Catalogue raisonné of paintings realized by Peter Halley between 1980 and 1989.

A series of portraits of performance artist, avowed transsexual anarchist with no place to call home, macho woman, fashion model for Marianne Alvoni, target for the Swiss tabloid: Eve-Claudine Lorétan, alias Coco.

During Spring 2015, Eamon Sprod (Tarab) and Eric La Casa spent one week to record on waste grounds, at the north east of Paris, and along the canal Ourcq. Spaces which are somehow both inside yet apart from the city; waiting spaces from which to listen to the threshold of the city.

From “The Left Bank Publisher” to “Miss Fukushima”, 102 portraits of a person or a profession in 10 expressions in the form of an inventory.

From “The Left Bank Publisher” to “Miss Fukushima”, 102 portraits of a person or a profession in 10 expressions in the form of an inventory, with an original and unique artwork.

The chronicles of the digital poetry movement, by one of its pioneers and main actors in France.

A contemporary narrative, an artist's book, a surprising journey into a place that we thought we knew.

An exchange between artist Sterling Ruby and fashion designer Raf Simons.

Cocoon, the solo project of Clair Obscur's leader Christophe Demarthe, publishes his fourth album on Optical Sound.

First monograph dedicated to French artist, videographer, performer and poet Julien Creuzet.

Two interviews in which Carmelo Bene exposes his working method and his ideas on television, and opens a reflection on the links between artistic avant-gardism and mass diffusion.

The temporality of curatorial processes and research practices.

It is a hundred and fifty years since Hector Berlioz is caught between storm and passion, violence and adolescence. This book wants to get out of these cliches, even to sink into others.

Reference monograph.

Publication devoted to the only statement the Belgian artist has ever published about his own work.

A collection of texts by the French-American photographer and filmmaker in which she reflects on her artistic practice and discusses her collaborations with other filmmakers, artists, dancers and choreographers such as Marina Abramović, Chantal Akerman, Trisha Brown, and Yvonne Rainer.

Michael Snow's The Last LP is an extraordinary collection of tracks “of rare music derived from threatened, obsolete, or now-extinct cultures from around the world” that although the claiming of being field recordings of ancient musical experiences, are in fact pieces played, conceived and recorded by the artist himself.

A composition for brass chamber ensemble that explores the origins of language and its relationship with music.

The first French translation of Neuhaus's writings.

Piano always had a central role in the discography of French composer Sylvain Chauveau. This selection of unreleased and out-of-print short pieces—mostly soundtracks—showcases what might be Chauveau's musical signature: quietness, slow pace, long resonances, a close as possible to silence. Music to be played at night.

First English translation of Antonin Artaud's writings from his apocalyptic journey to Ireland in 1937.

A panorama of the world of do-it-yourself fanzines.

First major catalogue/monograph on the French artist: an overview of Molinero's dual work, which both reflects on the academic history of sculpture and refers to pop culture, especially science fiction, splatter films, and crime news.

Since the 1990s, artist Rainer Ganahl has been inspired by Karl Marx's writings. In over 700 pages, this publication brings together essays, photographs and other documentation from dozens of Ganahl's projects adapted from Marx's theories.

Philosopher Ludger Schwarte presents a critical essay against the notion of contemporaneity in art and pleads for a renewed temporality: an art of futurity.

This monograph provides an exhaustive look at the practice of Yann Gerstberger, a French artist exiled in Mexico, whose work is deeply rooted in Mexican popular culture and pre-Columbian mythologies. The publication gathers series of works (sketches, photocopies, neon paper drawings and collages, tapestries), two essays, and poems by Gabriela Jauregui. The edition features an annex booklet devoted to exhibition views.

Giving Voices features documentation on four of Erkan Özgen's video works dealing with war, violence, and trauma—beyond the boundaries of the political, within the dimension of the private and the human. It includes essays and an interview with the artist lead by Hans Ulrich Obrist and Hilde Teerlinck.

The first English translation of Hubert Fichte's investigation on New York's African diaspora in the late 1970s. Contesting the stylistic norms of ethnographic studies, Fichte offers an experimental, poetic, and radical reflection on the living conditions, struggles and cultural heritage of New York Africans.

