An anthology of texts on contemporary art during the second decade of the twenty-first century.

This publication documents the artistic research for Sansour's project for the Danish Pavilion at the 58th Venice Biennale: a dark science fiction narrative set after an eco-disaster, evolving into an intimate dialogue about memory, exile and nostalgia.

Around 1999, artist Becky Beasley began writing to her former tutor, Claire Scanlon, who kept her letters but never replied. Years later, in 2016, the two began to intermittently record their conversations, now as friends.

A conversation about Ergonomic Futures, Tyler Coburn's furniture for humans to come.

New monograph.

This publication offers a feminist and queer interpretation of artistic practices of the last forty years. It gathers a selection of works and texts from the late 1960s to the present, newly commissioned essays and an anthology of artists's texts.

Will Benedict, Kahlil Joseph, Mahfuz Sultan, Ari Marcopoulos, Lynda Benglis, Camille Blatrix, Jesper Just, Lex Brown, Matt Copson, Fin Simonetti, Autumn Knight, Iman Issa, Nevine Mahmoud, Berenice Olmedo, Igor Simić...

A new publication spotlights Gordon Matta-Clark's only extant architectural piece.

Presented as a work-in-progress, this text on American artist Rindon Johnson's video practice offers a reflection on the widening creative possibilities in the multimodal digital landscape, while discussing the political and personal aspirations of a new generation of artists and critics.

A detailed analysis of Franz Erhard Walther's pioneering Werksatz series of wearable fabric sculptures by Erik Verhargen, accompanied by a history of the piece by Thierry Davila.

A selection of erotic paintings by the American artist, produced between 1969 and 1971: an ecstatic and mystical celebration of the sexual act.

This artist's book is the book-form of a work by Matt Mullican, "The Meaning of Things (who feels the most pain?)" (2014), con sisting of 676 collages and texts on sheets of standard printing paper.

A selection of drawings by the New Zealand outsider artist: her work, recognized belatedly, provides a journey into a grotesque, sometimes somber universe, filled with animals, distorted human bodies, and cartoon characters.

A transdisciplinary anthology of essays and articles investigating the cut-up as a contemporary mode of creativity and important global model of cultural production.

This catalogue presents the artist's Sail Paintings series—32 hybrid compositions reminiscent of a boat's sail. This monumental publication (30 x 40 cm) is designed as a graphic extension to the project.

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

First time release of these live-recordings by Phill Niblock from 2007 and 2019 (organ, played by Hampus Lindwall, and tapes).

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins (limited edition, signed, including an original and unique artwork).

A long poem that questions our being in the world with a freedom that is both new and timeless, as if these words came from the origins.

A poetic document found during a political rally in 2019 (against prisons), without author's name nor any indication of origin. Only mention at the bottom of the last page: copying. to be freely distributed.

A series of essays and visual contributions critically reflecting on the current structures of knowledge within the art world.

This catalogue investigates the genealogy of the relationship between art and ecology in Europe, introducing a series of pioneering research conducted on both sides of the Iron Curtain in the 1970s.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.

The result of a collective reflection undertaken at the Canadian Center for Architecture, this publication is the first volume of an annual periodical series wishing to explore urgent issues in today's curatorial practices.

Three multidisciplinary essays—from cultural anthropology to photography analysis—based on visual archives documenting the visit of writer, painter and politician Carlo Levi to an Albanian community in Southern Italy (second volume in the series “Archivi della Basilicata”).

Publication documenting the award-winning web series Revisiting Genesis by Oreet Ashery. This documentary fiction on mourning in the digital age explores complex issues such as gender and death, digital reincarnation, and women artists.

Stemming from the Master Fine Arts at the Zurich University of the Arts, this publication promotes the art school as a place for pedagogical, civic and political implications.

Anthology of essays written alongside the exhibitions at the Wattis Institute between 2014 and 2019. Celebrating the wide range of voices and forms of curatorial writing, this volume is a unique contribution to the study of art criticism, curation, and the history of exhibitions.

First monographic catalogue dedicated to multimedia artist Thao Nguyen Phan, whose recent video and visual works explore the agricultural, political, and social issues in rural Vietnam.

The first vinyl edition of Shea's classic album, celebrating the 25th year of its release: a crafty piece of complex narrative audiocollage, combining samples and acoustic instruments, inspired by Chinese philosophy, easy listening, and experimental music.

A collection of essays on audio archives of poetry.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian Director Ala Eddine Slim. Fully instrumental, this immersive film score is also their most electronic album to date.

Mads Emil Nielsen continues his Framework series, a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen's own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations—in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.

The Alien Issue features writing on the alien and alienation by Sarah Hennies, Franklin Bruno, inti figgis-vizueta and James May on listening to ourselves and each other, Marc Hannaford, Nicole Kaack in conversation with Jeremy Toussaint-Baptiste, Charmaine Lee and id m theft able on building a home, Matana Roberts, Jacob Wick, Wendy Eisenberg, Chris Pitsiokos and Ben Young on WKCR and Triple Point Records, a contribution to the 2019 exquisite corpse series by Lester St. Louis, and more. The print edition includes very special full color reproduction of Charles Gaines's Librettos.

Facsimile scores and documents about the radiophonic work created by Luc Ferrari in 1991.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

A selection of pictures shot in the '70s by Luc and Brunhild Ferrari, organized by thematics, to be kept as a treasure, to display, or to send as postcards.

Moving across personal anecdotes, moments in history, cultural memory, and scientific did-you-knows, Mario Santanilla's Still Life takes the reader on a virtual journey across a range of sights and sites.

This publication presents the outcomes of the master Materialisation in Art & Design (MAD) at Sandberg Instituut, Amsterdam. The contributions reflect on the program's quest to re-establish the material at the center of art and design practices.

A series of illustrations depicting automobiles set in a chaotic post-apocalyptic world, inspired by the dystopian aesthetics of the 1980s and 1990s.

This issue of Flash Art, with essays by Dorothea von Hantelmann and Isobel Harbison, dedicates sixteen-pages dossier to the work of Rebecca Horn, a pivotal figure of performative art, and develops a series of reflections on a younger generation of contemporary artists who are now using their bodies or their personas as agents in an attempt to re-cognize themselves in a present that increasingly rewards the loss of self-consciousness.

Halfway between a catalogue and a reader, this publication documents a long-term, touring exhibition project on the critical reception of Hubert Fichte's ethnographic travel literature. This large-scale initiative brings forth a multi-faceted debate on colonial modernism, ethnography, poetry and sexuality.

First major retrospective monograph dedicated to the Franco-Lebanese sculptor.

The catalogue of the eponymous exhibition by Laure Prouvost at Pirelli HangarBicocca: a multimedia project—installations, videos and projections, sculptures and found objects—revolving around the story of Prouvost's “grandfather”, a fictional prolific conceptual artist.

Diaphanes #8/9 looks into curious loops of reproduced present, the integral of circular I-effects, the other side of the social Möbius strip. Is the self nothing but an echo? An effect without cause? The human being a message, an autoreply in the jargon of social-memes? Who or what massages the backchannel so astoundingly self-similarly, like an invisible hand?