A cinephilic, emotional and memorial journey: page after page of cinema tickets—exhumed from the past, preserved until now and published here for tomorrow—retrace fragments of artist Marie-Douce St-Jacques' cinephilic itinerary, and tell the story of a discreet struggle against oblivion and indifference.

A series of photographs of traces of glue on city walls, testifying to what has been posted/hung there (artist's book).

A collective publication resulting from a research project led by Sophie Orlando and Katrin Ströbel that takes as its starting point the way in which current geopolitical, economic and social changes induce a renewal and adjustment of artistic strategies, by investing, in an intersectional perspective, contextual thinking and feminist, queer and postcolonial thinking in an artistic and conceptual way.

Out of the Grid presents a critical selection of 100 Italian zines from 1978 to 2006 that display a broad spectrum of social, political, aesthetic, and technological changes in the use of language and communication strategies across the territory of self publishing.

Two monumental pieces for flutes and additional voices.

Kahlo/Modotti – Forty Years Later is the result of a visit by Laura Mulvey to the Department of Film Studies at the University of Zurich in November 2022. The booklet contains two texts: Mulvey's evening lecture at the Cabaret Voltaire, revisiting hers and Peter Wollen's exhibition and film on Frida Kahlo and Tina Modotti, and Wollen's 2003 essay on the phenomenon of "Fridamania."

A speculative novel set in 2046 that asks us to question our role in the destruction of our environment, the impact of automation on society, and heightened inequity across class, race, and gender.

Monograph devoted to Yaron Michael Hakim's Psittaciformes body of work, drawing inspiration from the migratory nature of parrots and their ability to assimilate. Through bold paintings on used Dacron sailcloth, Hakim uses this subject matter to explore his own relationship with assimilation, living between cultures, and the exoticization of his heritage.

A photographic exploration of the architecture, history and people of Naples at the time of the fervent Scudetto celebrations.

Wall assemblages and totemic bronze and resin sculptures made during the pandemic by Houston-based sculptor Joseph Havel with the help of his pet parrot Hannah.

First monograph.

The first monograph of the artist Christa Joo Hyun D'Angelo, Fatal Attraction covers over a decade of work spanning collage, video, installation, and sculpture.

Grand Illusion is a photographic series of screenshots from Google Cultural Institute's "Museum View" of Baroque European palaces—objects of beauty and manifestations of power whose gold encrusted ornamentation points to the colonial activities abroad that made this kind of wealth possible.

First monograph.

Dealing with the hauntings and echoes of Austria's colonial past, Belinda Kazeem-Kamiński—visual artist, writer, and recipient of the Camera Austria Prize 2021—sets the stage for the what-if, while confronting viewers with the violence of the Western gaze.

The first published recording by Amelia Cuni, Werner Durand (fusing her Indian Raga singing in the Dhrupad style with his minimalist and experimental approach) and Uli Hohmann (joining them in a range of hand drums from the Middle East and North Africa, plus a dulcimer-sounding hammered guitar).

How queer theory can wed its critically anti-normative impulses to the empirical need for a state.

A collection of poems generated between 2020 and 2022 by an Artificial Intelligence trained exclusively on poet Charles Bernstein's entire corpus.

An overview of Eugène Carrière's work, through a selection of little-known or previously unpublished paintings, alongside his major masterpieces.

This monograph, taking a thematic approach that brings together both words and objects, aims to highlight the extreme inventiveness of Gaston Chaissac.

A large-format board-book sequel to Homma's seminal photobook Tokyo Suburbia.

A complete documentation of Yayoi Kusama's early performative activities in the Netherlands in the 1960s-70s, through a collection of previously unpublished photographs and written and visual accounts from eyewitnesses, showcasing her unique style and engagement with the emerging sexual revolution.

The English translation of Il viaggiatore insonne, poet legend Sandro Penna's final collection, coupled with illustrations by the American artist Louis Fratino.

A piece for saxophones and electronics, performed live by Kasper T. Toeplitz (real time electronics) and Bertrand Gauguet (alto & baritone saxophones).

