The anthology black monument explores how artists and communities across Europe, North America, the Caribbean, and Southern Africa disrupt colonial monumentality.

A collaborative research and artistic project about restitution, reparation and transformation taking place in multiple locations over several years.

Forest Encounters invites you into the forest and its many meanings. It brings together voices from different disciplines, geographies, and cultures. Artists, foresters, art historians, philosophers, anthropologists, wildlife researchers, landscape architects, and writers all participate in this collective reflection on the diverse meanings, challenges, and perspectives related to the forest.

A comprehensive overview of the legal framework governing artistic practice, intended for creators, authors, and artists.

Special issue on performance and sound art.

A collection of poetic, dreamlike and synesthetic texts by the Polish writer and artist.

For his debut release on Faitiche, in an award-winning radio collage, the well-known drummer and composer Martin Brandlmayr (Radian, Polwechsel) explores the quiet moments in music and film recordings.

Outta Love documents Angela Brandys's new series of large-scale textile works, conceived in 2024–25 and made from her own wardrobe—designer clothing torn apart, reduced to their baseline fabric, and reassembled into images drawn from the Renaissance tradition.

Through a series of manipulated and recontextualized images, Aletheia Casey reflects on the environmental and personal impact of the unprecedented wildfires that ravaged New South Wales, Australia, and examines the relationship between colonialism and climate change.

Mike Cooper returns to Discrepant with The Dream Island of Birds, a release that blurs the lines between memory, field recording, and reimagined sound.

The first book devoted to the late African American writer and actress, Dorothy Dean (1932-1987), one of the few prominent African American women of New York City's bohemian heyday, close to Andy Warhol and Robert Mapplethorpe (new expanded edition).

All 693 images in a series created by Luc Delahaye over several years using details from photographs cut out of newspapers, marking a turning point in the evolution of this great photographer’s work, which bridges documentary and artistic practices.

An art book by Adama Delphine Fawundu that celebrates life through the female figures—grandmothers, mothers, daughters, artists, caregivers, storytellers, and cooks—who have shaped the artist's cultural and personal history.

At the intersection of art, technology, and humanitarian inquiry, this book provides insight into Ghost Agency's desire for agency across artistic reasearch, institutions, and civic life in the digital age.

First monograph.

Música para Plátanos takes its name—and much of its inspiration—from the group's recording studio, situated in the heart of a banana plantation on the humid north shore of Tenerife, Canary Islands. The ever-present sight of the green, sun-drenched fields surrounding their weekly sessions seeped directly into the music: improvised jams that are playful, layered, and deeply connected to place.

We Lost Control Again surveys the questions raised by the work of artist Rikke Luther between 2015 and 2025, exploring the long-range effects of this era of collapse, and the effect on social orders and the stability of the Earth system.

Mud … and the Earth System explores Rikke Luther's groundbreaking research in Earth system sciences and highlights the challenges of communicating these findings to the public.

An ambitious publication by the artist duo mountaincutters, offering an in-depth insight into their multidisciplinary practice.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

Comprehensive documentation and various theoretical perspectives on the film Labor Power Plant by Romana Schmalisch and Robert Schlicht, a caustic, documentary-inspired science fiction narrative that, among other things, examines the unique nature of the relationships formed by the labor market.

In the staccato, nervous, vivid and even resonant language of the flea markets that Oriol Vilanova frequents, Le prix des choses discusses economics as a flow—that is, the exchange of goods for monetary value.

Fifty verses by New-York musician Moondog (new edition).

A short story by Victor Segalen (1809-1884), set to music by Nurse With Wound.

A meeting of Hervé Zénouda's musical world and Anne Van Der Linden's visual one (set includes a vinyl record, a CD, 10 risograph prints, an 8-page booklet, and a postcard).

A reflection on the ways in which current artistic and curatorial practices, with their emphasis on cooperation, and pedagogical practices informed by feminist, anti-racist and ecological epistemologies, interact today to create an other pedagogical turning point.

The first French translation of one of the seminal texts on the decolonization of art.

Published several years after the fact, "Exposure" is a catalogue for Patricia L. Boyd's solo exhibition "Hold" at Kunstverein München in 2021.

The first in-depth examination of the life and work of the Pakistani feminist artist, activist and pedagogue Lala Rukh (1948-2017).

New expanded edition featuring 75 drawings/watercolors by Sigismond de Vajay.

A programmatic book for rethinking and implementing montage as a medium in contemporary art.

Comprehensive monograph.

Comprehensive monograph.

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

Reference monograph on the Anmatyerre Aboriginal artist Emily Kam Kngwarray (c. 1914–1996).

An aesthetic and political reflection on contemporary monumental and commemorative art, at a time of critical revision of history.

This extensive monographic publication offers a comprehensive examination of Rómulo Macció's painting, situating his work within the development of modern and contemporary Latin American art.

An essay on the figure of the writer-

The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.

22 new dreamlike (or nightmarish) living tableaux by Maurizio Cattelan and Pierpaolo Ferrari.

Artists, media theorists, scientists, and science-fiction writers explore the reciprocity between ecology, industry, technology and consumption.

The fifth issue of the annual magazine that promotes know-how and technique in design, craft or industry looks at the act of blowing.

The fourth volume of a new series of publications by the collective Wages For Wages Against, acting for better work conditions in the visual arts and against all forms of discrimination, on the topics of accessibility in the arts and ableism.

An examination by artists, publishers, and scholars of recent publishing concepts emerging from the experimental literature and art scene (new edition).

Kate Carr's new album explores a vertical trajectory through the UK capital, re-imagined from top to bottom in a suite of elegant and mysterious field recordings.

Le Temps vibré documents Laurie Dall'Ava's long-term research into an organic pigment based on chlorophyll and cyanobacteria, tracing the artist's field of investigation over a period of fifteen years.

A portrait gallery of creators on the margins of art brut gardens, houses and environments, of which Francis David has compiled a monumental photographic inventory since the late 1970s.

Brunhild Ferrari's new work L'oreille voleuse (The Thieving Ear) and an extraordinary live reinterpretation by Eiko Ishibashi and Jim O'Rourke, recorded in October 2025 in Paris.