A poetic and "environmental" record, weaving delicate instrumentals with spoken word.

Vinyl reissue of the third album of the Japanese "screaming philosopher" (1977), the culmination of his introspective approach to the search for a "music of the self".

On textstar+ Jan Jelinek brings together the material from the CMYK series, four seminal EPs he released between 1999 and 2002 under the pseudonym Farben, on a vinyl double LP for the first time. The selection of tracks has been remastered from the original tapes, joined by two additional pieces that appeared on compilations during the same period.

The current crisis of museums and the future of Institutional Critique.

An utterly essential document of early American minimalism, available on LP for the first time since it was originally released in 1984. Cut at Golden and pressed at RTI for maximum fidelity.

Julia Reidy's 7th album is an intimate set of songforms using just intonation guitar, electronics and voice: both rigorously experimental and emotive, World in World is undoubtedly the finest work yet of the prolific Berlin-based guitarist-composer.

The French musician, composer and instrument builder returns to Discrepant label and brings an astonishing array of instruments from different cartographies and legacies.

New release of the first album of American Gamelan composer Daniel Schmidt.

New release of the third album of American Gamelan composer Daniel Schmidt.

An anthropologist's view of contemporary African creation.

The fifth issue of the transversal journal, at the crossroads of art and thought, political philosophy, gender studies and academic knowledge, is devoted to the theme of water and fluids.

How urban spaces are finding new life through communities of gardeners, cooks, ceramicists, and creatives.

A journey through the sculptural work of the Franco-German artist through a series of installations in the public space.

The second chapter of the post-isolationist, deep ambient & folk classic Murder Ballads by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

The manufacture of contemporary art objects.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

A collection of writings by Alina Popa and Florin Flueras written over a seven-year period (new expanded edition).

The portfolio of the exhibition at the Jeu de Paume, the first major retrospective in France on the filmmaker and biologist specializing in underwater fauna Jean Painlevé (1902-1989), considered one of the founding fathers of scientific cinema and a source of inspiration for the avant-gardes and the surrealist movement.

The third album of the band formed by four autistic singer-singers, an educator-guitarist more passionate about art brut than educational techniques, and three musicians from the band Moriarty.

Urban Kitsch, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalisation of the Indian economy.

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

An anthropologist's view of contemporary African creation.

From "institutional critique" to "infrastructural critique" .

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

Valerie Solanas's rarely published, legendary play, Up Your Ass (1965), explodes social and sexual mores and the hypocritical, patriarchal culture that produces them through her signature irreverence and wit, incisiveness and camp.

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

First monograph of the Swiss artist Till Rabus, who creates phantasmagorical subjects from everyday objects and waste of our society before translating them on hyperrealistic canvases, in stagings taking up aesthetic codes of the history of painting and Baroque.

Neglected, abandoned, forgotten women: a series portraits, mostly female, constitutes the fulcrum of this book on Lucìe, the project by Nicola Samorì exhibited at Mart in Rovereto.

In this writing, French architect Bernard Quirot carries a reflection on his theoretical foundations and evokes, through his architectural journey, a critical vision of the increasing complexity of the world.

Richly illustrated, this book provides for the first time a visual overview of Lawrence Abu Hamdan's works of more than a decade, and elaborates on a formal vocabulary characterized by the aesthetics of sound and language.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

9 interviews (Carroll Dunham, Genesis Belanger, Jonathan Gardner, Djamel Klouche, Yorgos Sapountzis, Elizabeth Glaessner...), 9 exhibitions and places in pictures (Dominique Gonzalez-Foerster, Pierre Huyghe, César, Sarah Lucas, Richard Hamilton's house in Cadaqués...), some artists special projects and texts (Ashley Bickerton, Sean Landers, Lily Van der Stokker, Peter Halley, Heidi Bucher), exhibition reviews, and chronicles.

Azimuts #54 reports on a selection of design research surveys that were carried out in Saint-Étienne between 2015 and 2022 by various researchers and collectives in collaboration with artists and academics in relation to this territory, their terrain.

Released in Sub Rosas Early Electronic series, Reinhold Weber's Complete Electronic & Phonetic Works 1968-1974.

The first published fiction text by art critic and author Camille Azaïs, which questions the return to the home of American women since the 2010s.

A collective research on the memory of the places to the test of wars and conflicts through representations of landscapes, as they are reworked by means of contemporary art, cinema or literature.

The ecologies of experimental cinema in the Anthropocene age.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.

Bringing together previously unpublished essays by internationally renowned philosophers, cultural theorists, activists, and art historians, this volume provides a toolkit for addressing contemporary theories and practices of resistance.