A considered examination of ability in our pseudo-post-pandemic era, Interdependencies: Perspectives on Care and Resilience approaches the intersection of artistic practice, accessibility, and activism with heightened cultural nuance and urgent self-examination, focusing on the mutual dependencies that exist between people, societies, and institutions.

An exploration of the multifaceted nature of time through the artworks of seven artists, encompassing different artistic approaches and investigations, ranging from the transformation of objects and their meanings over time and history, to the current role of artificial intelligence in the creation of images and its relationship with the visual arts, as well as the geopolitical tensions of the present day.

Artists in exile; Algiers, capital of politicized soccer; on the human trafficking route in Sierra Leone; the theft of Russian novels from European libraries; interviews with post-punk band Fat White Family and director Sean Price Williams; ecofeminist philosopher Émilie Hache on possible "matriarchies"; Kim Noble; Taysir Batniji; Wonwoo Kim...

Back in stock! (reprint). The first book dedicated exclusively to the female protagonists of Latin American electronic music.

New monograph, featuring a cohesive body of new work, with large-scale paintings and watercolours.

Spanning a pivotal time in Arab art, from the 1950s through to the 1980s, this book celebrates the lives, careers, and personas of some of the region's pioneering artists (from Huguette Caland to Hamed Nada and Etel Adnan) and features archival material, images of artworks as well as of the artists themselves.

A photographic investigation with around 50 New York artists still benefiting from the "loft" law, intended to protect financially troubled artists living illegally in the city's commercial and industrial lofts from eviction.

A record of outsider music (sound objects and voices) made by patients at Le Havre psychiatric hospital, accompanied by Aude Romary on cello and Nosfell.

A zine and exercise book about the applied art of questioning, by the writer Cordula Daus and the choreographer Charlotta Ruth.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

Solo for Tamburium captures Catherine Christer Hennix's most recent major work. Hennix plays an instrument of her own creation, a keyboard interface controlling a suite of eighty-eight recordings of precision-tuned tambura, creating a sweeping and continuous flow of rich harmonic interplay.

A strange hybrid of Teletubbies and Videodrome in the age of algorithms, Telebodies is a techno-somatic, multifaceted endeavor referring to the ever-growing entanglement of our bodies with epistemic, cybernetic, and kinetic materialities.

A book about active mythic thinking and scientific storytelling, about fright, trauma, and potentials for transformation.

This second project released on Sub Rosa by the Japanese artist Kaoru Tashiro, manages to create a subtle dialogue between four composers, and four musical pieces, mixing a delicate blend of Japanese and European sensibilities. Those different approaches convergence thanks to the highly recognisable sensibility of Kaoru Tashiro's way to play.

Works on paper by the Belgian artist.

The story of the Galerie Janine Rubeiz, a major venue on Beirut's cultural and artistic scene.

Eight Seconds: Black Rodeo Culture, the first book by Ivan McClellan, offers an inside look at Black cowboy culture across the United States in the 21st century, creating a bridge between present and past through sports, community, and love of the land.

Between an artist's book and a art publication, Greyzones is an attempt to grasp the scope and width of the work of artist duo Inge Nabuurs and Erwin van Doorn.

Two mesmerizing works for carillon, the keyboard-controlled bell tower derived in the 16th century.

A selection of the artist's drawings and paintings from 2019 to 2023, accompanied by a text by Jennifer Higgie and an interview with Éric Troncy.

The first monograph of Puerto Rican born artist Lee Quiñones presenting his monumental work and following his evolution over five decades.

The debut, self-titled album from German trio Schatterau: 15 elegant miniature pieces made with an old 4-track cassette recorder, offering a lo-fi walk through a patchwork of warm, nostalgic, dreamlike and strangely familiar soundscapes.

The first comprehensive monograph devoted to artist Bea Schlingelhoff.

The catalogue of Lisa Tan's first institutional show in Sweden tenders its own spatial logic through the metaphor of neurological disorders.

Emblematic works by the Belgian-Polish sculptor and textile artist produced in the 1970s, revealing Tapta's attention to the tactility of her materials, the suppleness of structures, individual and collective practice, and the interaction between artwork, space, and viewer.

The first of four diaries written by Anne Truitt (1921-2004), a major figure in 20th-century American art.

