Letters from Panduranga evokes the fate of the Vietnamese Cham community, whose territory is threatened by the construction of two nuclear power plants. Acting as an ethnologist Nguyen Trinh Thi explores the issues related to speech and history as well as new forms of colonialism.

A travel notebook covering the artist's stay in Kerguelen Islands, Indian Ocean.

Thomas Müllenbach's series Halboriginale (“Semi-originals”), which he worked on from 2005-2013, constitutes an artistic appropriation of art-related documentation found in his mailbox over the years. Each book cover is unique, individually designed by the artist.

This richly illustrated edition presents the ten-year performance career of Bergen visual artist Agnes Nedregård, looking at her practice from a diversity of perspectives and media.

Amy Lien & Enzo Camacho invited four other international artists from three different countries to participate at an artist's residency in Milan. Their preliminary idea was to think communication issues and artwork's ability to materialize the various forms of exchange. This catalogue covers the exhibition that followed this residency.

A compact monograph containing gathering a visual documentation, two essays and a conversation with Tony Conrad, whose multi-faceted contributions since the 1960's have influenced and redefined music, filmmaking, minimalism, performance, video and conceptual art.

An investigation into the enigma of the first abstract painting by Kandinsky.

Ultimate mix from original recordings done at La Selva Biological Station during the rainy seasons of 1995 and 1996. This masterpiece is released in High-res audio on a USB card and comes with a silent vinyl (numbered and signed limited edition).

The Blue One Comes In Black offers a new contribution to the thinking around Liz Magor's long standing practice by gathering newly commissioned critical texts and creative writing, as well as texts by the artist herself, some of which were previously unpublished.This book not only highlights important works from throughout Magor's career but also present her latest work for the first time in a publication form.

The first monograph of Daniel Steegmann Mangrané spanning his entire work to-date. Structured around keywords defining the artist's practice, this illustrated edition also features reprinted literary texts.

Issue number nine tackles all manner of sports and games, providing commentary on their language, politics, and philosophies.

Noël Dolla's iconoclastic artistic approach defies categories. This book seeks to explore the heterogeneity of Dolla's works to better demonstrate the singular common thread between them.

Amy Lien and Enzo Camacho, Georgie Nettell, Dave Miko, Ned Vena, Antek Walczak, by Tanja Widmann / Paris Noche by Jay Chung / Verena Dengler by Lili Reynaud Dewar / Call and Response and Forever Now by Kari Rittenbach / Daniel Pommereulle by Hélène Fauquet / Hans Christian Lotz by Sam Pulitzer / Sigmar Polke's reception in the United States and Germany in the 1980s by Magnus Schaefer / interviews with Magnus Schaefer et Guy Tosatto / On Some Models of Artist / Gallery Relations (with Marie Angeletti, Camille Blatrix, Hélène Fauquet, Renaud Jerez, Mélanie Matranga)...

An account of Lutyens' long-term Hypnotic Show at Documenta 13 in 2012.

Featuring: Julien Mabiala Bissila, Benjamin Dupé, Édouard Louis & Guillaume Bresson, Tunisian film societies, Marie Losier, portfolios by Florian van Roekel and Simone Holliger, Life? or Theatre? by Charlotte Salomon...

This book gathers the papers presented at an international symposium on artists' periodicals, organized by academical Marie Boivent and curator Stephen Perkins. It serves as a smart introduction to a broad range of publishing strategies adopted by artists and others who were experimenting across the field of periodical publishing in new and expanded ways from the 1960s onwards.

This monograph aims to highlight the very diverse features and extraordinary richness of Arte Povera painter Giorgio Griffa. With a selection of the artist's writings and comprehensive chronology.

A series of geometrical abstractions forming symbolic totems that draw on the annals of visual history.

This publication documents a collective project conceived by artist Rirkrit Tiravanija, architects Nikolaus Hirsch and Michel Müller, and chef Antto Melasniemi, which takes the form of an experimental platform, working as the extension of an artistic community based in Thailand. This large-scale installation explores urbanization in a post-rural condition, the act of building as a collaborative process, and land as a concept that can exist outside of ownership.

An unprecedented encounter between contemporary art and World War II historic & natural sites in Austria.

The 2015-2016 edition of contemporary art's directory & referential book Art Diary, released by Flash Art Books, celebrating its 40 years with a new design and new editorial content. Updated every year with more than a thousand new addresses, this Who's Who lists essential information about the main actors in the field of art (over 50,000 entries).

A provocative interrogation of race and identity in contemporary Italy envisioned by visual artists, scholars and writers from Africa, Europe and the United States exploring new forms of subjectivity and agency shaped by history, immigration and integration, the legacy of colonialism and persistent stereotypes (a project curated by Lyle Ashton Harris, Robert Storr and Peter Benson Miller).

This book offers several thematic gateways to Alain Huck's work showing the persistence of the same autobiographic, environmental, historic and linguistic issues in a variety of mediums.

Since 1986, Max Armengaud takes photographic portraits of European Institutions, from the Paris Opera to the Vatican city.

