German artist Leila Orth deals with the question of what places of remembrance there are and can be.

An artist's book composed of six loose A3 sheets, folded in half and assembled at random, which can be taken apart and framed, and which together form an anthology of Sam Porritt's drawings of the last twenty years.

Retrospective monograph / artist's book.

This publication is part of Farid Rahimi's eponymous multimedia project, the fruit of long-term research into the memory of Afghanistan, the country of origin of the artist's father.

The first issue in a collection of typographic specimens, each inviting a designer to create a fictional story around one of their typefaces, this volume is by Grégoire Romanet, who has repurposed 18th-century Texas Cattle Brand symbols to create a typeface.

American surrealism meets popular culture meets political criticism: Jim Shaw's obsessive series of drawings devoted to Donald Trump.

Comprehensive documentation of the Italian artist's latest works, in which he playfully explores the theme of light.

An artist's book composed of fragments of texts from different eras and contexts—literary, science fiction, philosophical, scientific—all centered on the theme of the subterranean.

A series of pencil drawings by Japanese artist Emi Ueoka depicting youth in their everyday urban environment.

A monumental retrospective spanning over 1,000 pages of the Chinese artist's creative practice from 1996 to 2025, organizing his thirty-year journey into six chapters, each covering a five-year period.

Coloring Book II by Dr. Lakra is the second book published by the artist in collaboration with BOM DIA BOA TARDE BOA NOITE.

The legacy and posterity of the Tashkent Festival for Asian, African and Latin American Cinema, which was held between 1968 and 1988 in Uzbekistan.

An intimate exploration and meditation on Melvin Edwards' work (a zine produced in limited print run in the Palais de Tokyo's risography micro-publishing workshop).

The meeting between Fred Frith's guitar strings and percussionist Karen Stackpole's gongs.

The first monograph dedicated to the Neapolitan feminist and pacifist artists' group.

This compilation allows us to discover some of unreleased rarities from Jean Schwarz's personal archives and unpublished recordings which were composed for the dance, screen or the performing arts.

This collection proposes instituting as a potentially critical methodology in curating, art making and organizing as an unsettling process that produces forms and structures.

A mapping of the international landscape of technological archives.

A book inspired by the artist's research in intersectional environmentalism, deep listening, and decoloniality.

A dive into the fascinating and enigmatic pictorial universe of the Chinese artist who assembles poultry and Buddhas in hyperrealistic and surrealistic narratives tinged with dark humor.

A wide selection of paintings and drawings by Margherita Manzelli from the 1990s to the present day.

First published in 1998, Nicolas Bourriaud's Relational Aesthetics laid out a thesis for art's turn towards participation, experience, and the whole of human relations. Over twenty years after its original release, Relational Aesthetics has been updated with a new translation by Denyse Beaulieu and a new foreword by the author.

Two new pieces highlighting the incredible voice of Amelia Cuni (1958-2024), the great Italian singer, based in Berlin in later life, whose mastery of the classical Indian dhrupad developed in parallel with a commitment to contemporary experimental approaches.

Comprised of two expansive, sidelong pieces composed entirely on the Serge Modular synthesizer, The Dip signals a subtle yet significant shift in the Berlin-based artist and composer Thomas Ankersmit's trajectory, imbuing the hyper-physical, psychoacoustic intensities of his live performances with introspective, atmospheric, and even melodic elements.

An overview of the multifaceted work of designer and set designer David Dubois, with a text by critic Jeanne Quéheillard.

A retrospective of the London-based Dutch artist's work over two decades.

27 features 27 recent works from two series titled Clementine and Merlin (2023–24) by London-based artist Magali Reus. This book, in its beautifully crafted materiality, format and typography, mimics a diary or romantic novel.

In a collection of interviews given over a period of almost twenty years, a poet seeks to find out a little more about what he makes by confronting his practice with other arts (plastic, sound, scenic).

A broad overview of the contemporary Mexican art scene through a series of conversations with its leading figures.

