An anthology of texts by Jean-Michel Bouhours on photographer and filmmaker Paolo Gioli, a key figure in the Italian avant-garde of the 1970s.

A survey of Leeds School of Arts Fine Art Student Gallery activities, an experimental and open site caring for the art it stages.

The second issue of the biannual magazine that extends and broadens the questions raised by the thematic program of La Criée art center in Rennes, imagining forms of resistance and alternatives to the various crises—ecological, as well as post-colonial, political and social—that punctuate and shape our globalised societies.

Catalogue of a group exhibition exploring a period marked by the presence of technology, the post internet era.

Monograph of works on paper by French painter Silvère Jarrosson.

A panorama of the “ethnographic” collages created by Spanish feminist artist Eulàlia Grau in the early 1970s, providing a visual dissection that criticizes capitalist lifestyles and all forms of oppression.

Over 200 drawings and paintings to explore the visionary, obsessive, and hypnotic qualities of Jacopo Pagin's work.

The ultimate edition of percussionist Lê Quan Ninh's famous text, which explores, in the form of an ABC, the singular experience of improvising and free improvisation.

Comprehensive monograph.

A tribute to Derek Jarman manifold and vital practice.

A tribute to Derek Jarman manifold and vital practice.

Sonia Boyce engages with the artist and sound theorist Brandon LaBelle, who guides us through the artist's poetics, considering sound as a form of radical inclusion, a medium capable of generating interaction, narratives and new understanding.

A book spanning Cosima von Bonin's work of the last decade, and a personal journey into her private world and references.

A very personal essay that provides a clear introduction to Gilles Deleuze's thinking through his relationship with cinema, seen as a field of experimentation (existential, conceptual and aesthetic) to resist death, disaster and the stupefaction produced by the “modern fact”.

This collective publication explores the question of Earth rights through the interdisciplinary prism of socio-environmental humanities in relation to contemporary art.

A polyphonic, hybrid work, somewhere between a fine architectural book and a scientific essay, the result of research into contemporary forms of insulation.

Futuring Spaces of Possibility explores how contemporary art and architecture address urban, social and ecological challenges and create new possibilities for the future city. It invites urban theorists, curators, artists and architects to use Bruges, a UNESCO World Heritage Site, as a testbed for new spatial imaginaries.

Shu Lea Cheang, Martin Herbert, Adelita Husni-Bey, Karimah Ashadu, Byung-Chul Han, Anthony Huberman, Sohrab Mohebbi...

A visual corpus that brings together one hundred and thirty-two artists' books collected and reproduced as part of an artistic residency conducted at the Centre des livres d'artistes (Saint-Yrieix-la-Perche).

The first examination of the practices of two French artists who were key exponents of the Nouveau Réalisme movement, highlighting two opposing and complementary aspects of their poetics.

The indispensable equine calendar by Nils Bertho, illustrator allergic to horses.

First monograph on cinema duo Caroline Poggi and Jonathan Vinel.

The richness of cultural exchanges between Italy and Switzerland, especially in terms of architectural culture, is the framework within which this publication was conceived and structured. The editorial project retraces and expands some of the themes addressed during the first seven years of the Swiss Talks, born in 2017 as a cultural partnership between the Istituto Svizzero and the architecture magazine Casabella.

This double issue of the critical graphic design journal examines the origins of the automation and mechanization of translation and writing.

An encounter between dance and visual arts.

The first ever vinyl reissue of the seminal "New Music for Electronic and Recorded Media", from 1977, arguably the most important feminist statement in the history of experimental music, illuminating the work of Johanna M. Beyer, Annea Lockwood, Pauline Oliveros, Laurie Spiegel, Megan Robert, Ruth Anderson, and Laurie Anderson.

Camille Henrot, Meriem Bennani, Matt Copson, Diego Marcon, Caroline Poggi & Jonathan Vinel, David Douard, P. Staff, Anne Imhof, Luca Guadagnino...

Comprehensive documentation on 43 outstanding socially committed artistic projects over the past twenty years.

Benjamin H. D. Buchloh and Hal Foster's Exit Interview, Ade Darmawan and Timoteus Anggawan Kusno, Manifesta 15, Lee Ufan...

The first attempt at a philological reconstruction of the seminal exhibition Materializzazione del linguaggio, curated in 1978 by Mirella Bentivoglio within an edition of the Biennale di Venezia, and dedicated to the verbo-visual explorations of eighty international women artists.

Artistic expressions of mourning.

This monograph explores the work and the artistic activities of Italian radical performer, poet, visual artist and feminist Tomaso Binga through a specific lexicon, and also features a selection of her poems.

A comprehensive overview of the Hungarian post-conceptual and feminist artist's practice in the first decades of her fifty-year long career, including several of her writings.

The images shot on Egyptian film sets by prominent photographer Fouad ElKoury over more than a decade capture the essence of Arab cinema.

Seven European women artists (Katinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, Mélanie Matranga, Juliette Minchin, Valérie Mréjen, Agnès Thurnauer) brought together by Sébastien Gokalp share their views on Eva Hesse (1936–1970), a major figure of the 20th century.

A revelatory conversation that, grounded in lived experience, traces the racist structures of the discourse landscape and offers alternative ways of understanding solidarity.

Christina Kubisch's Stromsänger finds this legendary sound artist at the top of her game mixing electromagnetic wave recordings with a score for six voices, creating powerful results. Stromsänger is based on a collaboration with the Norwegian vocal ensemble Trondheim Voices and on a special experience while researching and recording electromagnetic waves in the city of Trondheim.

Conceived as a catalogue and an artist's book, the publication offers a deeper insight into the eponymous 2022 exhibition staged at Indipendenza Roma, and explores tensions that can be generated between artworks and their surrounding architectural context, raising questions of taste, value, function and decoration.

First monograph: an exploration of the thought of the exhibition in relation to its spaces, contexts, and encounters.

The first ever vinyl release to attend to James Tenney's legendary "Postal Pieces", marking the first ever appearance of five of the suite's works on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson.

A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take, with the aim of creating a renewed awareness of what it means to breathe, both on an individual and collective level, at a time when the world is living in a climate of generalized asphyxia.

A philosopher's journey into the heart of New York artistic life.

Creatively visionary and groundbreaking on numerous terms, as well as being intoxicatingly beautiful and remarkably listenable, Ben Vida's "Vocal Trio" represents a striking step forward for one of the most ambitious and outstanding sonic artists working in the United States today.

A collection of the artist's writings from 2019 to 2024.

The second release by Stefan Prins on Sub Rosa brings together four recent, large-scale compositions in which traditional instruments—from bass woodwind trio to electric guitar and symphonic orchestra—merge seamlessly with electronics, feedback, and field recordings.

Across objects, writing, sound and choreography, British artist Cally Spooner addresses the manners in which specific technological and financial conditions shape and organize life. This volume surveys her artistic output of the last five years.

Canadian experimental artist Mark Templeton revisits and revives his sound archives with Andrew Pekler.

Retrospective monograph.