Céline Condorelli; emerging artists lga Balema, Darja Bajagić, Sasha Braunig, Rachel Rose, and Marguerite Humeau; the Museu Coleção Berardo in Lisbon with Pedro Barateiro; Ryan Gander; Michael E. Smith; Josh Kline; GCC Collective; Villa Design Group; Lena Henke and Anna Gritz; Wim Beeren; Jean-Max Colard on poetry in the exhibition space...

Sport shows & jubilating fans drawn with minimalism (artist's book).

Featuring: Frances Stark, Rachel Rose, Christodoulos Panayiotou & Salvatore Settis, Valeria Luiselli, Heman Chong, the emerging art of India, Cameron Rowland...

The fourth cahier of Dora Garcia's Mad Marginal project brings together essays by international authors that develop different threads pertaining to artist Dora García's practice.

By creasing photographs from the golden age of porn magazine, Patrick Weidmann dismantles their deep-rooted conservative values and reconstructs an underlying aesthetics, an underside of desire.

An artist's book presenting an extensive series of grilles from American cars built between 1955 and 1962. A book allowing multiple readings and meanings, in a balance between conceptual rigor and visual sensuality.

A facsimile edition of a surrealist poem by Robert Lebel and originally published in 1943. Illustrated with seven constructions by artist Isabelle Waldberg.

A project by internationally working documentary photographer Claudio Cambon that tells the story of the last voyage, dismantling, and recycling of an American merchant vessel in Bangladesh in the late 1990's.

Sicilia Bambaataa is a booklet, risograph printed, which documents the namesake installation, a “soundscape” within the Museo Civico in Castelbuono, Sicily which plays in loop, repeating the audio recording of the dawn chorus, slowly diminishing as the city awakes.

The text published in Villa is a risograph printed transcript of a heretofore unpublished manuscript by Emilio Villa, written around 1962 and addressed to the painter Mario Schifano. The publication remains faithful to the original document and thus there have been no spelling or language corrections.

Sylvie Fleury's chromatic and esoteric works from the 2000's are presented together for the first time with her classic pieces from the 1990's in this reference monograph. It thus offers readers a new way to register Fleury's contribution to the art of the last decades.

The story of an iconic work by Claude Rutault.

Issue 2 features an extensive look at the Louvre Abu Dhabi in the context of universal museums worldwide by Kanishk Tharoor; Marina Fokidis on artists and galleries in Athens after economic crash; rising costs and problematic leadership in art school today; Amy Winehouse documentary and structural changes in film after a turn toward digital; interviews with architect Liz Diller and artist Agnieszka Kurant, reviews from New York, L.A., Tokyo...

Mottled sausages, icy landscapes with worms that seem to have died trying to make it over hurdles, portals to impossible lands: welcome to the accidental world of ceramist and drawer Anne Brugni.

Monir Shahroudy Farmanfarmaian & Frank Stella, Art & Architecture, A.K. Burns, Dance Factory (by Sven Lütticken), Richard Rezac, Kelly Akashi, Mernet Larsen, Oscar Enberg, Calvin Marcus, Yves Scherer, How to become a very famous artist (by Chus Martínez), Irena Haiduk, Jim Shaw, Bruno Gironcoli, The Materiality of Digital Forms...

The artist's magazine's rich and diverse third issue welcomes fiction for the first time.

Taking as a starting point the description of an exhibition project, the British artist reflects on the creative process, serendipity, and writing as an exploratory tool in conceiving and creating a work.

A facsimile edition of the first ever monograph dedicated to Marcel Duchamp and originally published in 1959. A complete introduction to his works and personality as well as a reflection on the artist's role in modern society. Graphic design by Marcel Duchamp. With texts by Duchamp, André Breton & Henri-Pierre Roché. Featuring a bibliography and a catalogue raisonné.

A review of voluntary bareness and simplicity practices in art.

Niki, Lucy, Lola, Viola collects screenshots of a desktop-performance made by Petra Cortright where virtual erotic dancers perform on various backgrounds. As a result, the pages of the book look like continuous digital collages; synthetic and painterly landscapes populated by the strippers posing for the viewer.

A selection of visual source materials which browse Fecteau's influences, inspiration and research methods.

A complete study on Tinguely's Torpedo Institut, an ever-evolving & never-ending iconoclastic exhibition venue shut down after his death – and against his will. Gathering the Swiss artist's latest works, and those of his closest friends (Niki de Saint Phalle, Daniel Spoerri, Ben...), this “total anti-museum” is now reassigned to its rightful place among Tinguely's oeuvre in the form of this exceptional publication.

The exhibition Canto di strada placed Fulton's & Höpfner's work side by side identifying a common ground for comparison in a 14-day walking journey through the Supramonte and Gennargentu mountains in Sardinia. The artists undertook separate journeys, experiencing a total immersion in the harsh environment without even meeting each other. Their respective approaches have been documented in two separate booklets.

A subjective compilation by David Le Simple and Vincent Romagny concluding the three exhibitions cycle “Doppelgänger” at CEAAC curated by Romagny.