This book celebrates Radicale1924, a contemporary art residency founded in 2020 by Belgian choreographer Chantal Yzermans.

A selection of the most significant contemporary practices by Portuguese or Portugal-based artists.

This pioneering group study accompanies the reader on a modern Grand Tour amid Italy's contemporary ruins.

The design research journal devotes its 59th issue to contemporary forms of graphic design transmission.

The first volume of essays devoted to the work of Liliane Giraudon explores the diversity of her oeuvre, its interdisciplinarity but also its coherence, and enables us to understand what makes its strength and importance in the contemporary literary landscape.

A collection of essays and interviews reflecting on the future through the lens of artistic thought and action.

Edited, designed and printed by Matrijaršija, this riso-printed book is the first in the Tehnika series and is based on research into the left-wing union of typographers and printers active in Yugoslavia in the 1920s and 30s.

Morten Søndergaard (co-editor); interviews with panGenerator, Charles Stankievech, Mélia Roger, Adelin Schweitze; articles: Geofónie, Sonic Reorientations; reports: Electric Dreams, The Vinyl Factory: Reverb, Art Must Be Artificial.

Taking its title from the seminal book by the priest, philosopher, and historian Michel de Certeau, this publication, which accompanies the eponymous Capc exhibition, bears witness to unique ways of being in the world through the transformation of materials, tools, and everyday practices, inscribed directly onto the pages of a regional daily newspaper.

The luxurious annual publication in large format Magma aims to return to the artistic, intellectual, and graphic standards of the avant-garde "revues d'art " from the previous century. The 3rd issue brings together 25 artists, writers, filmmakers, and composers from around the world, and showcases around 100 previously unpublished artworks and texts.

Nadya Tolokonnikova, R.I.P. Germain, Petra Cortright, Sophia Al-Maria, Aleksandra Domanović, Dennis Cooper, Philippa Snow, Banks Violette, Simon Denny & Hito Steyerl, Cory Arcangel & Maya Man, Diego Marcon, Jacolby Satterwhite, Danielle Brathwaite-Shirley, LuYang, Florentina Holzinger, Candela Capitán, Steffani Jemison, Charmaine Poh...

Ayoung Kim, Tom Lloyd, Karimah Ashadu, Photography's Materialities (roundtable and portfolios), Rosemarie Trockel, Amie Siegel...

Andrew Berardini on Artificial Intelligence; Pepón Osorio; Arash Nassiri; Gloria E. Anzaldúa; Marcela Guerrero speaks with C. Ondine Chavoya; Daisy Lafarge; Dani Blanga Gubbay; Davide Stucchi speaks with Alex Bennett; Luca Lo Pinto on Hanuman Editions; Reynaldo Rivera & Abdellah Taïa; Jungle Books...

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the second volume of a periodical series wishing to explore urgent issues in today's curatorial practices.

Listening as a means of building community and knowledge.

Violence and visual culture (a critical examination of pressing aspects and implications of the visual representation of violence, and of the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it).

This second edition of Alcove deepens the archive of Modern Arab art through 30 new personal essays.

This volume explores the life and work of Antonio Beato (c. 1835–1905), aiming to address the gaps in existing scholarship on this remarkable photographer. It highlights his distinctive body of work, his role in nineteenth-century photography, and the significance of his images in documenting the Middle East.

The act of translation as a pedagogical tool, a political act, and ultimately a gesture of care in these tense cultural times.

Deeply shaped by his long-term residence in Indonesia, the conceptual practice of Italian artist Marco Cassani engages with the country not as a tourist or detached observer, but as an active participant in navigating the reconfiguration of authorship in a globalized landscape.

This unprecedented catalogue collects over 300 pieces reated by Adriano Costa over three decades, listed in alphabetical order—titles are a key part of Costa's works—, alongside new writing by Fernanda Brenner and Milovan Farronato, two critics who have long followed and championed the artist's practice.