the capital of Greenland and the wide open spaces of the Arctic region, an ideal gateway into the world of the German musician and sound artist.

Fantas Variations features eight reworks of Caterina Barbieri's composition Fantas (Ecstatic Computation, 2019) by a diverse mix of artists lending to a wide spectrum of new works extrapolated from the original work.

Cylene Suisse Redux documents François J. Bonnet and Stephen O'Malley's Switzerland tour in December 2019, following the release of their first album, Cylene, whose material is re-worked by Jim O'Rourke and Ryoji Ikeda.

Interviews with Addie Wagenknecht, Antonia Hernández, Elisa Giardina Papa, Finn Brunton, Mario Santamaría, Sung Tieu; articles: Muzak that listens, Just Say No...

Artists, scholars, filmmakers, and writers revisit the films of Danièle Huillet and Jean-Marie Straub.

The Polish artist's memorial archive traces a history of homosexuality and queer culture in Eastern Europe and opens up possibilities for the future.

The female nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

The male nude by Ida Tursic & Wilfried Mille (signed serigraph printed at 120 copies).

First volume of a collective publication devoted to the analysis of the party, in all the complexity of its social dimensions and implications.

Post-isolationist, deep ambient & folk classic Murder Ballads (Drift) by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

New monograph.

The new collection of drawings by the Portuguese artist.

A new interpretation of the explosive frog breeding phenomenon.

A collective reflection on the richness of the untranslatable.

A review dedicated to drawing, that leaves the artists fairly free. A field for play, expression and creation based on a single color, the volume celebrating the 10th anniversary of The Drawer brings together around twenty artists and designers (Grégoire Alexandre & Christophe Brunnquell, Jacques Pyon, Fabio Viscogliosi, Philippe Dupuy, Ronan Bouroullec, Giorgio Griffa, Guillaume Leblon, Mathis Collins, Pierre Knop, Jeff Ladouceur, Siro Cugusi...).

Music Book is a 64-page facsimile artist's book by Sarah Cain, comprising a series of colorful abstractions painted directly over a collection of vintage sheet music.

Don Cherry’s New Researches featuring Naná Vasconcelos.

A collection of SMS from dealers, between the poetic and the sociological.

The first complete inventory of Hubert Renard's work, between 1969 and 1998, includes all finished works, paintings, sculptures, installations, unique or multiple pieces.

An uncanny electroacoustic composition that incorporates field recordings, synthesis, and acoustic sources, among Carlos Casas's most ambitious and accomplished musical endeavors to date.

A work of orchestral scale, merging a vast number of heavily manipulated sound-sources, made from the most minimal means by the British-Iranian experimental composer and turntabist.

Building on the ground of many of the historic French electroacoustic pioneers connected to studios like Groupe de Recherches Musicales (GRM), while moving into new realms, this electroacoustic composition of sprawling scope weaves a free-standing world of texture and sublimated tonality to produce ambient expanses comprising pointillistic detail drawing on unplaceable generative sources.

Jean-Luc Guionnet and Claire Bergerault have been working as an organ and voice duo in various churches since 2007. The challenge is, each time, to adapt to the configuration of the building and the organ, and then to stretch their music on the breach of this singularity.

How the organization of time structures the creative process and more broadly our relationship to the world.

An off-track, frenetic and exciting improvisation session bringing together musicians who have known each other for many years and are playing together for the first time.

An inspiring album that dissolves the boundary that too often separates live and studio, improvisation and composition.

Created by the author-poet Frédéric Forte, the "Questions obliques" cards, with their three levels of difficulty, question the visitor of an exhibition on his perception of an artwork.

The fiscal cliff according to Erlend Peder Kvam.

Tal R's collages from his eclectic collection of images and objects (artist's book).

Winter Family's new album, a composition for a dance piece by Italian choreographer Paco Dècina (pipe organ, piano, voice), partially recorded in St Martin church of Maxéville, France.

A program of performances, sound installations, projections, and conversations, to explore the relationship between sound, movement, and the social and geographic specifics of Marfa, Texas, at the intersection of music, minimalism, and the political.

Monograph based on the research of the London-Lisbon based audiovisual artist around the use of ergot in female history.