A monumental study of the life and times of the late Armenian-Egyptian photographer Van Leo (1921-2002), one of the most singular twentieth-century studio photographers in the Arab world.

The third volume of the Wattis Institute's annual reader is informed by themes found in the work of Cecilia Vicuña, including ecofeminism, indigenous forms of knowledge, poetry and politics, dissolution and extinction, exile, dematerialization, regeneration, and environmental responsibility.

The 14th album of the American musician and sound artist, a key figure in minimal electronic music and the man at the head of the 12k label, is an invitation to an immobile journey.

An acoustic mapping of colonial history.

An intimate dialogue between the works of the two artists over four decades.

First monograph of Roma artist Małgorzata Mirga-Tas: an attempt to expand the Polish and European iconosphere and art history with representations of Roma culture.

The 2023 Toilet Paper wall calendar.

The very first major monograph of Paul-Armand Gette.

The history of the contemporary art center of Metz.

Urban Kitsch, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalisation of the Indian economy.

The fifth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the tourist.

Retrospective monograh of the pioneer of Turkish contemporary and conceptual art, Füsun Onur.

This text is the script of a performance by Claude Closky, which took place in February 2022 at the Pernod Ricard Foundation. Invited by Jill Gasparina to an Interview on Art, Claude Closky twisted the exercise by writing a text-partition, based partially on interviews given by the artist since the 1990s.

An extension of Vladimir Nikolić's project for the Serbian Pavilion at the Venice Biennale 2022, this book explores publishing as an incubator for different forms of editorial, artistic and curatorial practices.

An overview of the work of the Chilean-born artist, through numerous reproductions, a conversation between Enrique Ramírez and Marta Gili and two essays by Louise Déry and Nelly Richard.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

A collection of writings by Alina Popa and Florin Flueras written over a seven-year period (new expanded edition).

Through a message of love, the writer evokes the memories and places of his own childhood and expresses a pessimistic and painful thought of a Tunisia adrift, which currently offers to its youth a dark future—while hoping that the light returns.

A history of the museum of modern art, exhibitions and discourses on art and its public in the 20th century, from the trajectory of Jean Cassou (1897-1986), writer, resistance fighter, art critic, poet and chief curator of thenational museum for modern art of France from 1945 to 1965.

An investigation into how the discovery of "India" disrupted Western mimesis between 1800 and 1850, thereby contributing to artistic modernity.

A how-to manual for free improvisation music.

A history of feminist gesture and performance since the 1960s and 1970s in California through an interview conducted by Carole Douillard with art critic Amelia Jones and two pioneering American artists, Barbara T. Smith and Susan Lacy.

The three issues of the periodical charting the artistic journey of Zineb Sedira in the run up to her presentation for the French Pavilion at the 59th Venice Biennale (2022), gathered in a box set.

Pilvi Takala's project for the Finnish Pavilion at the 2022 Venice Biennale.

The manufacture of contemporary art objects.

The multiple faces of popular dances in contemporary choreographic creation.

How our experience of presence, time, and history are articulated in contemporary artistic practices.

CURA. 38 "The Generational Issue" is the magazine's first survey about artists' portraits that aims to investigate some of the most meaningful protagonists of the new generation who, stressing the urgencies of current times, are shaping the landscape of the present and the future in contemporary art.

An anthropologist's view of contemporary African creation.

Contemporary art and performative practices in Africa.

Contemporary poetry in Arabic: Sara Elkamel; Marc Ribot; Bill Nace interviewed by Michel Henritzi; David Grubbs by Laurent Nerzic; Werner Durand interviewed by Deborah Walker; Paulina Owczarek interviewed by Gérard Rouy ; focus Insub.Records; 80 album reviews...

How urban spaces are finding new life through communities of gardeners, cooks, ceramicists, and creatives.

Summer 2022 issue: Biennals return: Venice, Whitney, Sydney; David Cronenberg; Lydia Ourahmane; Sonia Delaunay...

A large series of essays, written by people from around the world who have contributed to the Josef and Anni Albers Foundation's work, revealing how the non-profit organization has carried on the Albers' legacy over the years. The heart of the book, lavishly illustrated, is devoted to the Foundation's many donations to international museums, including rarely shown works of art.

Poetics of the voice.

Tishan Hsu, Ivor Stodolsky & Marita Muukkonen, Demna, Louisa Gagliardi, Marguerite Humeau, Rindon Johnson, Pavlo Makov, Berenice Olmedo, Jenna Sutela, Wu Tsang, Raphaela Vogel ...

First monograph.

Monograph entirely dedicated to the drawing production of the artist Alan Fertil, who died prematurely in 2015.

The second chapter of the post-isolationist, deep ambient & folk classic Murder Ballads by M.J. Harris (Scorn) and Martyn Bates (Eyeless in Gaza) re-emerges in this first vinyl outing.

Autobiography by Micah Lexier is apparently just a blank pages book, but it is not. Each page is pierced, and at the back is printed the same colophon. That's because you can rip off every page of it and fix it everywhere. Micah Lexier identifies the holes as one of the main themes of his practice.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

A documentary film made over 10 years by Virgile Novarina, portraying the iconoclastic artist Pierre Pinoncelli, known since the 1960s for his shocking happenings.

A project of digital images-sculptures by graphic designer and scenographer Grégoire Romanet: the achievement of a work of research, collection and transformation of a visual matter resulting from the commercial web, led during two years.

A journey through the sculptural work of the Franco-German artist through a series of installations in the public space.

The second issue of the annual review of the École des arts décoratifs de Paris, devoted to the question of the vulgar, explores through creations, portfolios, interviews, fictions and theoretical texts the polysemy of this word which embodies all the tensions of our time.

The fifth issue of the transversal journal, at the crossroads of art and thought, political philosophy, gender studies and academic knowledge, is devoted to the theme of water and fluids.

A journey through the years 1960-1980, following Pierre Tilman's friendships with the artists, poets, jazz musicians and creators who marked the artistic and literary landscape of the time.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

A book to approach differently what is taught and learned in art and design college.

A long poem that questions our being in the world with a freedom that is both new and timeless, as if this word came from the origins.