brings back to life the forgotten art of window-dressing, through an artistic and intimate portrtait of window-dresser Bob Steffen.

A companion to his previous book, Colour in Contextual Play, Joseph Kosuth's Neon in Contextual Play continues the artist's investigation of the interplay between language and reality, words and objects, color and light. Within these pairings, early neon works by Kosuth interact with those by Arte Povera artists who also used the industrial medium.

An album for children about horror movies and monsters.

Two new musical encounters.

Two new musical encounters.

A critical perspective on Guyton's work.

This publication presents the outcomes of Romana Schmalisch's long-term project, the Mobile Cinema, an itinerant apparatus somewhere between urban model, cinema, and plate camera. The artist constructed the Mobile Cinema and used it to present films created during her travels, mobilizing film extracts and archive material.

The third issue of the erotic journal Féros, featuring Phoebe Clarke, Claire Dantzer, Victor Man, Anthony Pearson, Benoit Platéus, Georges Tony Stoll, Matthew Stone, Phillip Zach...).

An anthology of texts selected from Obrist's contribution to the weekend supplement of the Swiss Tages-Anzeiger newspaper: a survey of contemporary art and cultural world of the 2010s, written in the style of a diary. This publication offers 80 entries written between 2012 and 2017, a series of drawings by British artist David Shrigley, and an index listing the names and places mentioned in the columns.

Kurt Schwitters' Merz Manifesto; AMM by David Grubbs; Daunik Lazro's discography reviewed by Luc Bouquet and... Daunik Lazro; interviews with Anna Tjan from the label Dancing Wayang and Dave Phillips; on Lonely Woman by Ornette Coleman. Plus: some sixty book and record reviews.

Improvised trio featuring sound engineer and Synthi player Jean-Marc Foussat, and father and son Christian and Quentin Rollet. Free music with a wide dynamic range and wild acoustic and electronic spaces.

A self-portrait (a collection of Robert Breer's interviews, correspondence and statements over fifty years).

Jérôme Noetinger's first solo album (Revox B77 tape recorder, microphones, radios, Korg MS20 synthesizer, piano, objects): a panorama of his practice on tape recorder.

Reference monograph, lavishly illustrated, with a preface by Philippe Dagen and a long analysis by Xavier-Gilles Néret of Daisuke Ichiba's work (based on unpublished interviews with the artist), placed in the double context in which it emerged, the Japanese and French graphic underground scenes.

Recorded in March 2016, “Actions Soniques” is a meeting of free rock with free impro into an electroacoustic environment with a clear and powerfull voice. This is the last CD from Dominique Répécaud (1955-2016).

The long-awaited new edition of the breathtaking oeuvre of Francesco Messina and Raul Lovisoni originally published in 1979 by the legendary Gianni Sassi's Cramps Records label, openly inspired to the unfinished metaphysical novel "Le Mont Analogue" by the French writer René Daumal.

Restored manuscript from the composer, historical documentation about the 1971 acousmatic work & genesis.

An essay that extends Ingemo Engström and Gerhard Theuring's movie.

An unpublished talk given by Harun Farocki in 1987 at the event "Films that Think in Images" at the Akademie der Künste, West Berlin. The typescript was found among Farocki's papers after his death.

After the long acclaimed Nova Sodomia opus (Une indécence française), S.E. Otto is back with this oversized book (A3 format) Colossale finesse (Colossal Fineness – The women of cockaigne). Otto pays hereby a thundering tribute to all things fleshy, ample, in a single word: to abundance.

An odyssey into sex, death and terror: the sleaziest and scariest pulp comics ever created.

A highly personal and sensitive exploration of motherhood.

An overview of American artist Amy Sillman's most recent bodies of work, including diagrams, drawings, animations, sculpture, and large-scale abstractions that combine painting with digital prints on canvas, shown serially in panoramic installations. Layering and dynamic movement pervades these works, whose concerns shift between the tragic-comic and the vexed histories and techniques of painting.

The first monograph on Riccardo Baruzzi, containing a selection of images of works made from 2010 to the present and writings by Alessandro Rabottini, Davide Ferri and Luca Bertolo. A perfect introduction to the italian artist's practice, which explores the notion of the unfinished and the provisional by way of an aesthetic investigation of drawing through the body of the painting.

An extraordinary publication gathering a selection of stock images and original photographs drawn from the myriad ads for drug sales on the dark web designed to catch the consumer's eye. These photographs are invisible under normal light: printed in invisible ink, they can only be viewed under ultraviolet light (the publication includes a mini flashlight).

The troglodyte town of Matera in Southern Italy has fascinated generations of filmmakers since the Post-war area. Documenting the making of the 1953 film She-Wolf by Alberto Lattuada set in Matera, photographer Federico Patellani provides a unique insight of the life of the provincial city in the fifties.

Beam Splitter (Audrey Chen and Henrik Munkeby Nørstebø) is a duo for amplified voice and trombone. Its debut album is one part, a timbral collage of carefully extracted sound material and in another, a longer moment taken from an intimate room below the din.

Collective study dedicated to the founder of Lettrism Isidore Isou.

Publication documenting an eponymous video work by the Palestinian artist, in which she follows the matrix of hierarchies and relationships involved in an agricultural transaction of seeds between a Norwegian town the Bekaa Valley in Lebanon. This book includes an essay by historian Shela Sheikh and a text by the artist tracing the reflections that led her to her project.

A chronicle of self-organized art schools and artist-run education platforms that have emerged since 2000.

This voluminous publication gathers 818 drawings by Dutch artist Michael Tedja, along with a series of commissioned texts by critics and curators. It highlights Tedja's practice as hypersubjective and all-encompassing, as well as predicated on studying the circulation and recycling of images.

Celebrating the 100th title in the “L'art en écrit” series, Daniel Spoerri plays on the homonyms of the word “cent,” as a tribute to Marx Ernst. Published as a leporello, this artist's book features an original artwork signed by the artist.

This publication is the first outcome of an ongoing series of seminars at the Bergen University of Fine Arts, developping critical and creative perspectives on invisible practices. These essays and works seek to investigate the operations of visibility by highlighting the unseen, the camouflaged, the immaterial and the erased as particular aesthetic strategies, and to reflect on the possible outcomes of such strategies on the socio-political realm.

Catalogue documenting the Lebanese-born artist's eponymous project, which started as a sonic experimentation project with objects from the Dahlem Museum in Berlin. This work, which was later contucted at the kurimanzutto gallery in Mexico and at the Tate Modern, gave rise to various events and interventions, concerts and workshops.

First major catalogue dedicated to one of the biggest representatives of Polish art and experimental cinema, Józef Robakowski. The publication presents some of the artist's most significant works and his research on the language of film and montage. It includes and interview with Marina Abramović, one of Robakowski's colleague at the time of the Soviet Union.