A hybrid between travel chronicle and studio process notebook, this artist book tracks the construction of a failed modernist fantasy in the island of La Palma and the hallucinogenic properties of wild plants that grow across the Canary Islands.

Photographer and filmmaker Manuel Wetscher brings together in an artist's book a unique archive of photographs by his father Richard Jenewein, discovered years after he died of AIDS. A universal family album documenting childhood, which questions the evocative power of an altered narrative and deals with the effects of a taboo and the poetic force of images.

The twelfth album by DAAU is the soundtrack to a series of short, abstract animation films by Rudy Trouvé, who also acted as a creative director during the recording process.

François Bayle's luxurious, monumental retrospective box set: 15 CDs covering half a century (1963-2012) of acousmatic creation, accompanied by a 160-page book with various texts, a 2012 interview with Thomas Baumgartner, presentation and annotated catalog of works by Régis Renouard Larivière, and photographs.

Two previously unreleased collages for magnetic tape, both realized at the Studio di Fonologia Muisicale RAI in Milan. These pieces are precious testimonials to Aldo Clementi's intense and ongoing interest in electronic music in the 1960s.

A record of a symposium on the legacy of the late Luxembourgish artist Michel Majerus (1967-2002).

The publication Alexander Tovborg: The Church. Photographed by Mishael Fapohunda, edited and designed by Åbäke, follows the artist's eponymous exhibition at Kunsthal Charlottenborg, Copenhagen (2023), in which Tovborg investigated the mysteries and paradoxes of faith, as well as the power of images.

An archive of sounds for interspecies communication, stemming from Renato Leotta's research on Posidonia Oceanica, an underwater plant endemic to the Mediterranean Sea.

A genuine investigation, in the opposite direction to the narrative imposed by art historians, of artistic, cultural and political developments in the Western world after the Second World War, between Paris and New York.

A collectible publication on Magali Reus' thinking of objecthood (an immersive and highly refined artist's book—three assembled volumes, different types of paper, transparency play on layers—based on three new series by the Dutch artist).

Issue 37 of Palais de Tokyo magazine addresses the relationships between mental health, contemporary creation, and art and culture venues, in particular through the prism of institutional psychotherapy, a set of practices aimed at disalienating institutions—initially psychiatric ones.

Curator, art historian, writer Chus Martínez and writer and curator Filipa Ramos bring together a group of artists who have been using clay, pottery and ceramics to imagine, project and shape the world they live in.

The challenges of participatory artistic research.

A curatorial approach towards deliberative cultures of assembly and a realistic scenario of decentralized power and decision-making (an anthology edited by Markus Miessen).

This double issue aims to provide an "out of placeness" by looking beyond Western-centricity to a transnational, pluralist horizon, exploring the new imaginaries created by artists and thinkers from the "Global South", from Brazil to the Democratic Republic of Congo.

After Laughter Comes Tears, in its exhibition and book forms, brings together artists from different generations who are experimenting with the idea of the performative.

Gilles Aillaud, Andy Robert, Marisol, Ellen Gallagher, Giovanni Anselmo, Marjorie Welish...

Anna Oppermann, Benoît Piéron, Maria Toumazou, Coumba Samba, Kiyan Williams, Ali Eyal, Samuel R. Delany, Maryanne Amacher, Roe Ethridge, Aleksandra Kasuba...

With the theme "Building," this issue is interested in the future of architecture as a practice of creating housing for the living within urban agglomerations. It questions the ways architecture, as the creation of living spaces, always requires collaboration with several participants including, hopefully, the users.

The transdisciplinary journal continues its return around the theme of the chanson.

A kino-political theory of the 21st century.

An immersive book experience: with numerous special printing features, this luxurious accordion-fold volume documents and embodies Aitken's exploration of mirrored surfaces in architecture.

Part of a (very) loose but somewhat like minded kaleidoscope where one can trace something like a Portuguese hauntology, centred around labels like Russian Library or Prisma Sonora Records, Alexandre Centeio joins Discrepant with the surefire release of "Panorama".

The publication is the first institutional monograph on the multimedia practice of artist and director Ali Cherri. It aims to highlight the constellation of ideas, themes, and formal concerns running through his most recent, highly significant projects.