Agricultural landscapes
and portraits of the
Swiss Alps: a fascinating visual study of the relationship between humans, animals
and topography in the context of a rapidly changing agriculture and dairy
industry.
It all started, as so often, with a genetic mutation. It was only around
7,500 years ago that Central European adults began to retain the enzyme
necessary to metabolize milk after infancy. Dairy farming in the modern
sense began in the early agricultural settlements, where nature gradually
became culture and eventually what we call "civilization". No longer
wholly dependent on harvests and food reserves, cattle farmers were able
to survive even under the harsh climatic conditions of less fertile, often
cold and snow-covered mountain regions.
Those regions and their
inhabitants are the subject of Via Lactea by Swiss photographer
Alfio Tommasini. During the long winter months in particular, when man and
beast live in close symbiosis under the same roof, he visited mostly
smallholders and cattle breeders in the Alps and Alpine foothills as well
as large-scale milk and insemination laboratories in Switzerland.
Via Lactea presents tableau-like landscapes shot between 2015 and
2019 as well as precisely detailed and yet intimate painterly portraits of
farmers and farm animals. Tommasini undertakes a visual study of the
relationship between humans, animals and topography in the context of a
rapidly changing and increasingly mechanized agriculture and dairy
industry. For behind the scenes of our modern-day urban lives lies a vast
infrastructure of people and things that a city needs to survive,
including highly organized and digitized agro-industries, gigantic
warehouses and data centers (Rem Koolhaas). These non urban realms are
now, once again, undergoing a sea change—for better or for worse. Via
Lactea provides a glimpse of one such peripheral microcosm caught
up in the throes of technological transformation. Tommasini's photographs
are anything but folkloristic or romanticizing, for the details of the
clothing, tools and machinery portrayed bear subtle but telltale signs of
ineluctable coevolutionary upheavals.
Alfio Tommasini (born 1979 in Lodano, Switzerland, lives and works in
Gordemo, Switzerland) is a Swiss photographer.
He studied photography in Madrid and is now based in Ticino. His
award-winning work has been exhibited and published in Switzerland and
internationally. He is also the co-founder and director of the Verzasca
Foto Festival.