Taking as their starting point Susan Sontag's book On Photography (1977), Marcelline Delbecq and Ellie Ga embarked on a long-term words-and-images dialogue addressing films, books and artworks that have marked their individual trajectories, together with historical events related (or not) to the year 1977.

Documenting a six-month residence at Fogo Island Arts, Tones highlights the diversity of Leciejewski's practice—with works including collages, photographs, and found-objects sculptures—while bringing to the fore the artist's views on nature.

The visual iconography of Scotland transformed by Parr into the outlandish and unfamiliar.

Study book made by artist George Trakas in response to a commission issued by inhabitants of the Lamelouze commune in the southern French region of Gard, north of Alès (as part of the “New Patrons” program, initiated and supported by the Fondation de France).

A series of unpublished photographs by Brigitte Bauer: the German artist's images recall with distance and sensibility the uprooting and the transition to adulthood.

The catalogue of Claude Closky's exhibition of artists' books at CDLA, as part of the 40th anniversary of the Centre Pompidou. Kalavryta—the font used in the publication was created specially for the occasion by the French artist.

This leporello is the result of a collective photographic stream of consciousness based on a project lead by the Bureau d'investigation photographique: In random order, each member of the group opts for an image to which the following member answers by association and according to his own subjectivity.

At the heart of this collection of short writings are three provocative texts extracted from important artworks by Rosen, offered here as genre-defying literature at the intersection between reality and fiction, speculative narrative and historical-political critique, humor and eroticism.

Billy and her sister Betty live in a futuristic American suburban society obsessed with sex. A series of “disturbing” events will change their lives into a grotesque comic novel… Published in 1968 by Grove Press, Billy & Betty is a biting satire of the American way of life, somewhere between Burgess, Calaferte or the Monty Pythons, and a cult object that inspired Nurse with Wound.

Special anniversary edition, featuring 50 monographic stories from the magazine's past issues, in addition to a 30+page commissioned project by conceptual artist Martine Syms.

A biographical essay on the Baroque Brazilian architect and sculptor from the 18th century, Aleijadinho.

This first volume gathers traditional music from different areas of the Indonesian archipelago, featuring music from Sulawesi, The Moluccas Islands (Spice Islands) and Central Java.

This second volume dedicated to traditional music from the Indonesian archipelago covers music from the vast island of Sumatra (West Indonesia), The Moluccas Islands and the island of Bali.

What would a current-day demon look like? The Swiss artist playfully rehabilitates these evil figures in 170 minimalist portraits—rendering them as an ideal type of the postmodern, at once terrifying and comical.

In (a, b, c) Ulises Carrión presents one if his early linguistic exercises in English, originally handwritten in green ink in 1972. The author observes and explores the structure of the sonnet. He develops fourteen interrelated sequences, which he uses as a key to codify a narrative. The text of each poem follows the schematic order of its title.

Publication reproducing one of Carrión's early linguistic exercises in English language, in which the conceptual artist dissects names of musical instruments to make sound appear.

Facsimile of the seminal magazine created by Ulises Carrión and Cres, originally published in 1979. In this photographic book—one of very few of Carrion's entire practice—the author is very critical about his own affiliation with the mail art movement. The book presents a series a photographs of his calling card filing box, which the author juxtaposes with witty and poignant captions.

Rrr reproduces typewritten pages written by conceptual artist Ulises Carrión in 1972. In his early linguistic exercises, Carrión played with the notion of learning by sounds and poetry. By creating his own onomatopoeia and sequences of repetition, he expresses his playful attitude towards poetry.

An in-depth exploration of the Canadian artist's anthropology-based research method in the form of a conversation with Corinna Ewald, Smaranda Olcèse, and Julie Pellegrin (inaugural title of the “Digressions” series initiated by La Ferme du Buisson in collaboration with Captures editions).

Perfect Cherry Blossom presents the first and long-awaited collaboration between British artist Oliver Payne and Japanese pop artist Keiichi Tanaami. For this new series, Payne has reworked original drawings by Tanaami, adding stickers featuring motifs from Japanese “bullet hell” video games.

Publication documenting an interactive installation by Samuel Bianchini commissioned by the Maison du geste et de l'image in Paris as part of the “New Patrons” program.

First major monograph dedicated to the British artist, bringing together visual documentation, texts addressing the artist's multifarious practice over recent years, and a comprehensive chronology spanning his twenty-year career.

Instruments is the catalogue accompanying Ismaïl Bahri's exhibition of the same title at the Jeu de Paume. It is also his first monograph. Bahri's oeuvre, which dates back to the 2000s, is like a precise and sensitive record of events and experiments; its often mechanical kinetics are particularly evocative of the film process. His experiments are based on the tiny nuances and minute developments that occur when simple things are brought into contact with each other. They demand an acuteness of gaze that leads one to question the limits of perception and the visible.

This monograph dedicated to Wyatt Kahn encompasses his painting production from 2011 to 2017, and introduces his recent exploration of photography.

