The latest album by Iranian-American electronic music producer Sote is an all electronic affair, harmonically maximalist, predominantly symphonic-synthetic, requiring active listening.

In a series of essays the artist Edith Brunette and François Lemieux outline collectively a few proposals on the question of inhabiting as put forward from their multiple and tenuous attachements to the land.

A study and translation of a fundamental text on the “art of the insane” in Russia, re-establishing a whole section of Western history of the interest of psychiatrists in the relationship between creation and madness.

The collection of writings on art by the French philosopher, historian, semiologist and art critic Louis Marin (1931-1992).

A total musical and visual performance.

A collection of the writings, in the form of slogans, which have accompanied Marcello Maloberti in almost thirty years of poetics.

One of Andrée Putman's latest home designs, from the plans, drawings, and pictures of an amazing apartment in San Sebastián (Basque Country, Spain).

This publication brings together photographs taken by Marion Scemama during a trip through the American desert with David Wojnarowicz, shortly before his death. It features documents from Scemama's personal archives and notes from Wojnarowicz's diary, along with texts by Thibault Boulvain and Elisabeth Lebovici.

A project by Paul-Armand Gette around the censorship of the Diane Chasseresse by the artist Jean-Antoine Houdon (1741-1828), whose sex considered too naturalistic was plugged up and filled with bronze rods and then hammered in 1829 when it entered the national collections.

Limited edition with an original artwork signed by the artist.

New monograph.

Can objects be traumatized? How does the commercial value of an art object relate to its aesthetic qualities? How do objects interact? These are some of the questions addressed by Graham Harman, the originator of object-oriented philosophy and a central figure of the Speculative Realism school of thought in contemporary philosophy.

Newly remastered by Rashad Becker for this vinyl edition, “Echo” finds Félicia Atkinson synching her feelings into a watercolour suite of solo keys, voice and field recordings, unfurling 40 minutes of new breathtaking music.

A polyphonic genealogy of the concept of contemporary African art.

A comparative analysis of the poetic creation of the second half of the 20th century, under the aegis of the notion of non-dualism, redefining the epistemologies of action peculiar to the poetry of the 1960-80s but also, in perspective, of the extreme contemporary.

The consideration of flowers as an object of contemporary design (a curatorial exploration).

A collection of interviews and studies of performances that constitutes a crossing of the contemporary theatrical and choreographic landscape, re-examining the critical and theoretical tools that allow us to apprehend and think about current scenic forms.

Digital and data technologies are actively transforming the archives of contemporary warfare. Bringing together a range of scholarly perspectives and artistic practices, (W)archives investigates digital archiving as an integral technology of warfare and how artists respond to these changes.

An analysis of the exhibition pavilions (universal exhibitions and bienniales) from the point of view of their architecture, crossing the contributions of designers and architects, historians, philosophers and aestheticians.

This new issue of the CNES' creation magazine collects the individual mythologies of forty-five authors, artists and art critics and draws a subjective and engaged relationship to the space environment, often experienced as beyond the reach of ordinary mortals.

This biography of a fictitious artist constitutes a critical analysis of the professionalization of arts education as well as a support for reflection in favor of the socio-economic responsibilities of artistic practices.

Joan Mitchell, Louis Fratino, Cecilia Vicuña, Lorraine O'Grady...

Re-territorializing the public space.

Socialist realism and the relationship between the visual culture of the 1950s and the geopolitical "climate" of the time.

The possible role of weaving as a transgressive practice, as a weapon of protest and sabotage.

Unpublished photographs taken by Josef Albers during his travels to Mexico with Anni in the 1930s and 50s.

A philological and theoretical rereading of the late work of Johann Georg Hamann (1730-1788).

The first “Cahier Enseigne des Oudin” (Enseigne des Oudin's booklet) highlights three periods of Marcel Alocco's work in two volumes, emphasizing the scale of a mythological tale printed in every image the artist and poet has offered over a fifty-year period, through his Patchwork Painting and the ornamented unweaving on the canvas surface.

The writings of the artist Marcel Alocco, painter, writer and poet, presented in the chronological order of their writing, from 1963 to 2001.

The script for, and conversations around, artist Jesse Ash's multi-dimensional project built around a play about a bitter argument between two ex-lovers.

Λ (Lambda) is an artist book by Micol Assaël which collects a series of 72 drawings made by the artist starting in 2011 as a reflection on light.

Monographic catalogue based on the project specifically created by Stéphanie Brossard for her native island of La Réunion: a deconstruction of common narratives and a creolisation of forms and thoughts, in a poetic gesture made up of skilful appropriations and wild reimaginings.

Publication based on the eponymous futuristic / dystopian project of the Italian artist and film-maker.

The series of works developed by Sara Enrico around the concept of the textile jumpsuit.

Two improvised concerts where are woven between the piano and the saxophone subtle games of harmonic textures, appearances of differential sounds, resonances and sometimes some more noisy sequences.

In response to recent discussions about the value assigned to artworks, art critic and theorist Isabelle Graw introduces the term "value reflection", focusing on the artistic production of three individuals—Francis Ponge, Jack Whitten and Banksy.

G for Gong looks at the artistic practice of Singaporean video artist and theater director Ho Tzu Nyen. An extension of the artist's large-scale solo exhibition in 2019, this book not only explores Ho's distinctive artistic approach but also dives deeper into the themes of his work.

By means of photographs, videos, installations and sound pieces, Esther Hoareau depicts phantasmagorical landscapes which nevertheless share certain appearances and appeal to a truly collective imagination (monograph).

A subtle expanse of delicate ambiences and long tones, meticulously constructed into an immersive sonorous world.

The intersection of walking and collecting.

First vinyl release of the classic album of 2001, remastered by Stephan Mathieu.

This book takes as its starting point artist Ilona Németh's extensive research into the history of sugar production in Central Europe, from its beginnings in the early nineteenth century.

The 2020 remaster & vinyl reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered and cut by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

The 2020 remaster & CD reissue of PM016 by Danish musician Mads Emil Nielsen, re-mastered by Kassian Troyer, with cover artwork by visual artist Dane Patterson.

Artist and writer Jenny Odell speaks about the role of design and observation in a fully virtual commencement ceremony for Harvard University Graduate School of Design.

Mario Pfeifer's most extensive monograph to date.

The volume New England brings together a series of portraits by Liu Xiaodong of homonymous subjects. The project represents the artist's search to portray a generation of young Chinese professionals who have moved to London to try and follow their dreams.

Copies, appropriations, quotations in the collections of the Centre national des arts plastiques (also available in English).

An illustrated almanac on arts, science, and society, dedicated to the wise men and the fools.

A collective and transdisciplinary reflection on the notion of distraction, thought both as the stigma of our societies and as its antidote.