Fredrik Værslev: The Garden Paintings is the first publication dedicated solely to one specific body of work in the artist's practice. It includes essays by Martha Kirszenbaum and Erlend Hammer, and gives a comprehensive and chronological account of the works from the series, showing their stylistic development as well as their exhibition history.

"Spuren & Gegenworte" began with a quasi-telepathic collaboration between KM and RW. Both recorded a track on May 3, 2021, from 8:00 PM to 8:10 PM. These recordings were subsequently transformed, combined, juxtaposed, and further modified over the course of several months, resulting in the completion of the four pieces on the CD.

A 62' minute piece composed between 2015 and 2019, published for the first time on CD digipak.

A previously unheard performance by rudra veena master Ustad Zia Mohiuddin Dagar (1929-1990), recorded in the North Indian city of Vrindavan at the Druhpad Samaroh festival in 1982.

The major influence of Henri Matisse on the work of one of the leading figures of American Pop Art.

An extensive compilation of Abraham Cruzvillegas' drawings of apes, which he has been producing since the early beginning of his career starting in 1985 (artist's book / leporello).

A hybrid publication, between an artist book, a monograph and a field report on a lost work.

Mike Cooper's new masterful experiment mixing free jazz, Oceanic, and Hawaiian inspirations, in collaboration with Geoff Hawkins, Jon Raskin and Tim Hill (saxophone), Elliott Sharp and Michael Thieke (clarinet), Scot Ray (lap steel guitar) and choreographer and dancer Ariella Vidach.

Photographer and writer Carla Cerati (1926-2016) captures the architectural, social and political upheavals of 1960-70s Milan.

Hannah Ryggen Triennale 2022 presents artists and works that can varyingly be seen in the light of Swedish-born Norwegian feminist textile artist Hannah Ryggen's legacy (1894–1970).

A reader based on a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

A visual record of a research undertaking, an exhibition, workshops, and a series of performances that invite artists, activists, scholars, and people from other walks of life to imagine new forms of cultural and political resistance through diverse emancipation projects, past and present, taking as point of departure the philosophy of quilombismo as developed by Brazilian artist, author, and politician Abdias Nascimento.

This publication is based on an exhibition and research project that foregrounds an ever-incomplete weaving of narratives of artists, curators, writers, and customary knowledge holders. It traces the many worlds that have existed in parallel, often in spite of or against the oppressive visions imagined by successive regimes—the Russian Empire, the USSR, and contemporary Russia—that have controlled areas across Eastern Europe and Central and North Asia.

A comprehensive overview of the vast production of monuments in socialist Yugoslavia (1945–91) dedicated to the antifascist People's Liberation Struggle in the Second World War and the socialist revolution.

An overview of John Akomfrah's work, with contributions by Julia Grosse and Nelly Y. Pinkrah, an interview with the artist, along with a foreword by Sebastian Baden.

A volume assembling new and existing documents that revisit, mix and remix moments in the work of artist Christian Nyampeta.

A hybrid proposal developed by artist and curator Lorenzo Sandoval and archaeologist Tono Vizcaíno, situated between the creation of an archive and an artistic project, whose objective is to offer a necessarily partial reading of Valencian industrial heritage based on the sound, the intangible and social movements.

The first monographic overview publication of the work of Iranian artist Farkhondeh Shahroudi.

New monograph.

Wesley Brown narrates the day when trumpeter Miles Davis was assaulted by the New York Police Department. A dramatic and humorous story, told from multiple perspectives including that of Frances Taylor, Davis's wife, and the musicians in Davis's bands: a timely meditation on the psychological impact of police brutality, through the lens of a day in the life of Miles Davis.

Reference monograph.

Reference monograph (also available in English edition).

The culmination of the American artist's assemblage project.

The first photo book by Zurich-based photographer Noah Noyan Wenzinger.

A publication compiled, edited and designed by Danish graphic artist Anni's, based on research into the uses of the grid.

This publication presents research conducted by visual artist and choreographer Clarissa Bauman over two years, in the frame of the exerce MA in choreography and performance (National Choreographic Center of Montpellier / Occitanie). Here, writing becomes movement, a weaving of words, gestures, images, and drawings that rub against each other in a dialogue articulated from page to page.