This narrative intertwines text and image to reflect on the sinking of the Sewol ferry in April 2014 on the Korean peninsula. At the heart of this tragic story lies the controversial personality of Yoo Byung-eun, an evangelical pastor, guru, patron and photographer.

The Liberated Page is an international union based in Geneva, Switzerland, which aims to support and promote the critical and intellectual dissemination of artists' books and independent editions across the world. A collective study gatheringthe thoughts of the union's actors on contemporary books and publishing (with Jungle Books, Footnotes, Edition Patrick Frey, Cadrat Éditions, Kodoji Press, edition fink, Nieves...).

This artist's book is characteristic of Jean-Michel Wicker's work with typography and graphic design. It features a series of graphic works, a “tree of life” produced in collaboration with Marlie Mul, a text by Harry Burke, and a recipe for Alsatian plum pie by Charlotte Wicker. The publication's inserts reproduce collages and paintings by Wicker.

Catalogue documenting two projects by the Colombian artist—a photo essay and an artist's book—focusing on immigration and family ties.

Since 2003, Bourouissa has been developing a multidisciplinary practice rooted in social reality, working primarily with representations of a contemporary urban environment. This catalogue accompanies the Franco-Algerian artist's exhibition at the Barnes Foundation, which gathers his most significant works to date—including Horse Day, his first project in the USA.

Through a series of scientific contributions and archives, this publication recounts the extraordinary character that was Hercule Florence—an explorer, an inventor and an artist, considered one of the inventors of photography.

A complement to the project presented by the Vancouver-based artist at the Canadian pavilion for the 2017 Venice Bienniale, this publication includes over two hundred drawings by Farmer, at once perfectly readable and traumatic, and a glossary compiled by curator Kitty Scott.

Catalogue dedicated to illustrator Stéphan Landry, a key player of the Swiss art scene in the 1990.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

For her show at Mamco, the French artist borrowed from the museum collections to reinterpret a series of artworks by Imi Knoebel, Steven Parrino, Frank Stella, John M. Armleder, Luciano Fabro, Robert Filliou, and Christian Robert-Tissot. Both a catalogue and an artist's book, this publication replays the exhibition much like a snapshot collection.

A collection of essays on art and literature—most of them unpublished in French—by the American poet, performance artist, and critic.

Taking as a starting point Hamilton's “Reaper” series—inspired by the work of Swiss historian and critic of architecture Sigfried Giedion—this publication brings together seven essays by renowned international scholars, all of whom question the relationships between visual arts, technology, science, and architecture.

New “electro-contempo” collaboration, born out of the encounter between turntablist DJ Olive, musical director of Ensemble Musiques Nouvelles Jean-Paul Dessy, and violonist David Núñez. The second CD includes a live recorded at Les Transnumériques festival.

Publication dedicated to Noël Dolla's pictorial experiments in nature: this lesser-known side to the artist's work offers a unique insight today on the painter's research on the medium. The book features a chronological documentation exploring in detail these 13 “Spatial Restructurings”, along with texts by Fabrice Flahutez and Rachel Stella.

Audio project based on field recordings which took place in various locations in New York, U.S.A, Gotland, Sweden, Rio De Janeiro, Brasil and the Greek countryside. Featuring soprano Irini Kyriakidou, this electronic immersive piece is fully part of Novi_sad's visual approach of sound.

A collection of texts by researchers, artists and critics, exploring Morgan Fisher's filmography in relation to his other artistic practices.

Handbook documenting a series of site-specific installations in Paris by a pioneer in textile art.

Choreographer Catherine Contour is a pioneer in the use of hypnosis within the creation process. This monograph features photographic documentation, short essays by specialists, an a small illustrated manual for artists to experiment with the hypnotic tool.

The two authors of this publication, each by means of their own specific medium, question the relation of humanity to digital technologies. In his text, Pacôme Thiellement describes the digital alienation to come; Lauren Huret's collages revisits the time when personal computers entered the domestic space.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

Venice: a cultural and urban investigation on a city with two faces, between the reality and the logo.

Monograph dedicated to the Californian artist, whose work takes the city of Los Angeles as both iconographic source and main subject. This well documented and illustrated publication offers a chronological overview of Israel's heterogeneous projects—paintings, flashmobs, a brand of eyewear and its related advertising, a talk-show, interviews, webseries, sculptures, a movie—each introduced by a short text from the artist.

185 photographs of everyday objects secretly made by inmates in their cells.

A musical portrait of contemporary Beirut, as part of a trilogy dedicated to the Mediterranean Basin: a rich and complex work, intertwining acoustic elements with electronica, with the help of local musicians.

This publication presents a photographic project by Andrea Pertoldeo which consists of a series of full-length portraits of immigrants working on industrial sites in the desert of Bahrain. Images of landscape and labour coincide in order to reveal aspects of the construction of contemporary society. Featuring four texts by artists and scholars.

Catalogue of the first European retrospective dedicated to a major figure in Japanese contemporary art. Situations focuses on Suga's entire career, among the prime movers of 1960s group Mono-ha, and documenting over twenty of his installations, dating from 1969 to the present.