This catalogue accompanies the exhibition by Florence Lazar at the Jeu de Paume. It is also her first monograph.

Part of The New Sanctuary, the Satellite Programme 12 devised by Laura Herman for the Jeu de Paume and the CAPC, Anna & the Jester in Window of Opportunity is published in conjunction with the exhibition of work by Julie Béna, which takes the form of an architectural tale.

Designed under the direction of the artist, this monograph is devoted to Danh Vo's in situ installation at the CAPC museum, through which the conceptual artist explores the relationship between individual and collective history, and the notions of power and masculinity.

The memories of saxophonist Steve Potts, collected by his friend Michel Edelin.

Chronotopic Traverses brings together unexpected arrangements of Haegue Yang's versatile sculptures of various materials against a backdrop of a panoramic and dramatic wallpaper Incubation and Exhaustion (2018).

Prints by Jennifer Bornstein gathers together a body of work encompassing her latest projects in printmaking during a recent fellowship at the Radcliffe Institute for Advanced Study at Harvard University. These works are contextualized by earlier projects in drawing, film, and artist books that span the 1990s to the present.

Recordings made between 2005 and 2014 by the experimental German band.

A collective exploration of 45 years of protean poetic activities, between printed text, exposed text and proffered text, with some thirty contributions by academics and poets, with numerous illustrations.

This double LP is released in an edition of 300 and includes two solo vocal pieces by Flux artist Takako Saito, two more vocal pieces in which Saito's voice interacts with the sounds of an everyday event, and two non-vocal sound pieces. It is housed in a full-color sleeve and includes one insert with liner notes by Saito, a poster, and four postcards.

A study by Elisabeth Lebovici on the late contemporary artist and IFP co-founder Philippe Thomas. Lebovici's essay examines Thomas's strategy to cede and fictionalize authorship through the multiple lenses of gender, reproduction, subjects' multiplicity, and the artist's tragic disappearance.

Artist's book, based on Peter Voigt and Arno Fischer's project developed for the Marx-Engels-Forum in Berlin.

An exploration of the absence and presence of the (red) color.

On Elephantine, his new Northern Spy/Sub Rosa album, Cairo-based Maurice Louca guides a 12-piece ensemble through a panoramic 38-minute odyssey, which he describes as his most ambitious project yet. Elements of free improvisation, Sun Ra's cosmic jazz, gorgeous Arabic melody, trancelike African and Yemeni music and minimalism meet in his wholly unique compositional vision. Louca also makes vital contributions on guitar and piano, and inspires stirring performances from a global lineup.

First major monograph devoted to the “Icarus of Lautertal”, a key figure of outsider art, flying machines inventor Gustav Mesmer. This publication looks back at his path through essays by Lucienne Peiry, Juliane Stiegele and Franz Xaver Ott, as well as photographs by Franco Zehnder and Stefan Hartmaier.

Notes on the radio.

A publication conceived by Portugese artist Francisco Tropa in collaboration with writer Thomas Boutoux and graphic designer Pedro Falcão, which adopts the form of magazine one flips  through in bars or in waiting rooms. A true/false weekly style magazine with refined imagery printed on glossy paper, The Mustache Hidden in the Beard is dedicated to cultural and scientific topics, design, life styles but also real estate through a series of cutting, quirky articles, investigations, portraits and reports.

Artist's book with which Lauren Huret looks at the question of erasing images on the Internet.

A set of pieces written by sound artist William Engelen for a 18th century organ, exploring and pushing the sonic boundaries and possibilities of the instrument.

A previously unheard masterpiece of Israeli multimedia artist Ami Shavit, inspired by the Yom Kippur war, in Sub Rosa's Early Electronic Music series.

Powerful instrumental music performed by Robert Rauschenberg, Kat Epple, and Bob Stohl on electronics, and a series of musical metal sculptures called Strategic Structures.

The second title in a series of publications dedicated to artists' residencies at Maison Bernard, a masterpiece of organic architecture carried out in the 1970s by Antti Lovag in association with Pierre Bernard. The book documents a site-specific project by Emma Dusong, an artist who works with her own voice.

A critical examination of the relationship between aesthetics and politics through the iconic figure of Carla Lonzi (1931-1982), an innovative art critic and one of the founders of neo-feminism in Italy.