A radio novel inspired by the author's previous publication, associating infuences from sound fictions, experimental music, sound poetry, and rap.

A collection of photographs of children who grew up to become famous in a variety of fields, from literature to arts, sports, politics, and even crime. A photographic “Guess Who” of the 20th century in the making.

The best of 2019.

Four essays by philosopher and musicologist Peter Szendy on Anri Sala's recent practice. Szendy emphasises the key role played by music and sound in Sala's sensorial installations.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?

Issues 16 to 18 of the critical review dedicated to graphic design.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

The first album of Ophelia, a band composed of the artist Emilie Pitoiset and two members of Aluk Todolo, Shantidas Riedacker and Matthieu Canaguier.

Thomas Krempke's photographic diary.

This issue proposes to examine some of the points of contact between music and hacking.

The development of spatial and tridimensional drawing in American art, both in theory and in practice, from the 1960s through the 1970s.

Catalogue of the second Orleans Biennale of Architecture: a call for an archipelago of solitudes.

Limited edition including a double LP compilation and a 168-page publication gathering a complete documentation on Tarantismo, a project dedicated to a centuries-old choreo-musical ritual from Southern Italy, to exorcise women of a mysterious evil caused by the bite of a spider.

Catalogue of the exhibition gathering a set of eighty works, on canvas or paper, in small and very large formats, that Anna-Eva Bergman created in the wake of her two travels to northern Norway, in 1950 and 1964, from which emerges a plastic language that signs the whole of his future work.

This catalogue embodies the entire creative career of Marisa Merz (1926-2019), the only female artist from Arte Povera. Commissioned texts and selection of her most iconic works accentuate a recurrent theme in the artist's work: the exploration of the face and the human figure.

New monograph.

The new issue of the magazine dedicated to drawing, with height long-length interviews with Linus Bill, Adrien Horni & Joseph Allen Shea, Acacio Ortas, Olivier Lebrun, Éditions Peinture around Saeio, Hélène Bertin, Étienne Périn, Son Ni, Daniel Dewar & Grégory Gicquel.

A post-colonial pamphlet on the ethnological museums of Europe, primarily the upcoming Humboldt Forum in Berlin.

Since 2016, choreographer Lenio Kaklea has been collecting the practices of Europeans. Taking to the streets and pathways of Athens, Aubervilliers, Essen, Guissény, Nyon, and Poitiers, she has gathered nearly 600 unique stories. This compilation testifies to the familiarity and diversity of habits, of rituals, and of trades that compose and distinguish these territories.

A collection of texts, notes and drawings from Alina Popa (1982-2019), edited as a tribute publication by her longtime accomplice, the artist Florin Flueras. A political and theoretical work that questioned both the intimate and social mechanisms of the contemporary.

Celebrating the ten-year anniversary of the project A Collective Memory by Azin Feizabadi—a series of five narrative films—this publication features fictions by guest contributors who were asked to expand on their viewing experience of one of the films in the Collective Memory series.

First monograph dedicated to the young American painter, whose expressive and colorful universe draws on the everyday life in the margins, from bohemians to non-conformists. The publication also presents the Gray's theatrical works and associates the artist's two practices.

Artist's book.

Monograph dedicated to the films of the Israeli artist Assaf Gruber. Articulated around eight conversations related to the films' production, this publication reflects an important theme in Gruber's work: what effects can art have on individuals far removed from the artistic field.

Monograph dedicated to artist Brittany Nelson, who appropriates techniques from 19th century photography to create works of feminist science fiction and queer abstraction.

Comprised of a series of texts, drawings and photographs, this catalogue documents and expands on the multimedia installation by "Natascha Süder Happelmann" (Natascha Sadr Haghighian), an artistic reflection on ruinous space (catalogue of the German Pavilion at the 58th Venice Biennale).

Reference monograph on the singularly radical work of Michel Parmentier—an important addition to the history of painting in the second half of the 20th century.

This bilingual publication retraces a journey and a set of studies, graphic creations and texts that lead to a process of drawing research in a digital environment.

A compilation of string compositions and collages by multimedia artist and composer Milan Knížák, performed by the fama Q string quartet.

Corner is a Romanian artist-run magazine that approaches football from an interdisciplinary perspective (anthropology, art, contemporary dance, architecture, economics, politics...). This volume comprises all contributions from the first six issues, published between 2015-2017.

Twenty multidisciplinary texts and artistic proposals to re-examine our relationship to the natural world.

What can it mean to return home? Inspired by author Georges Perec's Espèces d'espaces and artist Hreinn Friðfinnsson's House Project, this catalogue brings together international artists to investigate the various facets of coming home.

The catalogue of the Second Yinchuan Biennale articulates itself through the themes of the desert, nomadism, and ecology. Taking the form of an illustrated atlas, the publication documents works by more than 90 participating artists.

The first in a series of publications dedicated to the exploration of the archives of the Italian region of Basilicata from an artistic perspective. This volume focuses on areas affected by the reclamation of the water system.

This monograph documents a research on an abandonned site of the Swedish Defence Research Agency (FOI). For his investigation, artist Henrik Andersson relied on various public archives as well as on the FOI's astonishing art collection.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

An intimate audio archive of the British novelist, coupled with a 18-track sonic portrait of Burgess by invited artists and musicians.

A compilation of texts, poems and stories whose title is borrowed from the safe words used in BDSM practices.

A long-term photographic study on the sociopolitical evolution of the Sahelo-Saharan region since 2008.

A comprehensive documentation on Ruth Ewan's installation at CAPC, a tangible plastic version of the revolutionary calendar.

The heart of the political-aesthetic debate.

This new album by the American cellist offers an appreciation of her talents as both a composer and performer, in a unique and elegant style reflecting her many inspirations, from baroque music to Americana and experimental music.

This publication is the result of a research project led by artists Raphaël Grisey and Bouba Touré around the archives of the self-organized agricultural cooperative Somankidi Coura, in Mali. A historical reflection on agricultural, archival, health, and migratory issues through a decolonial perspective.

A series of colorful invented landscapes, by American painter Shara Hughes.

First retrospective monograph overviewing the Danish video artist's body of works for over a decade.

Julio Le Parc and the practices generated by digital creation.

Cloud Atlas is a collection of 10 short pieces composed by Toshi Ichiyanaghi between 1985 to 1999. Vertical Study gathers rare pieces composed by Claude Ledoux. Both are performed by Japanese pianist Kaoru Tashiro.

An interpretative study of a catalogue published on the occasion of the discovery of two sculptures in the canal of Livorno in 1984. Attributed to Modigliani, these sculptures were, in fact, a student hoax.

The catalogue of the eponymous exhibition by Caroline Mesquita, published on the occasion of her Fondation Ricard Prize. The French artist works primarily with metal, creating sculptures and staged video with strong narratives.

This catalogue explores how miracle making—making the impossible possible—is reflected in artistic practices today. It includes commissioned essays and poetry by the Miracle Workers Collective and writers close to the collective (catalogue of the exhibition at the Finnish Pavilion at the 58th Venice Biennale).