This artist newspaper, edited by Asad Raza and Mathew Hale, accompanies a new work by Raza of the same name, which redirects the river through Portikus and invites the public to interact with and dip in the waters of the Main (contributions by Keren Cytter, Emily Dickinson, Dan Graham, Rufus Hale, Catalina Imizcoz, Wolfram Lotz...).

Two previously unreleased recordings of Peter Rehberg (1968-2021), live performances given at the GRM which, each in their own way, vividly illustrate the extent of his sonic palette.

A complete overview of the vast cinematographic project of the Italian artist and director around the "Arab Spring".

The new album of composer Loren Rush is inspired by poems from "L'allegria", the collection of poetry by Giuseppe Ungaretti written in the trenches of World War I.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

Dark-folk songwriter Chantal Acda and beyond drums-percussion musician extraordinaire Eric Thielemans propose, after Phillip Glass, a new score for Koyaanisqatsi, re-actualising the incredibly beautiful, raw, rhythmic and touching images of this 80-ties cinematographic masterpiece.

This catalogue features an exclusive selection of works created by renowned Belgian painter Koen van den Broek in France, a series on paper based on the architecture of Le Corbusier (Firminy).

Chronicles Vol. 3 combines Kim Gordon's Real Estate Paintings with staged canvases photographed by Josephine Pryde in vacant apartments and offices in and around Kriens and Lucerne. The photos, which were taken using purely analog technology, create a disturbing and enraptured atmosphere.

A conversation between the political geographer Sinthujan Varatharajah and the artist Moshtari Hilal on gentrification, asylum policy and double standards of the German majority society. Both authors have become leading voices of a new generation on topics such as racism, having ceated a strong counterpublic through their social media in the last years.

Issues 39 to 41 of the critical review dedicated to graphic design.

An anthology of silence pieces from the records history.

A fascinating exploration of the utopian origins and tumultuous 130-year history of the largest and longest-lived artists' community in the world.

The fascinating story of Jack Goldstein, the beginnings of CalArts, and some of the illustrious fellows who, in the 1970s and 1980s, led the transition from conceptual art to the Pictures Generation, paints an uncompromising picture of the art world then and now.

A comprehensive survey of visual studies and visual culture, from its origins in art history to the current perspectives opened by new technologies, virtual reality and artificial intelligence.

The first study devoted to the American ecological art movement.

Innovative hybridizations between research, creation (theater and performance) and pedagogy.

An anthology of text and graphic scores to be used while walking, from Fluxus to the critical works of current artists, through the tradition of experimental music and performance, gathered and presented by Elena Biserna.

A critical anthology on the spatial mediation of art consumption through digital technology.

The score for Romeo Castellucci and Scott Gibbons' stage work.

2022 reissue of Fennesz's beautiful 4th solo album, originally released in 2008.

The second issue of the annual magazine that promotes know-how and technique in design, craft or industry, dedicated to weaving.

Avenues for engaged pedagogies, collective learning, and artistic ecologies that can engender new institutionalities.

For its fall issue, Flash Art looks at how artists navigate and draw upon the creative industry known as "fashion".

A retrospective of the first ten years of the NY-based radical art, publishing and multimedia collective 8-Ball Community.

Second pressing of Recital's vinyl edition from 2015, perhaps the most approachable and beautiful in all of Loren Connors' catalog.

This new monograph from Niko J. Kallianiotis presents photos taken in and around Athens, the city in which he grew up. The images reflect the artist's eagerness to assimilate back into a home that feels at once foreign and familiar.

An indispensable introduction to the wonderfully moving and expressive parlour music of Dominique Lawalrée (1954-2019).

The sixth issue of the editorial discursive space for the Bergen Assembly triennial, conceived by Saâdane Afif, is dedicated to the figure of the coalman.

The long term project of the Italian artistic duo around the trajectories of sound through the Mediterranean sea.

An experience of observation of contemporary African migratory approaches and new theological movements of Christianity on the continent and in particular in Morocco, through texts of researchers but also various testimonies and documents.

Through a ready-made exhibition of works made by animals, the poet Julien Blaine offers a vision as comical as it is tragic of the art world, while trying to "establish a communication between the lost world and the contemporary world."

A feminist approach to broaden and challenge traditional art historical definitions of institutional critique.

As a cofounder of Cabaret Voltaire in 1916, Emmy Hennings, with her partner, the Dadaist Hugo Ball, is recognized as having established and environment for collective experimentation. This book gathers an extensive collection of Hennings's writings, ephemera, and art, to give shape to a practice and an individual so ofter flattened for the sake of art historical narrative.

Persistence of Sound publishes the new solo record by Natasha Barrett, known internationally for her intense explorations of the movement of sounds through space.

A retrospective of immersive performances and installations with which the Israeli sound and visual artist, composer and musician explores the physicality of sound.

A lavish, riveting and monumental collection of works and exhibition from 2007–2021, accompanied by newly commissioned texts, on 500 pages (new edition).

A panorama of the multifaceted and transversal production of the Dutch-Jewish painter and composer Sedje Hémon (1923-2011), with fifteen essays.

One Thing I Know is Pati Hill's third novel, first published in 1962, when she was forty-one and had just given birth to her first and only child. It is the last novel she wrote before claiming to "quit writing in favor of housekeeping".

Adam McEwen's inkjet-on-sponge paintings, collected here in their entirety for the first time.

A survey of the abstract and contemplative work of Pakistani artist Imran Mir (1950-2014), with fifteen essays.

Collection of recordings made at the Friedrichshof commune between 1982 and 1990. Includes actionist group-music, improvised conceptual pieces, and barpianist-songs.

An inventory: Bibliothèque d'un Amateur. Richard Prince's Publications takes a look at Richard Prince's library and production of artist's books published between 1980 and 2020. (new expanded edition).

Covering the past thirty years of William Scott's practice, this monograph offers the largest comprehensive selection of paintings, drawings, masks and architectural models, as well as an unique insight on his creative and transformative approach.

Persistence of Sound presents a new album from one of British sound art's most original voices.

The catalogue of the 15th Triennial of Small Sculpture Fellbach exhibition, curated by Elke aus dem Moore.

Autobiography by Ignasi Aballí is made up of 64 "años" (years), one for each of the 64 pages. Casually, the artist was born in 1958, it means that he has 64 years old at the time of the publication of the book.

This first meticulous revision of the artistic work by Guadeloupean artist Minia Biabiany points the reasons why her practice has become unavoidable to reflect on the continuous process of Caribbean colonization, by destabilizing colonial structures within the territory, body and language.

Four contemporary artists in touch with their territories (the catalogue of the exhibition at the Maison de la culture du Japon in Paris).

The current crisis of museums and the future of Institutional Critique.

Alternative forms of curatorial and institutional work suitable to our novel conditions, when the relationship between physical and online work must be revised.