The catalog of the exhibition at the first Biennale of Architecture and Landscape.

The Art & Crime issue (with Asco, Darja Bajagic, James Bridle, Tea Hacic-Vlahovic, Sam Kriss, Stéphane Mandelbaum, Arlette-Louise Ndakoze, Cady Noland, Brad Phillips, Tommaso Pincio & Francesco Tenaglia, Tobias Timm...).

Very cheap non-human animal imitations amicably mimics the wonderful presentations of songs from birds and other protagonists of the animal world, made available by the ornithologist and publisher Jean-Claude Roché in the 1980s.

Special issue: a retrospective of L'Humidité, the most important art and experimental poetry magazine of the 1970s, created and directed by Jean-François Bory from 1970 to 1978.

New perspectives on the process of translation from the works of more than thirty international artists.

The first in a series of archival releases dedicated to presenting music by XKatedral affiliated composers working within the realm of slowly evolving harmonic and timbral music.

The everyday life of Stefan Marx in Berlin, in a new 300-page volume of drawings.

A survey of Louise Nevelson's research on collage.

The re-issue of Rene Ricard's second volume of poetry, originally published in 1989, is a vibrant testament to 1980s New York.

First monograph.

New monograph.

An experimental noise project that synchronises sound with image and takes the form of a durational solo performance as installation (the publication accompanying Marco Fusinato's immersive project for the Australia Pavilion at the 59th International Art Exhibition of La Biennale di Venezia, with texts by Branden W. Joseph, Elizabeth Povinelli, Chus Martínez, Thurston Moore, Stephen O'Malley, Bruce Russell, etc.).

The fourth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the Fortune Teller.

An in-depth ex-post reflection on Documenta 14 by one of its curators, Pierre Bal Blanc, with the contribution of Adam Szymczyk.

"Out of Our Hands" brings together Alvin Lucier and Jordan Dykstra who, through the hands of Ordinary Affects, have created debut recordings of two new compositions.

An essay on the Italian period (1962-1976) of the American artist, never studied before although it has deeply influenced the imagination and the work of Paul Thek.

Dixit Algorizmi. The Garden of Knowledge sets out to question the origin myths and narratives surrounding modern technologies, using the lens of contemporary artistic practices to explore their forgotten roots and overlooked resonances with distant places, times and cultures (catalogue of the Uzbekistan's pavilion at the 59th International Art Exhibition, Venice Biennale, 2022).

This first monograph dedicated to Paloma Bosquê addresses the Brazilian artist's frustration with the visual as key to understanding of what lies beyond language, of that matter that can be perceived, but not rationalized.

Autobiography by Claude Closky is a question about identity and social media. On a dark mode theme colored background, tens of "Claude" of different genres and identities are displayed in sequence. What is the real "Autobiography"?

First monograph, presenting four perennial works created by Christine Maigne as part of public and private commissions and which are organically articulated to the ground.

A major turning-point in the sonic oeuvre of Eliane Radigue.

A contemporary reading of the major divergences within the theory of graphic design from the encounter between the two Dutch graphic designers and typographers Wim Crouwel and Jan Van Toorn in the 1970s.

A collective reflection on the imperatives of sustainability and reversibility to which architecture must respond today, in connection with contemporary societal and environmental issues.

A wide-ranging photographic survey of contemporary and modern sacred architectural constructions in the Puglia region of Italy through nearly 200 cataloged brutalist, modernist or simply eccentric buildings.

The Nietzschean notion of superman and the very real effects of the virtual, the networks, the digital image and the video game in human interrelationships: a striking essay resulting from the posthumously defended thesis of Benjamin Lavigne (1981-2020), which draws up a singular, committed and rigorous critic of the technological foundations of contemporary society.

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

From "institutional critique" to "infrastructural critique" .

The eminent art historian and curator Jean-Hubert Martin takes a singular look at the collection of the Musée d'art et d'histoire de la Ville de Genève by abolishing hierarchies and thus encouraging to return to the primary relationship between the artwork and the viewer.

The audience's human body and the museum institution.

Two contemporaneous bodies of artworks, which demonstrate the parallel tendencies of art in state socialist Hungary in the early 1970s.

Guest-curated by Found Sound Nation's Kyla-Rose Smith, this special issue is dedicated to the unique perspectives of musical voices outside the USA, giving unique insight into the wider world of artistic practice and allowing us all to question how we create.

Ruth Asawa, Virginia Overton, André Cadere, The Otolith Group, Éliane Radigue, Pierre Molinier...

At the time of Russia's invasion of Ukraine, Yevgenia Belorusets, Nikita Kadan, and Lesia Khomenko answer an age-old question: what is art to do in the face of war? (the culmination of Yevgenia Belorusets's war diary, alongside monumental work by Nikita Kadan, and Lesia Khomenko).

Richly illustrated, this book provides for the first time a visual overview of Lawrence Abu Hamdan's works of more than a decade, and elaborates on a formal vocabulary characterized by the aesthetics of sound and language.

This catalogue explores some of the pivotal themes of the artist's research, from her interest in crossing and redefining the border between interior and exterior to the relationship between the aesthetic object and its institutional context.

Artist's edition (poster).

An exhibition by Matthew Burbidge scattered and reconfigured by its visitors turned collectors.

Julien Carreyn captures the singularity and strangeness of a cultural center during a residency.

Exhibition catalogue with twenty color illustrations of paintings by the British painter Prunella Clough (1919–1999), focusing on the artist's late-career departure from the industrial figuration for which she was known into a wry, quietly influential approach to abstraction.

Designed in the form of a "women's magazine", this catalogue is devoted to the representation of the female body in the innovative, feminist and avant-garde work of Niki de Saint Phalle.

A hybrid monograph/artist book of Nathalie Du Pasquier's work.

The deluxe reissue of Fennesz's first LP of 1997 (also including the 1995 first EP), remastered by Stephan Mathieu.

Both a cinematographic work diary, a travel diary and a private diary, Climatic Species is made up of multiple stories where each thread unfurls at its own rhythm.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

Thomas Bonvalet deploys all the instrumentarium of his project L'ocelle mare (guitars, banjo, tambourines, piano, flutes, but also body percussion, metronomes, switches, painter's tape, mobile phone, microphones, mixing board, amps, etc.) to create a true poetics of the object, focusing on the materiality of instruments as objects as well as on the musicality of objects as instruments.

First monograph.

A remix collaboration by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.

First monograph.

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).

Texas experimental artist Claire Rousay's new album inaugurates her collaboration with Shelter Press (two 15-minute pieces, with Alex Cunningham and Mari Maurice on violin, Marilu Donovan on harp and Theodore Cale Schafer on piano).